The Algorithm Series: Video Player Performance

Multiple algorithms for encoding, transfer, and playback intersect in the end user's player. So how can you make the numbers work in your favor?

Review: iSize BitSave Video Preprocessing

iSize claims that BitSave can deliver a 40% to 60% bitrate reduction while keeping the same video quality. We put those claims to the test.

Buyers' Guide to Essential Video Utilities

Any good compressionist needs tools to help reveal critical data about encoded files, from codecs and resolution to GOP structure and quality levels. Here's a look at some of the most useful.

The Streaming Toolbox: Cinnafilm PixelStrings, THEOplayer, and Resonance AI

In this installment of The Streaming Toolbox, we'll cover a platform that transforms video formats, another tool that actually looks at what is resonating with viewers using AI and machine learning (ML), and a third that is a player which is delivering the product the first two tools are working with.

G-Core Labs: Trends in Delivering Low Latency Video

Aleksei Petrovskikh of G-Core Labs talks about the platform, its capabilities, and market trends.

SSSIMWAVE: View from the Top 2020

Exceptional QoE Will Be Critical in 2020

Mux: View From the Top 2019

Mux wants to do what we can to foster and encourage the video developer community because a strong community allows all of us to grow and learn while building and improving amazing projects and companies.

Educators Need Resources That Simulate the Digital Divide

With more learning materials going online, educators need to be sure all their students have access. Learn about programs that show the limits of poor-quality networks.

Work in Parallel to Streamline the VQ Measurement Workflow

There's a long way to run video quality measurement tasks and a shorter way. As our columnist learned, it's never too late to learn a more efficient system.

3 Things the Streaming Industry Must Do to Prepare for ATSC 3.0

This is "The Year Before the Year of ATSC 3.0," and that means preparation—not just for broadcasters, but for the streaming industry, as well.