This article will highlight the features of LiveU's LU800-PRO mobile unit and how it can be used for REMI lightweight production, webcasting, online interviews, and multi-camera streaming productions. You'll learn how to get up and running with the LU800-PRO and how to use it for production with LiveU Studio 2.0. You'll also learn how to create channels, add media and live-streaming inputs, and configure multicam streams.
28 May 2025
After a 12-year hiatus, Streaming Media is bringing back the Streaming Media All-Stars for 2025 to pay tribute to a select group of key technology innovators who are driving and disrupting the streaming industry.
31 Mar 2025
Old Hollywood got Wall Street's memo: "Do whatever it takes to do what Netflix is doing." And finally, the studios have begun making money from streaming. With the exception of NBCUniversal, the biggest legacy media companies all reported a profit from their direct-to-consumer (DTC) businesses in Q3 2024. They got there by variously writing down or shedding cable assets, slashing jobs, hiking prices, policing password-sharing, improving bundled offerings, and putting the full focus of their business strategy into online.
28 Mar 2025
HEVC rode the 4K/HDR wave to success, but AV1, VVC, and LCEVC lack an equivalent killer app. With CDNs racing to the bottom on pricing and new royalty pools threatening to increase costs, codec adoption is no longer just about technical merit—it's about survival. These are the issues I'll explore in this article.
28 Mar 2025
With nearly a half-century of streaming industry observations, experience, and expertise between them BuyDRM CEO Christopher Levy and Help Me Stream Research Foundation Founder Timothy Fore-Siglin gathered at Streaming Media Connect 2025 for a richly detailed, insightful, and wide-ranging interview on the state of content protection technology and strategy. The discussion covered various aspects of digital rights management (DRM) and its role in combating streaming piracy.
26 Mar 2025
A mobile device with the right software is now a tool that can replace some of the traditional live production equipment such as low- and mid-tier cameras and encoders. This reduces both upfront capital expenses, like equipment purchases, and operational costs for live content creators.
26 Mar 2025
The broadcast and streaming industry is currently navigating a challenging financial landscape, marked by economic uncertainties, intensified competition and shifting consumer behaviors. In this environment, understanding and optimizing Total Cost of Ownership (TCO) has become more critical than ever. TCO is not just a financial metric; it's a strategic tool that helps organizations manage resources efficiently, maintain competitiveness and contribute to sustainability in a rapidly evolving market.
15 Oct 2024
As we look at the trajectory of our industry in 2024 and beyond, the EZDRM team is increasingly navigating the ever-changing world of streaming video through a focus on how our technologies, in both the security and integrity realms, in conjunction with strong partner collaborations, are helping new content-related business segments to emerge and thrive. Thus, we emphasize a profile far beyond a simplistic focus on piracy mitigation by focusing our attention on revenue protection and monetization of the already-existing, very valuable content.
08 Nov 2024
Typical broadcast-level sports productions are massive, with dozens of cameras and operators all over the place, and dozens more people working in and around the production trucks. So how does one, independent producer make their content more like "the big league" when there isn't a dozen people to help?
13 May 2025
At NAB 2025 I set out in search of one irrefutable, real-world example of true sports streaming personalization, an innovative and unique experience that might present a mass-media live sporting event on my screen as it appears on no one else's. I found a contender at the Qvest Engage booth.
15 Apr 2025
The shared experience of enjoying a program that's happening at (or very near) the same time as reality is gone. YouTube, Facebook, et al. are typically 20 or more seconds behind when the event happened. Streaming services and apps can have their own pathways and delays. Add more viewers or more processing, and it can get longer.
24 Jan 2025
With large sports-streaming operators, WebRTC provides a real opportunity for ultra-low-latency streaming. But those same operators, which spend billions on licensing rights, can't afford to just swap the ability to stream content in real time for basic OTT functionality like SSAI and DRM.
19 Jan 2024