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Streaming Media Producer - Featured News

News

Magewell to Highlight New Capture, Conversion, and Streaming Solutions at IBC2022

Demonstrations will showcase how the company's innovations empower IP-based production and media delivery workflows

Telestream to Showcase Latest Solutions Encompassing Production Through Distribution at IBC 2022

Features new capabilities for Live & Studio production, Post, Advertising, VOD, Live Production and Streaming, Content Management, and Video Quality Monitoring

FOR-A Gives LiveHD 4k Ultra-Slow Motion in Time for FIFA Club World Cup

As part of its move to comprehensive 4k production capabilities, outside broadcast production specialist LiveHD, part of Abu Dhabi Media, has invested in two ultra-slow motion camera systems from FOR-A.

AVer Releases 4K 21X NDI® AI Auto Tracking Camera

The AVer TR323NV2 PTZ Camera Includes Body, Voice and Hybrid Tracking Modes
... More News

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Streaming Media Producer - Featured Articles

Featured Articles

How to Enable Classroom and Conference Audio with Audinate Dante

by | Australia-based Audinate develops and licenses Dante (Digital Audio Network Through Ethernet)-enabled audio devices that are used for streaming at schools, conference centers, and houses of worship. Here is a look at what's available and how you can deploy it in networked classrooms and conference spaces.

How to Best Evaluate Prospective Webcast Clients

by | Robert Reinhardt of VideoRx outlines essential steps for evaluating prospective webcast clients, such as determining high-value RFPs, gaining clear client expectations, evaluating the stakeholders, and identifying technology solution providers

Review: Canon CR-N500 PTZ Camera

by | At $5,399, the Canon N500 is a bargain compared to other 1" sensor PTZ video cameras. Featuring 4K/30P and NDI|HX2 support, it has a long 15x optical zoom lens and dual XLR audio inputs, and supports the low-power POE+ standard.

Automated Lecture Capture and Streaming with Microsoft Teams and Stream

by | Chris Knowlton of Panopto talks about the sophisticated ways that pioneering elearning customers have led by example to quickly improve automated lecture capture and streaming with Microsoft Teams and Stream

How to Choose the Right Webcasting Service

by | "Traditional" webcasting services like Wowza and AWS Cloud, though powerful and reliable, often came with expensive usage costs and longterm commitments that made it difficult for newer webcasters still gaining a foothold in the industry. Newer services like Mux and Pushr offer more flexible pay-as-you-go arrangements with less expensive transcoding, DVR, and storage costs that make them more accessible to newer webcasters, as Robert Reinhardt explains in this clip from Streaming Media East 2022.

Gear for the HyFlex Teaching and Learning Space

by | The name of the game for designing a hybrid classroom or meeting space is balancing inclusivity of the remote and on-premise audiences that a colleague sometimes refers to as the "zoomers" and "roomers," respectively. Here's a look at some gear that can help you achieve that balance.

Biggest Challenges of Moving from On-Prem to Cloud Video Workflows

by | Some streaming pros say cloud production has made 5-10 years of progress in the two years since the pandemic shook live production to its core, but when will cloud offer the sort of no-latency communication, preview, and replay producers expect and rely on in on-prem workflows? And will it require a paradigm shift in the way producers think about hardware purchases and usage? Live X's Corey Behnke, CNN's Ben Ratner, LiveU's Mike Savello, and Signiant's Jon Finegold discuss the challenges of cloud migration and the current state of cloud in this clip from Streaming Media East 2022.

Review: Telestream Wirecast Gear 3

The newly released Wirecast Gear 3 combines a change from Intel to AMD CPUs and a rearchitected software engine that Telestream claims "uses up to 60% less computer resources than previous versions." In this review, I tested the new version of hardware and software to its limits and came away very impressed.

Video Learning: Where Do We Go From Here?

by | As COVID transitions from pandemic to endemic, what does the "new normal" look like in higher education? For Ohio State Director of Instructional Media Scott Nelson, it's all about making sure that the advances universities made in remote, hybrid, and asynchronous learning remain available for the students that need them, and that colleges continue to leverage the flexibility they've discovered. In this clip from Streaming Media East 2022, Nelson discusses his current role, a mix of advocacy and making sure departments have the right tools to keep hybrid learning going.

Tutorial: Auto Audio Ducking in Adobe Premiere Pro

by | Clear Online Video's Stjepan Alaupovic explains how to use Adobe Premiere Pro's Auto-Ducking feature to streamline the process of balancing background music with dialogue in your edited videos.

The Three Tiers of Virtual Events

by | So, whether it's a quarterly meeting, an annual marketing show, or an industry event like CES or the International Auto Show, we still need in-person events. But how these events recognize and incorporate remote pre­senters and remote audiences will have to change from what was done pre-COVID. The future of events is hybrid, although these hybrid events will take different forms, depending on the event size, budget, and nature and complexity of the off-site elements. There are what I call "Three Tiers of Hybrid," which represent three different ways to bring local and remote presenters and attendees together.

How to Succeed with REMI and Cloud Production

by | CNN's Ben Ratner, LiveU's Mike Savello, and Signiant's Jon Finegold discuss best practices and lessons learned from forays into REMI and cloud production that have yielded successful workflows in this clip from their panel at Streaming Media East 2022.

Fixing Backlit Video in Adobe Premiere Pro

by | In this Premiere Pro-based remote production tutorial, Streaming Learning Center's Jan Ozer explains how to fix backlit webcam videos when editing interviews with remote guests.

Value-Adds of Remote Production

by | CNN's Ben Ratner, LiveU's Mike Savello, and Signiant's John Finegold discuss the benefits of shifting to remote and cloud video workflows from traditional on-prem production, discussing what they did and why it worked in this clip from Streaming Media East 2022.
... More Featured Articles

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