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Streaming Media Producer - Featured News

News

Telestream Cloud Stream Monitor and Wirecast Now Have Full SRT Support

Enables users to monitor live video stream quality when using SRT protocol

Maxon Announces 2021 Lineup of 3D, VFX and Motion Graphics Special Events

2021 Sees the Highly Anticipated Return of Maxon's Artist-Focused Digital Experiences, Video Industry Events and More

Teradek Partners with Frame.io Camera to Cloud (C2C) to Revolutionize Editorial Workflow

Creative Solutions announces that Teradek has partnered with Frame.io to support Frame.io C2C (Camera to Cloud), a cloud-based workflow that bridges on-set camera capture with post-production NLE systems

Blackmagic Design Announces New Blackmagic Web Presenter HD

New broadcast transmitter for the streaming age includes powerful H.264 encoder for live streaming to YouTube, Facebook, Twitter and more!

Streaming Media Producer - Featured Articles

Featured Articles

How to Create Custom Picture-by-Picture Looks for Remote Streaming Production

by | If you're looking for a way to elevate your livestreaming productions beyond what clients can do themselves, then you will want to take over more control in your productions, starting with the PxP and PiP looks, using external hardware and/or software. The benefit of this approach is that your recordings will generate a standard HD signal for later editing and on-demand viewing on different platforms.

How to Maintain Production Control in Cloud-Based Production

by | Zixi's Eric Bolten discusses the transition to remote and cloud-based production in this clip from Streaming Media Connect 2021.

Adapting an Existing Multicamera Switching Setup for Streaming

by | The shift from live-switching to live-switched streaming since the pandemic started has required me to adjust my workflow to meet my clients' current demands in the most cost-efficient manner possible. In this tutorial, I'll discuss the adjustments I've made, explaining how to adapt the gear you have—with one additional minor purchase—rather than having to invest in a whole new streaming switcher.

Review: Panasonic AG-CX10 4K Camcorder

by | We put the AG-CX10, Panasonic's entry-level pro 4K camcorder, through its paces, assessing the camera's key features and usability, as well as the quality of the footage it delivers.

Elevating Remote Production in the Cloud

by | What's the best way to handle a multiday conference with one remote panel event after another, with about 5 minutes between them, maybe less? What if you add video playback, remote slide presentations, and the inevitable last-minute changes? On a recent project involving the challenges described above, my team and I chose a cloud-based workflow. In this article, I'll discuss what we used, what the cloud offers, and why we went this way.

John Ross Talks Laurel Canyon Live

by | Laurel Canyon Live's John Ross discusses the vision, mission, and workflow of a new live streaming facility that will operate at the nexus of live performance and narrative-driven music video in this interview with Streaming Media Producer's Steve Nathans-Kelly.

Review: FEELWORLD LIVEPRO L1 Multi-Format Video Mixer

by | I bought the FEELWORLD LIVEPRO L1 mixer for my own use, and the current state of operation is pretty exciting, not only for live streaming but for recorded tutorials. The ability to mix multiple cameras in real-time with a single audio overlay will speed many upcoming tutorials for different courses that I'm creating.

Advantages of Broadcast-Class Cameras for Worship Streaming

Lower-end options ranging from smartphones and DSLRs to PTZ cameras and camcorders may seem attractive for their low cost, but broadcast-class cameras can significantly improve the look of your streams--as well as IMAG when congregants return to the sanctuary--and are more affordable than you might think.

Outfitting Toronto's Legendary Music Venues for Live Concert Streaming

by | Doug McKendrick, VP Production at Toronto's Massey Hall and Roy Thomson Hall discusses the pandemic-accelerated pivot to in-house production and streaming in Roy Thomson Hall, home to the Toronto Symphony Orchestra, and the role video is playing in the revitalization of the legendary Massey Hall.

New World Symphony's Clyde Scott Talks Pivot to Streaming, New PTZ Workflow

by | Streaming Media Producer Editor Steve Nathans-Kelly and New World Symphony Director of Video Production Clyde Scott discuss New World Symphony's recent adoption of a workflow centered on Panasonic 4K PTZ cameras and controllers and their pandemic-era pivot to livestreaming.

How to Make Your Remote Live Talent Look and Sound Awesome

Stream4us' Anthony Burokas offers best practices for making remote guests in multi-source live productions look and sound their best in this clip from Streaming Media West Connect.

Virtual Audio Cables for Multi-Source Remote Streaming Production

by | Stream4us' Anthony Burokas explains how to use "virtual audio cables" from vb-audio.com to connect multiple audio sources when using a laptop for live streaming production with multiple remote guests.

Streaming New Orleans Voices of Congo Square

by | Streaming Media Producer's Steve Nathans-Kelly interviews William Sabourin and Carlos Larrondo, Director and Tech Director of the world premiere live stream of Voices of Congo Square.

Review: StreamYard for Cloud Production

by | Anthony Burokas discusses a recent Stream4.us project where they brought in up to 9 remote sources from around the world using StreamYard to produce the show in the cloud.