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Streaming Media Producer - Featured News

News

Blackmagic Design Announces New Blackmagic URSA Studio Viewfinder G2

New lower price and super bright 2,000 nit display make it even easier to turn URSA Broadcast G2 into the ultimate live camera!

Blackmagic Design Announces New Micro Converter 12G models

New family of miniaturized and affordable broadcast converters feature a new advanced design that supports all 12G-SDI formats up to 2160p60.

Frame.io Expands Camera to Cloud Workflows

Now used on over 1,300 productions, new Camera to Cloud update adds support for Aaton Cantar X3 recorders, and Pomfort Livegrade, ZoeLog and Magic ViewFinder apps.

Japan’s WOWOW TV Upgrades to Telestream Lightspeed Live Capture C4

Three new capture systems double input channels while providing HD and 4K capture for recording center

Streaming Media Producer - Featured Articles

Featured Articles

Video Editing in the Cloud

by | There are many cloud-based editing solutions available, nearly too many to count. Who should consider using them and why? How can you tell them apart? That's what I'll cover in this article.

Challenges of NDI for REMI Production

by | Blizzard Director, Live Operations, Global Broadcast Corey Smith discusses some of the roadblocks Blizzard has encountered when using NDI in cloud and remote workflows for gaming and esports in this clip from a panel at Streaming Media West 2021.

Tutorial: Producing Live-Streamed Events with the Roland V-02HD MK II

by | In this article, I'll detail how to plan, configure, and produce a live event using Roland's two-input HDMI mixer, the V-O2HD MK II. I'll cover the high-level planning and execution issues generically, but show configuration options using the V-02HD.

Are REMI Production and Hybrid Events Here to Stay?

by | Gigcasters' Casey Charvet discusses how Gigcasters and the agencies they work with have embraced remote production and virtual and hybrid events--first out of necessity with the challenges of the pandemic, then recognizing the new possibilities and opportunities they offer.

Remote Production and the Future of Live Streaming

by | 3Q's Andrew McCargar, Fairmile's Ian Nock, and PUSH's Larry Gale discuss how the remote production workflows that have become prevalent during the pandemic era will impact live streaming going forward.

Review: YoloLiv Yolobox and Yolobox Pro

by | Anthony Burokas provides a walkthrough of Android tablet-based multicam livestreaming Yololiv's YoloBox and Yolobox Pro, discussing key features, usability, and current shortcomings.

Guildhall School Makes New Connections with NewTek and NDI Mix

When London's Guildhall School of Music and Drama upgraded its video infrastructure with NewTek's VMC (TriCaster) live multi-camera production system and NDI to solve a pressing issue, it also opened a world of possibilities.

The Case for Collaborative Cloud Editing

by | Blackbird's Daniel Webster discusses the rise of collaborative, cloud-based editing workflows and the reasons for the overall trend toward toward distributed production workflows with limited centralized elements in this clip from Streaming Media Connect 2021.

How Cloud Migration Changes Live Streaming Workflows

by | LiveSports LLC's Jef Kethley discusses how moving to cloud production has changed both his workflows and the ways he allocates staff in this clip from Streaming Media Connect 2021.

Remote Production with NewTek Live Call Connect

by | NewTek's Chris Burgos explains how NewTek Live Call Connect and NDI 5 enable heightened engagement for multi-guest remote production in this clip from his presentation at Streaming Media Connect 2021.

Review: JVC HC-550 4K Camcorder

by | The JVC GY-HC550 will do very well in news production, corporate video, and event production. The ability to store a station or other logo on the camera for streaming is very useful.

Advancing Remote Production with SRT and Cloud Routing

by | Live X's Anna Cowdery and Live Sports LLC's Jef Kethley discuss their go-to tools and tech for remote production in this clip from Streaming Media Connect 2021.

Review: Riverside.fm for Remote Producers

by | From a perfect high-quality audio recording of a podcast guest to a remote shoot with a 4K camera hooked into a computer via Riverside, editors can have access to perfect video files in seconds and avoid most of the downsides of other popular video call services.

Review: The Roland V-160HD Hybrid Event Video Switcher

by | While detailing every feature of this switcher is beyond the scope of the article, I'll present the top 10 features that I fully appreciate on the Roland V-160HD, peppered with some constructive criticism for good measure.