Fall 2026
Magazine Features
AI's Streaming Stack: Image Interpretation
07 Sep 2026
The companies covered here have substantially leveraged AI or incorporated it into their currently shipping tech. The representatives I spoke to discuss some very interesting approaches for what essentially is image interpretation, including detecting if content has been tampered with using AI, local AI processing, and automated clip generation such as vertical formatting.
Presenting the 2026 Streaming Media Readers’ Choice Awards
03 Sep 2026
The envelope please… Here we present 15 top tech solutions of 2026, as chosen by the readers of Streaming Media.
Profitability Is Power: NYPR CEO and President Christy Tanner Discusses Free News, FAST Sports, and Transitioning to Public Media
08 Sep 2026
In this interview, New York Public Radio (NYPR) president and CEO Christy Tanner discusses her long and varied career in media, from her early days in the pre-digital era working for the Associated Press (AP) to the ways that she worked to optimize growth and influence at streaming organizations such as CBS Interactive and to raise the profile of women's sports at Swerve TV.
Review: Magewell Director Plus
04 Sep 2026
In this review, I'll tell you about the new Magewell Director Plus all-in-one streaming device … and how I tried to kill it.
The Match Is No Longer the Beginning of the Journey
25 Aug 2026
The sports industry spends a lot of time discussing how to attract younger audiences. Every conference seems to feature a panel on Gen Z viewing habits. Every strategy document contains a section on fan acquisition. Every rights holder, broadcaster and streaming platform is searching for the next generation of supporters. Yet despite all this attention, I often feel we are asking the wrong question.
Zero-Sum Game: Calculating and Managing Streaming TCO
07 Sep 2026
While total cost of ownership spans an encyclopedic number of operational touchpoints, managing a video P&L ultimately comes down to making targeted, high-impact architectural choices.
Editor's Note
Fair Trade
07 Sep 2026
Even as technology trade shows like IBC, which opens at RAI Amsterdam just as this issue goes to press, atomize those experiences by industry rather than packaging them for popular consumption, they promise "see the world of tomorrow" excitement without the nationalistic and imperialistic baggage associated with it at many of the world's fairs of the 19th and 20th century.
Spotlights
Five seconds used to count as low latency. Now only 16% agree.
09 Sep 2026
Igor Oreper discusses the latest findings of Bitmovin's Video Developer Report
Readers' Choice Awards Winners' Circle: Ateme
11 Sep 2026
Mickael Raulet explains how Ateme are applying decades of compression expertise to immersive video.
Readers' Choice Awards Winners' Circle: EZDRM
11 Sep 2026
Olga Kornienko explains that EZDRM have expanded beyond core Digital Rights Management origins, while maintaining the fundamental mission of protecting and enhancing media revenue streams.
Readers' Choice Awards Winners' Circle: LiveU
11 Sep 2026
LiveU's Dan Pisarski talks pushing the boundaries of IP video transmission and reliability with the LiveU LU900Q
Readers' Choice Awards Winners' Circle: Wowza
11 Sep 2026
Michael Vitale explains that reliable, extensible, and flexible media infrastructure can solve streaming's toughest challenges.
Your Competitors Are Serving the Same Ads for 30% Less. The Difference Is the Server.
01 Jul 2026
Ad tech teams optimize the code. They rarely question the server. Here is what that costs—and what one platform changed to fix it.
Your Library Is Already a Linear Channel. Your Platform Just Doesn't Know It Yet.
02 Sep 2026
Aviion previews a unified live and on-demand model at IBC2026: 24/7 channels built from existing content, no playout hardware, and a live state that stays correct on every screen.
The Producer's View
Lessons in Live Verticalization and Dual-Aspect Streaming
31 Jul 2026
So, how do you meet your audience "where they are" if you don't know where they'll be when they see your video? You stream it both vertically and horizontally at the same time, and you leverage technology to re-orient your content automatically.