Video Tutorials

New Features in Adobe Premiere Pro CC 2019

Fixing Flawed Audio in Adobe Creative Cloud

YouTube Export in Adobe Premiere Pro CC 2019

Selective Color in Adobe Premiere Pro CC 2019

Live Event Streaming with the Roland V-60HD, Part 2—Smart Tally and Auto-Mixing

Live Event Streaming with the Roland V-60HD, Part 1--Overview

Live-Switched Worship Video with PTZOptics Cameras and Wirecast 9

Shot Comparison & Color Matching Tools Using Adobe Premiere Pro

Blackmagic URSA Broadcast and URSA Mini Pro 4.6K

How to Optimize Video Content for Instagram

Live Event Streaming and Videoconferencing with the Telestream Wirecast Gear 230

How to Publish to Multiple Social Platforms Simultaneously Using Adobe Media Encoder

Collaboration Tips for Adobe Premiere Pro and Vimeo

Working With the New Titling Tools in Adobe Premiere Pro CC 2018

How to Add Interactivity to Your Vimeo Videos

How to Add Interactivity to Your YouTube Videos

Adobe Essential Graphics for After Effects and Premiere Pro

How to Up Your Live Sports Streaming Game with PTZ and NDI

Previewing and Reviewing Client Videos with Frame.io

Creating Dynamic, Customizable Title Effects in Red Giant Universe 2.1

Producing Live-Streamed Sports Video with the NewTek TriCaster TC1

How to Stream Reliably from Your iDevice Anytime, Anywhere with the LiveU Solo Cam App

How to Edit and Repurpose Your Multicam Live Content with EDIUS Pro 8 on Wirecast Gear

Stabilize Your Video With proDAD Mercalli for Mac

EditShare Lightworks for Premiere Pro Editors

Blackmagic Design DaVinci Resolve 14 for Premiere Pro Users

How to Create Customized Animated Titles in NewBlueFX Titler Pro 5

One-Touch Live Streaming With the LiveU Solo

The Top 10 Reasons PTZ Cameras Will Benefit Your Worship Video Program

iPad-based Switching and Streaming with Switcher Studio

Best Practices for Encoding and Delivering Dolby Audio to Apple Devices

How to Stream to Facebook Live and YouTube From Your DJI Phantom

Tether Tools’ Aero Drone LaunchPad

How to Use the Grass Valley T2 iDDR in Your Worship Video Workflow

Converting HD Footage to 4K with Red Giant Instant 4K

Avid NEXIS | PRO With axle Starter Media Management

How to Customize Your Avid Keyboard

How to Create Dynamic Timelapses With DSLRs

Adding an Infrared Effect in Adobe After Effects

Client Collaboration and Review With Frame.io and Wipster

How to Quickly Animate Text and Graphics with Red Giant Universe 2.0

Integnity PhotoMotion After Effects Plug-in

How to Emphasize Text with Light Adjustments in Adobe After Effects

How to Make Your Logo Wiggle in Adobe After Effects 2015

Setting Up Avid NEXIS | PRO Shared Storage Platform

How to Create a Moving Glow Effect Using Adobe After Effects CC 2015

How to Set Up a Single-Operator Live-Switched Stream with PTZ Cameras

How to Stream Live Events with PTZOptics Cameras and the NewTek TriCaster Mini

Using the Remix Feature in Adobe Audition CC 2015

Tutorial: BorisFX Continuum Complete 10

Boosting Your Streaming Signal with the Teradek VidiU Pro via ShareLink

How to Create an Instagram Filtered Look Using Adobe After Effects CC

How to Restore A/V Sync to Variable Frame Rate Video for Editing in Premiere Pro

Enhancing Black and White Footage with Adobe Photoshop CC

Cost-Effective Live-Switched Streaming With the Cerevo LiveWedge

Using Shape Layers to Create Animated Lower-Thirds in Adobe After Effects CC

Tutorial: Multitouch Editing in Adobe Premiere Pro CC 2015

Tutorial: How to Turn Your PC or Mac into a Portable Live Streaming Station for Under $1000

Live Switching, Streaming, and Recording with the Epiphan Pearl

Cost-Effective Live-Switched and Streamed HD Worship Production with Datavideo

Enhancing Your Titles Using Adobe Typekit with Adobe Premiere Pro

Enhancing GoPro Footage With Photoshop's Camera Raw Plug-in

How to Add a Motion Texture to a Logo in Adobe After Effects

iOS-to-Workstation Editing Workflow with Adobe Premiere Clip and Premiere Pro

Tutorial: Creating a Fog Effect in Adobe After Effects CC 2015

Adjusting Your Video's Duration Using the Time Tuner in Adobe Premiere Pro CC 2015

Minimizing Jump Cuts with Adobe Premiere Pro CC 2015’s Morph Cuts Transition

Using Adobe Stock with Adobe Premiere Pro CC

JVC GY-LS300 4KCAM Handheld S35mm Camcorder: Lens Support, Functionality, and Usability

Using the New Lumetri Color Interface in Adobe Premiere Pro CC 2015

Producing Screencams on Mobile Devices with TechSmith Camtasia

Teradek Live:Air Video Production Suite for iOS

Using Adobe Lightroom CC

Using Focus Peaking to Assess Your Camera Noise

Creating a Clickable Call to Action in Vimeo PRO

Creating a Gradient Effect in Adobe After Effects CC 2014

Color Grading With Red Giant Magic Bullet Colorista III

Using Greenscreen and Virtual Sets with the NewTek TriCaster Mini

Tutorial: NewTek TriCaster Mini Turnkey HDMI Production Studio

Creating a Moving Timelapse Effect in Adobe After Effects CC

Tutorial: Connecting Content-Creation Workgroups with the ProMAX Platform Portable Y

Portable Live Production with the vMix GO

Capturing and Streaming Live Presentations with the Epiphan Pearl

G-Tech G-RAID Studio and GSpeed Studio Thunderbolt 2 RAID Storage Solutions

How to Become an Audio-Mixing Ninja

Matching Ambient Sound Between Clips in iZotope RX4 Advanced

Creating a Moving Timelapse Effect in Adobe Premiere Pro CC

Repairing Audio with iZotope RX4 Advanced

Creating a 3D Look with 4K Footage in Adobe After Effects CC

Creating Organic Transitions in Adobe After Effects

Animating a Company Logo

Under the Hood: HP Z820 Workstation

Grass Valley ADVC-G1 Converter

Streamline Your Adobe After Effects Workflow with Keyboard Shortcuts

Creating a Lens Flare in Adobe After Effects

Giving Your Text a 3D Look

Mixing, Switching, and Streaming Live with the Roland VR-3EX All-in-One A/V Mixer

Using Adjustment Layers with your Videos

Exporting for Digital Cinema with Adobe Premiere Pro and Adobe Media Encoder CC 2014

Live-Switched Production with the Roland VR-50HD Multi-Format AV Mixer

Color Correction with Avid Media Composer

Streaming to Wirecast and TriCaster with the Teradek StreamReader Plug-in

Using Text to Mask Video in Adobe After Effects CC

Color Grading Central cineLook Final Cut Pro Plug-in

Using Adobe After Effects CC and Bridge to Add Life to Your Text

Workflow Tour: Livestream Studio on the Studio HD51

Tutorial: New Features in Adobe Premiere Pro CC

Multicam Editing in Grass Valley EDIUS Pro 7

Tutorial: Using iShowU HD Pro Screen Captures with Adobe Premiere Pro CC

Multi-Format Editing in Grass Valley EDIUS Pro 7

Using Camtasia Screencams with Adobe Premiere Pro CC

Tutorial: Saving Custom Titles and Title Templates in Premiere Pro CC

Introducing Libraries in Apple Final Cut Pro 10.1

Leveraging Expandable Thunderbolt Video Storage with the G-Tech G-Dock ev

Sorenson Squeeze 9

Fixing Clipped Audio with iZotope RX3

Fixing Muffled Audio with Audio Compression

New Features in Adobe Media Encoder CC

Streaming and Archiving Live Events with StreamVu and the Matrox Monarch HD

Applying Effects to a Portion of a Image with Adobe Premiere Pro’s Track Matte Effect

How to Use Telestream Wirecast 5

Applying Looks and Matching Shots in Adobe CC

How to Stream Live and Record a Master-Quality Copy with the Matrox Monarch HD

Delivering to Internet and Intranet Viewers with the DVEO Magnus Anytime Family of Products

Inspecting the Inspector in Final Cut Pro X, Pt. 1

How to Composite PowerPoint and Talking Head Video in Telestream Wirecast

How to Produce Broadcast-Quality Events with the NewTek TriCaster 40, Part 2

Creating Titles With Pizzazz in Sony Vegas Pro

How to Produce Broadcast-Quality Events with the NewTek TriCaster 40, Part 1

Sound Removal, Auto-Speech Alignment, and More in Adobe Audition CC

Using Apple Final Cut Pro X Timeline Index and Markers

Mixing Multicam Audio in Apple Final Cut Pro X

Syncing Multicam Footage With PluralEyes 3

Transferring Presets from Adobe Media Encoder CS6 to Adobe Media Encoder CC

Encoding Multiple Premiere Pro Sequences in Adobe Media Encoder CC

Producing Closed Captions in Adobe Premiere Pro CC

Using Compound Clips in Apple Final Cut Pro X

How to Produce a Live-Switched Webcast

Using Connected Storylines in Final Cut Pro X

Advanced Editing Techniques in Apple FCP X

How to Edit in Final Cut Pro X’s Magnetic Timeline

Keyword Tagging in Apple Final Cut Pro X

Reducing Background Noise and Removing Pops and Clicks in Final Cut Pro X

Removing Pops and Clicks and Background Noise in Adobe Audition CS6

Vislink LiveGear Airstream Cellular iNG Transmitter

Removing Video Noise with the Neat Video Plug-in

Maximizing Brightness and Contrast in Adobe Premiere Pro CS6

Using Inexpensive DJ LED Lights to Jazz Up Video Productions

Maximizing Brightness and Contrast in Apple Final Cut Pro X

Three Workflow-Enhancing Tips in Adobe Premiere Pro CS6

Accelerating Color Grading with NewBlueFX ColorFast

Multicamera Editing in Adobe Premiere Pro CS6

Using Sony Creative Software SpectraLayers Pro

Mastering Dual-System Audio for DSLR Production

Creating 3D Titles With NewBlue FX Titler Pro

Configuring ViewCast Osprey 820e for a Live-Switched Wirecast Webcast

Configuring Blackmagic Intensity Pro for a Live-Switched Wirecast Webcast

Using Adobe Media Encoder CS6

Streamlining Video Encoding in Sony Vegas Pro

Mixing Audio in Sony Vegas Pro 11

Creating and Editing Multicam Sequences in Final Cut Pro X

GPU-Assisted Multicam Editing and Encoding in Sony Vegas

Using Sync Links in Sony Vegas Pro 11

Animating Keyframed Effects by Parameter in Sony Vegas Pro 11

Adjusting Color and Brightness in Adobe Premiere Pro CS5.5

H.264 Encoding in Apple Compressor and Adobe Media Encoder

Easily Publish Your Content to iPhones, iPads, Android, tablets and other mobile devices with Helix Universal Media Server

How to Install Helix Universal Media Server

How to Use the Accordent Media Management System