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Formats/Codecs/Protocols

In the quest to deliver video at higher quality and lower latency, the streaming media industry is home to an ever-changing array of video formats, codecs, and delivery protocols. Look here for the latest news and trends in HEVC, AV1, VVC, CMAF, WebRTC, MPEG standards, royalties, just-in-time packaging, and more.

Features

SMW '19: Teradek Talks End-to-End Encryption and 4K HEVC

Streaming Media contributing editor Tim Siglin interviews Teradek VP of Sales Jon Landman at Streaming Media West 2019.

The 2019 Streaming Media Readers’ Choice Award Winners

The people have spoken. These are their choices for the best products and services in 28 categories from analytics to webcasting and everything in between.

SMW '19: Tulix Talks Low-Latency Streaming

Streaming Media contributing editor Tim Siglin interviews Tulix CEO George Bokuchava at Streaming Media West 2019.

3 Takeaways From Moscow State University's 2019 Codec Comparison

In rigorous tests of video codecs, only one produced vastly different results during objective and subjective examinations. What could cause that discrepancy?

Spotlights

Mux: View From the Top 2019

Mux wants to do what we can to foster and encourage the video developer community because a strong community allows all of us to grow and learn while building and improving amazing projects and companies.

Product Spotlight: Low Latency SRT Protocol

SRT is an open-source protocol, developed by Haivision, which allows broadcasters and streamers to deliver high-quality, low-latency video streams across the public internet. SRT is fast becoming the de facto low latency video streaming standard in the broadcast and streaming industries.

Product Spotlight: Makito X4 Video Encoder

The newly released Makito X4 is Haivision's next generation HEVC/H.265 and AVC/H.264 encoder for ultra low latency streaming of live 4K and HD video over IP.

V-Nova: Executive Predictions 2019

Guido Meardi, CEO and Co-Founder, V-Nova

Columns

All Roads Lead to ABR Royalties

As recent lawsuits regarding DASH-related patents make clear, royalty payments on adaptive bitrate streaming are inevitable—even if it's not yet clear who'll be paying who, or how much

DASH Patent Pool—Criticized From the Start—Might Cease Operations

The fact that DASH was always marketed as being free didn't stop MPEG LA from forming a patent pool. But lack of support from the major IP contributors appears to have doomed the effort.

The Compressionist's Aha! Moment: 'The Other Leg, Lanczos'

Every compressionist fantasizes about discovering the perfect configuration option, but our columnist learns that some results are too good to be true.

3 Things the Streaming Industry Must Do to Prepare for ATSC 3.0

This is "The Year Before the Year of ATSC 3.0," and that means preparation—not just for broadcasters, but for the streaming industry, as well.

Formats/Codecs/Protocols Companies and Suppliers