All Roads Lead to ABR Royalties
As recent lawsuits regarding DASH-related patents make clear, royalty payments on adaptive bitrate streaming are inevitable—even if it's not yet clear who'll be paying who, or how much
The Compressionist's Aha! Moment: 'The Other Leg, Lanczos'
Every compressionist fantasizes about discovering the perfect configuration option, but our columnist learns that some results are too good to be true.
DASH Patent Pool—Criticized From the Start—Might Cease Operations
The fact that DASH was always marketed as being free didn't stop MPEG LA from forming a patent pool. But lack of support from the major IP contributors appears to have doomed the effort.
Announcing the Swift Death of Per-Title Encoding, 2015-2019
Once revolutionary, pre-title encoding was replaced by shot-based encoding and then context aware encoding. Here's how to evaluate vendors when choosing a solution.
Work in Parallel to Streamline the VQ Measurement Workflow
There's a long way to run video quality measurement tasks and a shorter way. As our columnist learned, it's never too late to learn a more efficient system.
Solutions Abound for High-Volume Live Video Cloud Transcoding
Streaming Media West provided a look at new options for demanding live cloud transcoding jobs. Here's a rundown for those who couldn't be there.
Creating a Recipe for Codec Success to Please All Palates
Looking back and the successes and misfires of H.264, HEVC, and VP9 show what the industry can expect from AV1 and VVC.
New Codecs Are Coming; Here's How to Evaluate Codec Evaluations
When comparing the video quality created by different codecs, consider the companies running the comparisons and the metrics they're offering.
Time to Start Testing: FFmpeg Turns 4.0 and Adds AV1 Support
AV1 delivers equivalent quality to HEVC, but with a lower data rate. For now, though, it's slow. A five-second clip took 23 hours and 46 minutes to encode.
Testing HEVC: Please Take a Moment to Help Measure Performance
Early testing of HEVC playback in HLS showed positive but inconsistent results. We need StreamingMedia.com readers to step up and help provide more data.
Per-Title Video Encoding: The Time to Get Started Is Now
Now widely available, per-title encoding makes whatever codec publishers are already using more efficient by creating a custom optimized encoding ladder.
What Does Netflix Know About Prime Time Video Streaming, Anyway?
Sometimes an industry benchmark—such as Netflix's ISP Speed Index—only tells half the story about video delivery. Before picking a codec, dig a little deeper.
Three Truths About Virtual Reality Success From a VR Novice
The creativity behind immersive VR filmmaking is only matched by the software engineering creativity that makes this type of video possible.
Divideon Creates xvc, an HEVC Codec With Reasonable Pricing
The surprise royalty payments on HEVC have some publishers looking for alternatives. Learn how one company created a better codec price plan.
Comparing Quality Metrics Up and Down the Encoding Ladder
How can publishers compare video quality at different resolutions? There's the theoretically correct answer and then there's how it's generally done.
The Changing Face (and Price) of the On-Prem Video Encoder
The last few years have seen huge changes in how video encoding gets done, and that means new pricing options. Explore the various choices before making a decision.
AV1 and Legal Challenges: Does the Codec Have a Future?
Some of the best minds in the streaming industry say AV1 will be challenged by infringement claims, but some of the best minds could be wrong.
The HEVC Soap Opera: Keeping Track of Players and Costs
This isn't exactly the summer reality show many are looking for. The way HEVC patent pools are growing is likely to make AV1 an especially popular option.
VP9 Pricing: When Does Adding VP9 Lead to Bandwidth Cost Savings?
A conference question asks when it makes economic sense for a video provider to add a VP9 transcode? We scoped out the variables and did the math.
The Changing State of MPEG DASH Royalties: How Bad Will it Get?
MPEG LA's recent announcement of a DASH royalty pool is the first such royalty on free internet video. And this is only the beginning.