The 2022 Streaming Media Readers' Choice Awards Finalists

More than 1,600 readers voted in 22 categories. We'll announce the winners at Streaming Media West in Huntington Beach on November 16, but here's a tease—the top three vote-getters in each category. And you just might be surprised at the names you see.

Review: Canon N500 PTZ Camera

At $5,399, the Canon N500 is a bargain compared to other 1" sensor PTZ video cameras. Featuring 4K/30P and NDI|HX2 support, it has a long 15x optical zoom lens and dual XLR audio inputs, and supports the low-power POE+ standard.

Tutorial: Publishing HDR Video to YouTube

In this tutorial, I'll show you how to publish HDR videos from your iPhone to YouTube, with an intermediate step through Adobe Premiere Pro.

Review: Telestream Wirecast Gear 3

The newly released Wirecast Gear 3 combines a change from Intel to AMD CPUs and a rearchitected software engine that Telestream claims "uses up to 60% less computer resources than previous versions." In this review, I tested the new version of hardware and software to its limits and came away very impressed.

Integrating NDI Sources From Conferencing Platforms

Live-event video production during COVID has rapidly accelerated the use of NDI output from popular conferencing tools such as Zoom and Microsoft Teams, particularly for one-to-many broadcasts in which remote contributors are the norm. This article will explain how to enable NDI in Zoom and Microsoft Teams for higher-quality input sources into your live-streaming workflow.

Tutorial: Using SuperSource on the Blackmagic ATEM Mini Extreme

Blackmagic Design calls its PxP feature SuperSource and it used to only be available on their highest-end switchers, the ATEM 2 M/E Production Studio 4K, ATEM 4 M/E Broadcast Studio 4K, and ATEM Constellation 8K. While much of the workflow is the same as we will discuss here, in this tutorial, we will be discussing SuperSource on the newest and more budget friendly ATEM Mini Extreme and ATEM Mini Extreme ISO video switchers.

The Three Tiers of Virtual Events

So, whether it's a quarterly meeting, an annual marketing show, or an industry event like CES or the International Auto Show, we still need in-person events. But how these events recognize and incorporate remote pre­senters and remote audiences will have to change from what was done pre-COVID. The future of events is hybrid, although these hybrid events will take different forms, depending on the event size, budget, and nature and complexity of the off-site elements. There are what I call "Three Tiers of Hybrid," which represent three different ways to bring local and remote presenters and attendees together.

How to Run a Remote Production with easylive.io

Like any multiple-input live production tool, easylive.io has a learning curve, particularly when managing multiple remote guests. But if you can drive a desktop tool like Wirecast or vMix, you'll find easylive.io a breeze.

The Complete Guide to Closed Captions

Closed captioning is legally required for some video, but it's the right thing to do for all video. Beyond the ethical and accessibility considerations, it engages more viewers and makes smart business sense. Here's all you need to know about captioning today.

The 2021 Streaming Media Readers' Choice Award Winners

New entrants join old standbys in our annual survey of readers' preferred technical solutions

Video Editing in the Cloud

There are many cloud-based editing solutions available, nearly too many to count. Who should consider using them and why? How can you tell them apart? That's what I'll cover in this article.

The Streaming Media 50: The Most Important Companies in Online Video Tech

Our annual Streaming Media 50 rounds up the most important, most interesting, and most innovative solutions providers in online video. You'll find names both familiar and unfamiliar here, as newer entrants join market veterans. So who made the list? Read on ...

The 2021 Streaming Media Readers' Choice Awards Finalists

Nearly 2,000 readers voted in 22 categories. We'll announce the winners later this month, but here's a tease—the top three vote-getters in each category. And you just might be surprised at the names you see.

Review: The Roland V-160HD Hybrid Event Video Switcher

While detailing every feature of this switcher is beyond the scope of the article, here are the top 10 features of the Roland V-160HD, peppered with some constructive criticism for good measure.

Moving Streaming Production to the Cloud

The first thing to think about when considering a move to cloud production as an alternative to traditional, centralized, on-prem production workflows is, why the cloud? It's because it has specific advantages for certain applications. Whenever you're thinking about the cloud, you need to be thinking about how it will benefit you and your productions.

3 Questions to Ask Before Making an Online Video

It's not so simple as "Post it and they will watch." Ask these three questions to make sure every video achieves your goals and finds the audience it deserves

Streaming Media Readers' Choice Awards Nomination Deadline Extended Until August 20

We've got two new categories this year—Best Streaming Innovation and Best New Streaming Company—along with 23 other categories from analytics to webcasting and everything in between. We've extended the nomination deadline to August 20, so don't delay.

Review: Teradek Airmix Solo

Airmix comes in two versions: the full-featured Airmix iOS video production suite ($29.99 per month), and the free Airmix Solo. This article will touch on some of the differentiating features of each version. We'll also explore how Airmix Solo works and how you can use it to elevate your live streams with minimal additional investment.

The Streaming Toolbox: Vegas Stream, axle ai, and Lumen Orchestrator

A trio of products and services tailor-made for today's work-from-home streaming producers and engineers, combining pro-quality live streams with cloud-based content management and multi-CDN edge delivery.

Going Pro with Remote Production

You're here. The guests are there. The audience is everywhere else. Here is an article that's chock-full of tips, tricks, and links for making it all come together in your latest remote production.