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Formats/Codecs/Protocols > News

In the quest to deliver video at higher quality and lower latency, the streaming media industry is home to an ever-changing array of video formats, codecs, and delivery protocols. Look here for the latest news and trends in HEVC, AV1, VVC, CMAF, WebRTC, MPEG standards, royalties, just-in-time packaging, and more.

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ICYMI: Streaming Media Connect May 2026

Streaming Media Connect May 2026 was all about delivering and monetizing sports streaming featured exclusive keynote fireside chats with Matt Graham of the Tennis Channel and Maria Malinowitsch of Verimatrix and a slate of expert panels packed with speakers from DAZN, Globo, Fubo, OneFootball, FloSports, NESN, IAB Tech Lab, Telestream, Zixi, BuyDRM, ViewLift, CacheFly, Servers.com, Tiledmedia, Norsk, and more. Check out a playlist with Streaming Media Connect sessions on Streaming Media's YouTube channel to catch the sessions you missed and revel in the ones you want to relive through the magic of VOD.

Sneak Preview: Ultra-Low-Latency Sports Streaming From Stadium to Screen at Streaming Media Connect

On Thursday, May 14, Elecard's Victoria Tuzova will moderate the Streaming Media Connect panel "Need for Speed: Ultra-Low-Latency Sports Streaming From Stadium to Screen." This panel of experts from Servers.com, Synamedia, Vindral, and Stats Perform dives into the engineering fundamentals—capture, encoding, delivery, and playback—that underpin smooth execution through the first, middle, and last miles without sacrificing quality. Learn what breaks at scale, how to prepare for and ward off disaster, and why low latency isn't just a number, but the difference between a winning broadcast and a blown opportunity.

NAB 2026: Things You Might Have Missed

An in-depth look some developments that may have flown under the radar at NAB 2026, from the rise of differentiated agentic media solutions and workflows and the demise of SaaS to advances in audio stem separations and the industry's better-late-than-never cult of content authenticity via C2PA.

NAB 2026, Via LA, and the Future of NDI|HX

As a longtime fan and proponent of NDI, I feel that new codec licensing fees and the response of hardware manufacturers put the entire future of HX on shaky ground.

Independent Report Compares Codec Royalty Costs Across Two Major Licensing Pools

Streaming services evaluating codec licensing face a difficult question: how do the royalty costs of Access Advance Video Distribution Patent Pool and the Avanci Video program actually compare? A new report from Streaming Learning Center's Jan Ozer answers that question with hard numbers.

Why the Future of Remote Production May Run at the Speed of Light

If immersive, real-time, and AI-driven production is the future, the underlying network must change, argue photonics advocates and members of IOWN.

H.264 Streaming Fees: What Changed, Who's Affected, and What It Means

Via's new AVC Streaming License Fee structure, which applies to new licenses beginning in 2026, replaces the old single-cap model with a tiered system that scales sharply with platform size.

Private 5G in Live Sports Production Across Land, Sea, and Air

Private 5G does not reinvent live sports. It gives production teams greater control over environments they already operate in, and the agility to take the network with them wherever the story goes.

Avanci Video Signs First Licensee and Publishes Rates

The patent pool offers three billing options and aggressive discounts for platforms signing by July 5, with rates ranging from 1.6-2.0% of revenue or $0.12-$0.15 per user per month.

Sports Media Predictions: Looking Ahead to 2026

The next phase of sports media will not be defined by breakthroughs alone. It will be defined by decisions. About focus. About balance. And about where value really sits.

Roundup: Streaming Industry Predictions for 2026

The predictions game is a fascinating one, and one that's hard not to play at year's end, whether we're talking about what's to come in the next year or three, or what's just as likely to be gone. In the last few weeks, my own editorial inbox has filled to bursting with unsolicited but much-welcomed season's greetings from a disparate array of industry experts and thought leaders ringing in "End-of-Year Prediction Season" with all manner of educated guesses and promising bets about what's going to happen in 2026.

Instant Replay: Streaming Media Connect December

Streaming Media Connect December was all about live and featured exclusive keynote fireside chats with Rebecca Sirmons of NASA+ and Neal Roberts of WarnerBros. Discovery and a slate of live streaming panels packed with speakers from Peacock TV, Paramount+, Google, Globo, EZDRM, nanocosmos, CommScope, Starz, Professional Fighters League, LG, and more. Check out a playlist with Streaming Media Connect December sessions on Streaming Media's YouTube channel to catch the sessions you missed and revel in the ones you want to relive through the magic of VOD.

Rethink's Alex Davies Talks New Transcoding Report and Future of VVC, AV1, and LCEVC

Contributing Editor Jan Ozer recently spoke with Alex Davies, senior analyst at Rethink Technology Research, about Rethink's new report, "The Media and Entertainment Transcoding Workload and Device Royalty Forecast for 2020 to 2030," and what it says about the future of VVC, AV1, and LCEVC for streaming publishers.

Nokia, Ericsson, Fraunhofer HHI Join Forces to Drive 6G-Era Video Coding Standardization

In this exclusive interview, Streaming Media's Jan Ozer speaks with Ville-Veikko Mattila, Head of Multimedia Technologies at Nokia, about Nokia's collaboration with Ericsson and Fraunhofer Institute on a new codec development and its implications for the next decade of video compression.

AI Helps InterDigital Reach Beyond VVC in Race to Develop Next-Gen Codec

Candidates for H.267 already significantly outperform VVC as the hunt for a new video compression standard gets underway

AV2 Arriving: What We Know, and What We Don’t Know

According to AOMedia's announcement, AV2 is set for release at the end of 2025. The group highlights several improvements over AV1, including significantly better compression performance (with no specifics), enhanced support for AR/VR content, split-screen and multi-view delivery, improved handling of screen content, and operation across a broader visual quality range. Like AV1, AV2 will be offered under AOMedia's royalty-free patent policy, which means licensees can use it without paying royalties to AOMedia.

IBC2025: 5G Finally Winning for Live Sports

Rewind to last year and 5G was still more proof of concept than real world scenario. Not any more. "5G is here and real," said Brad Cheney, VP, Field Operations & Engineering, Fox Sports at the IBC2025 trade event in the Netherlands.

Teradek Launches Prism Jetpack: A New Era of 5G Video Contribution for Live Production

Teradek, a leading provider of video transmission and live production solutions, today announced the launch of Prism Jetpack, a groundbreaking 5G video contribution pack designed to meet the demands of live field production at the highest level. With cutting-edge connectivity and studio-grade monitoring, Prism Jetpack introduces a new category of mobile contribution for news, sports, and event coverage.

Federal Court Dismisses Roku Lawsuit Against Access Advance, Declines to Set Global Patent Pool Pricing

Access Advance LLC today announced that the US District Court for the District of Massachusetts has dismissed a lawsuit filed by Roku Inc. seeking to compel the Court to set a global fair, reasonable and non-discriminatory (FRAND) royalty rate for the HEVC Advance Patent Pool. Judge Richard G. Stearns determined that his Court "lacks jurisdiction to determine" a global FRAND royalty rate, noting that the "US patents constitute only a fraction of a larger portfolio." The Court further concluded that its "opinion on the appropriate royalty rate would merely be advisory", which is prohibited under US law.

Access Advance Reveals Royalty Rates for Video Streaming Services

In this interview, Jan Ozer speaks with Peter Moller, CEO of Access Advance, and Dylan Zhou, Senior VP of Licensing, about the recently announced royalty structure and initial participants in Access Advance's Video Distribution Patent Pool. The conversation outlines the codecs covered (VP9, AV1, HEVC, VVC), the targeted use cases (video streaming and content distribution), and how the royalty structure is designed to balance fairness and industry adoption.