5G's Future Is Broken. Here's Why We Need 6G
InterDigital, one of the chief architects of generational telecoms developments, says true immersive video experiences are a bust at 5G
Review: Epiphan LiveScrypt
LiveScrypt combines a hardware appliance for audio input and a cloud application for transcription to deliver a polished, inexpensive, easy-to-use real-time transcription solution
Riding the 5G Wave
Carriers are moving to standalone networks to fulfill 5G's true potential, but it remains a work in progress
The Algorithm Series: Live Event Scaling
There are four key delivery methods for live content, and understanding the math behind them can help decision makers determine which is the best for their applications.
ATSC 3.0: The Future Is Now
The broadcast industry has been looking for ways to compete with OTT, and ATSC 3.0 gives it its last, best chance.
8K: History Repeats Itself
With production challenge solved, smarter AI upscaling and enhanced codec technologies will enable 8K streaming to the home—inevitably.
AV1 Has Arrived: Comparing Codecs from AOMedia, Visionular, and Intel/Netflix
Within 24 months, hardware support appeared, encoding became affordable, and AV1 became a much more realistic competitor to HEVC. Here's how the currently available AV1 codecs measure up.
Low Latency HLS Spec Nears Finalization
Beyond the Pantos spec and into DASH, LL-HLS finds traction and a potential tie-in with CMAF
Sky: "It's All Digital Now"
It's time to get beyond the notion that it's pay TV vs OTT, argued executives from Sky, ViacomCBS, YouTube, and Roku at a "virtual IBC" event hosted by Bitmovin
The 2020 Streaming Media 50: The 50 Companies That Matter Most in Online Video
Who made our annual list of the most important, most innovative, and just plain most interesting companies in the online video space? Read on ...
The Algorithm Series: Video Player Performance
Multiple algorithms for encoding, transfer, and playback intersect in the end user's player. So how can you make the numbers work in your favor?
5 Tips for Live Retail Streaming from Be.Live
It's more important than ever to meet your customers where they want to be, and since the beginning of the COVID-19 pandemic, that's online. Be.Live CEO Daniel Mayer offers tips on how to provide the best live shopping experience possible.
MPEG: What Happened?
At the end of last month, MPEG co-founder Leonardo Chiariglione announced the "MPEG is closed." That's not quite true, but it is undergoing a reorganization. So what does that mean for the organization and the new codec standards it is bringing out this year?
The Greening of Streaming
The time has long since passed to turn our attention to making the streaming delivery ecosystem more environmentally friendly. Here are some of the key challenges, as well as some suggested first steps towards solutions.
Android TV: The Future of Television?
Google's TV platform may be the best hope for a future in which pay TV and OTT exist side by side.
Report: Streaming Monetization in 2020
How exactly do organizations generate video-based revenues? A new report from Streaming Media, Unisphere Research, and Amazon Web Services sheds light on subscription vs. advertising vs. transactional, SSAI, and more.
How to Produce Multiple Assets from a Company Video
Even with all of the jaw-dropping statistics, the inevitable question still arises about the ROI of video. With that in mind, I want to share some ideas and experiences that can further help marketers, publishers, and creators expand the reach of everything company online videos can accomplish.
Announcing Streaming Media East Connect
Streaming Media East and the Content Delivery Summit are going virtual with a week full of free webinars as well as five deep-dive workshops. Here's how to attend, speak, and sponsor.
Review: iSize BitSave Video Preprocessing
iSize claims that BitSave can deliver a 40% to 60% bitrate reduction while keeping the same video quality. We put those claims to the test.
Video Capture Dongles Buyers' Guide
When live streaming using video mixers like OBS, vMix, or Wirecast a capture dongle is the missing link between the camera and a notebook, providing access to titling, transitions, and effects. Dongles can run anywhere from $40 to $700; here's a look at how to pick the one that's right for you.