Modern streaming workflows have to be able to respond quickly to changing market dynamics, as well as be able to seize new opportunities as they arise. For that, they need to be based in the cloud. Software-defined and virtualized workflows provide a degree of responsiveness that is impossible to replicate in any other manner. For that reason, we are seeing more and more large-scale media enterprises pivot towards increasingly end-to-end cloud-based workflows.
Any IP, any protocol, any infrastructure; the most effective new streaming workflows will be IP-based and portable. The move towards IP workflows throughout the media industry is a generational shift being driven by numerous different factors from changes in viewing options to the adoption of hybrid network workflows, increased bit rates, enhanced monetization opportunities, and more.
Finally, it is important to consider the role of data analysis in ensuring QoE. What is required is better Root Cause Analysis to swiftly understand the causes of instability and failure, to get ahead of them and prevent them from happening in the first place. Increasingly utilizing Artificial Intelligence and Machine Learning improves the accuracy of RCA, drives operational efficiency, and enables a predictive and proactive approach to solving streaming issues before they occur.
Working in live video has never been more complex, but it has also never been more exciting.
In this interview from the show floor at Streaming Media West 2022, David Van Arkel discusses what's new at Zixi.
Welcome to the 2022 Streaming Media 50, our annual list that foregrounds the industry's most innovative and influential technology suppliers, service providers, and platforms, as acclaimed by our editorial team. Some are large and established industry standard-bearers, while others are comparably small and relatively new arrivals that are just beginning to make a splash. All set themselves apart from the crowd with their innovative approach and their commitment to serve the customer and advance the industry. It's the fifth year we've capped the list at 50 companies.
Five solution areas are key for media and entertainment companies: content production, media supply chain & archive, broadcast, D2C & streaming, and data science and analytics
Elevating the consumer experience to the highest-level possible requires deep insight into quality, metrics and issues; data that was previously beyond the reach of operators. Thanks to TAG's Realtime Media Platform, however, that data is now accessible.
Dacast is expanding its highly scalable infrastructure to provide multi-CDN delivery to help deliver high-quality content to viewers worldwide, including in China.
Content will always be king, but user experience—from personalized streams to personalized advertising—is becoming nearly as important in attracting and retaining viewers
Qwilt is scaling fast, well on the way to reaching 200Tbps global capacity with its Open Edge Cloud, based on Open Caching, and customers like BT, Verizon, TIM Brazil, and Telecom Argentina are embracing the new content delivery model
Viewers have shown that they have huge appetites for content diversity. Success in delivery in the direct-to-consumer environment means being able to consistently meet viewer experience targets so that viewers keep tuning in and your business runs profitably.
Free ad-supported streaming TV (FAST) is the cure for subscription fatigue, and Amagi is just what the doctor ordered
Security is becoming multi-dimensional. The gold standard of DRM is now frequently used in conjunction with watermarking, geo-fencing, etc. to offer a fuller envelope of glass-to-glass protection, a trend that likely will accelerate as integration standards become normalized and costs are driven down by robust, cloud-based service options.
This last year, video became a crucial component of every major business across the world, and even as things return to normal, development teams need to find easy, scalable, and rapidly deployable solutions.
The chatter around whether or not WebRTC can scale should now be less about "can" it scale, but rather can "your" company make it scale? At Phenix the answer is a resounding yes.
Live linear channels have grown in number, as has the video quality they are delivering. And advances in hardware and software have reduced the cost of launching channels significantly.
Due to the growth in scope, frequency, and severity of cyberthreats, today's media and entertainment industry needs more security, not less. This can present a difficult choice for some companies—compromise your creative vision, or lower your security standards? We believe you don't need to sacrifice innovation for security—you can have both.
When the pandemic shut down schools, doctor's offices, retail, and concert and sports venues, video stepped in to keep teaching, patient care, business, and entertainment going. These solutions providers rose to the challenge, and in this year's View from the Top, they share their visions for the future.
Our annual Streaming Media 50 rounds up the most important, most interesting, and most innovative solutions providers in online video. You'll find names both familiar and unfamiliar here, as newer entrants join market veterans. So who made the list? Read on ...