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Video Production & Gear > News

Today's streaming productions scale from impromptu online broadcasts captured via webcam and delivered within a corporate firewall to massive professional multicam productions streamed worldwide. With tutorials,  reviews, and analysis from leading producers, the content on this page looks at preproduction, audio and video capture, encoding, and especially the gear and strategies essential for successful streaming.

Streaming Media Connect back in November with a peek at Building the 2027 Streaming Strategy Playbook.
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In Sports Streaming Production, Judgment Becomes the Competitive Advantage

I came away from IBC this year with a slightly different feeling than usual. Normally, there are one or two technologies or trends that dominate the conversation. This year, what struck me wasn't any individual technology. It was the sheer amount that is now possible.

The New Midwich and Resi Media Powerhouse Partnership: A Q&A With Matthew Smith of Resi Media

Midwich, a leading distributor of unified communications, broadcast, and professional AV solutions, and Resi Media, a pioneer in resilient video delivery technology, have announced a strategic distribution partnership that will expand access to Resi's solutions through Midwich's extensive network of systems integrators and value-added resellers across the United States.

The 2026 Streaming Media Readers' Choice Awards Finalists Revealed

More than 1,000 readers voted in 15 categories. We'll announce the winners in the Fall issue of Streaming Media magazine, but here's a tease—the top three vote-getters in each category. And you just might be surprised at the names you see.

LiveU Delivers Record-Breaking LIQ and Cloud Service Deployment for World Football Championship 2026

LiveU deploys a record number of 5G and LIQ field units, powering multi-nation remote cloud production workflows across the US, Mexico, and Canada

Vote in the 2026 Streaming Media Readers' Choice Awards

The Streaming Media Readers' Choice Awards are ready to roll. The polls are open! Let the voting begin!

FIFA World Cup 2026: The '104 Super Bowls' Broadcast Machine

On the eve of kickoff, the scale of FIFA World Cup 2026 still staggers. FIFA president Gianni Infantino has compared the undertaking to "104 Super Bowls," with a global audience of six billion predicted to watch some of the 104 matches packed into 39 days from 16 venues across the United States, Canada, and Mexico. For 2026, FIFA is deploying 16 dedicated venue crews — one per stadium — rather than rotating a smaller pool. They will be supported by seven centralized replay teams based in Dallas.

Powering Interactive Streaming for DDG's Blame the Chat Tour: A Q&A With MemeHouse Head of Marketing Sandra Aderibigbe

Earlier this year, cloud streaming and live production company MemeHouse powered the full backend interactive live streaming infrastructure for DDG's 'Blame the Chat' Tour, constructing and managing a complete real-time production environment. In this Q&A, MemeHouse's Sandra Aderibigbe discusses the logistical resources needed to pull off these massive livestreaming feats including a successful Coachella event, and what these accomplishments signal for the future of ambitious creator-driven livestreaming events.

Generative AI Got the Hype, Agentic AI Will Do the Heavy Lifting for Live Sports

The most important AI systems in sports may end up being the ones fans never see. Agentic AI is not flashy. Fans are unlikely to notice it directly. There will not be endless social posts about orchestration layers dynamically rerouting workflows or prioritizing distribution paths.

NAB 2026, Via LA, and the Future of NDI|HX

As a longtime fan and proponent of NDI, I feel that new codec licensing fees and the response of hardware manufacturers put the entire future of HX on shaky ground.

Peeling Back Sports' Hidden Layer of Streaming Ops and Tech

We spend a lot of time talking about what fans see in sports. The camera angles, the replays, the graphics, the studio analysis. All of it is designed to bring the viewer closer to the action. But the most important part of modern sports broadcasting is not what fans see. It is what they never see. Behind every moment on screen, there is an entire hidden layer of technology and operations working to make that experience feel effortless. And that layer is becoming more complex than ever.

Why the Future of Remote Production May Run at the Speed of Light

If immersive, real-time, and AI-driven production is the future, the underlying network must change, argue photonics advocates and members of IOWN.

The Games Behind the Games: Winter Olympics From Mountain Slope to Mobile Screen

That illusion of effortlessness is what makes the Winter Olympics such a powerful lens for understanding where streaming and live production are heading next. Because what happened at Milano Cortina 2026 is not just about new cameras or sharper graphics. It is about the entire journey from capture to cloud to consumer.

Sneak Preview: Vertical Leap: Growing the Free Vertical Drama Business at Streaming Media Connect

Vertical drama is exploding on free streaming platforms, driven by mobile-first viewing, bingeable formats, and a new generation of viewers and global creators. Tune in on February 26 at Streaming Media Connect as experts from Celestine Pictures, Hudson Vertical, Stratagem Vertical, and GoodShort break down the business models, distribution strategies, and monetization tactics driving the vertical drama boom—and explain how to scale it effectively.

Private 5G in Live Sports Production Across Land, Sea, and Air

Private 5G does not reinvent live sports. It gives production teams greater control over environments they already operate in, and the agility to take the network with them wherever the story goes.

WBD Debuts Technology Platform for Winter Olympics and Beyond

Warner Bros. Discovery (WBD) is deploying a purpose-built broadcast platform and a large physical presence to deliver fully immersive coverage to audiences for the upcoming Winter Olympic Games.

Milano Cortina 2026: Winter Olympics Host Broadcaster Rules Out Remote Production

Is the Olympic Committee's host broadcaster warming to the notion of transitioning to virtual or REMI production for this winter's fast-approaching Milan Cortina games? Speaking as part of a roundtable event three weeks out from the opening ceremony of the Milan Cortina XXV Winter Games (MC26) in Northern Italy, Yiannis Exarchos, CEO, Olympic Broadcasting Services (OBS) said that the sheer scale of an Olympics and current technological limitations on behalf of rights-holding broadcasters meant elimination of a physical International Broadcast Center (IBC) is not likely soon, or even desirable.

Sports in 2026 Will Be Smarter. Let’s Make Sure They're Still Human

With smart stadiums, distributed production, automation, and data-driven decision-making, we're seeing a sea change in the way sports streams are produced, delivered, and consumed. None of this is a bad thing. Much of it is necessary. But it is also worth pausing to remember what sports are actually built on. Not code. Not platforms. Not dashboards. But people, emotion, and shared experience.

Sports Media Predictions: Looking Ahead to 2026

The next phase of sports media will not be defined by breakthroughs alone. It will be defined by decisions. About focus. About balance. And about where value really sits.

Instant Replay: Streaming Media Connect December

Streaming Media Connect December was all about live and featured exclusive keynote fireside chats with Rebecca Sirmons of NASA+ and Neal Roberts of WarnerBros. Discovery and a slate of live streaming panels packed with speakers from Peacock TV, Paramount+, Google, Globo, EZDRM, nanocosmos, CommScope, Starz, Professional Fighters League, LG, and more. Check out a playlist with Streaming Media Connect December sessions on Streaming Media's YouTube channel to catch the sessions you missed and revel in the ones you want to relive through the magic of VOD.

When Live Sports Aren’t Live

Low latency is not a nice-to-have. It's the difference between being in the moment and watching it on delay. In sports, the moment is the product.