REMI Production with LiveU LU800-PRO4 and LiveU Studio

This article will highlight the features of LiveU's LU800-PRO mobile unit and how it can be used for REMI lightweight production, webcasting, online interviews, and multi-camera streaming productions. You'll learn how to get up and running with the LU800-PRO and how to use it for production with LiveU Studio 2.0. You'll also learn how to create channels, add media and live-streaming inputs, and configure multicam streams.

Software Decoding and the Future of Mobile Video

If you'll be encoding with SVT-AV1 or VVC, in this article you'll learn a bit about how to optimize your encodes, particularly the trade-offs that pre­sets deliver, and how many logical processors to use. With SVT-AV1, I also explore the qual­ity and playback efficiency of the fast decode option, although I didn't find much to show for it. You can also peruse the FFmpeg command strings used for all encodes.

Buyers' Guide: Hardware Transcoders

Although software transcoding is accept­able for transcoding most VOD streams and even low-volume live programming, most high-volume live applications need hardware for efficient transcoding, both to save you money and to save the planet. This buyers' guide will cover: What hardware transcoders are, what you need to bring to the table to identify the best hardware transcoder, factors to consider when choosing one, choosing a hardware transcoder for cloud workflows, and choosing a hardware transcoder for on-prem workflows.

The State of the Video Codec Market 2025

HEVC rode the 4K/HDR wave to success, but AV1, VVC, and LCEVC lack an equivalent killer app. With CDNs racing to the bottom on pricing and new royalty pools threatening to increase costs, codec adoption is no longer just about technical merit—it's about survival. These are the issues I'll explore in this article.

Media Over QUIC and the Future of High-Quality, Low-Latency Streaming

Media Over QUIC aspires to streamline the entire streaming process by bringing both contribution and distribution into a single protocol again, reducing the need for intermediary transformations. Since MoQ is still in the early stages of development, it will take some time to see it deliver on this promise.

Review: DVEO Brutus V

This review will highlight Brutus V, DVEO's IP-to-IP multichannel AV1, H.264, and H.265 transcoder for IPTV or OTT. I will touch on Brutus V's options for delivering streams over H.264 and cover streaming delivery over various streaming protocols such as HLS, LL-HLS, Smooth Streaming, and MPEG-DASH. I will also dive into transcoding using H.264 and HEVC.

AI and Streaming Media

This article explores the current state of AI in the streaming encoding, delivery, playback, and monetization ecosystems. By understanding the developments and considering key questions when evaluating AI-powered solutions, streaming professionals can make informed decisions about incorporating AI into their video processing pipelines and prepare for the future of AI-driven video technologies.

Streaming Media's Trendsetting Products and Services of 2024

A detailed guide to Streaming Media's Trendsetting Products and Services of 2024.

Decoding the Landscape: Recent Developments in Video Codec Licensing

Navigating the ever-changing world of video codec licensing can be complex. This article breaks down major IP-related events from the past 18 months, including the new European SEP licensing rules, Avanci's new video patent pool, and the Sisvel-RPX deal. Explore who's making deals, what technologies are involved, and the implications for royalty-free models

The State of Video Codecs 2024

It's been 3-plus years since the MPEG codec explosion that brought us VVC, LCEVC, and EVC. Rather than breathlessly trumpet every single-digit quality improvement or design win, I'll quickly get you up-to-speed on quality, playability, and usage of the most commonly utilized video codecs and then explore new codec-related advancements in business and technology.

Buyers' Guide: Live Streaming Software

This article takes a look at 12 options you can pick from when looking to produce live-switched video: Boinx mimoLive, Broadcast Pix ChurchPix, Ecamm Live, ManyCam, OBS Studio, PRISM Live Studio, Vizrt TriCaster, Telestream Wirecast, vMix, Vimeo Livestream Studio, and XSplit Broadcaster

OBSBOT Tail Air AI-Powered PTZ Streaming Camera

This review will look at an interesting suite of products built around the innovative OBSBOT Tail Air PTZ cam, which has entered the NDI ecosystem. The individual cameras retail for $499, and OBSBOT lent Streaming Media three of them for this review, as well as a couple of accessories to show off how they can work together in a studio or field production.

Review: NETINT Quadra T1U Video Processing Unit

This review will highlight the NETINT Quadra T1U and explore its capabilities as a video processing unit (VPU) for high-volume encoding and transcoding of single files, encoding ladders, and live streams.

Glass-to-Glass Report: Comparing Low-Latency Streaming Providers

In this article, I examine low-latency services provided by streaming CDNs, removing actual vendor names and making conclusions based on delivery method. I'll start with a discussion of the basics of latency before moving on to the testing results and analysis.

Review: Ant Media Server (Enterprise Edition)

This review will highlight Ant Media Server and many of the features supported with the streaming server. Viewers will also learn how to configure the WebRTC streaming server on Amazon Web Services and how to get up and running with delivering live streams and video-on-demand streams.

Review: ViCueSoft CodecWar

CodecWar is an analysis service created by ViCueSoft, the developer of codec analy­sis tools VQ Analyzer, VQ DVK, and VQ Probe. As currently configured, the site's ideal users are researchers who are looking for a convenient way to compare codecs using relevant datasets and codec developers who are looking for a structured way to benchmark their codecs against others. In contrast, it's not a particularly convenient way for streaming producers to run experiments to optimise their encoding parameters, although it could grow into this.

Tutorial: Advanced Live Streaming and Recording with the AJA HELO PLUS

Streaming engineer and strategist and Streaming Media The Video Doctor columnist Robert Reinhardt of VideoRx discusses some of his favorite features of the new AJA HELO Plus Advanced Streaming and Recording Appliance in this new tutorial video. A longtime user of the original HELO in his own professional live productions, discusses the new chassis design, new layout features for picture-in-picture and more, streaming to two destinations simultaneously, new SRT support, and more.

The State of VVC Adoption and Implementation

If you're a video publisher who doesn't rank high in the VVC patent list, it's likely that you won't consider VVC until 2026 or later. If you're looking to augment your H.264 encodes with a more efficient codec before then, your most likely choices are HEVC and AV1, with LCEVC also an option. However, if you're a product or service provider in the streaming media ecosystem, it's long past the time to start considering where and when VVC is going to fit in for you and your target customers.

Review: Blackmagic Design ATEM Television Studio HD8 ISO, Studio Camera 6K Pro, and ATEM Microphone Converter

The Blackmagic Design Television Studio ATEM HD8 ($2,995) and HD8 ISO ($3,995) are all-in-one HD video switcher/broadcast control panels. On their own they are very capable HD video switchers suitable for studio installations and remote productions. The magic with these switchers is that when paired with other supported Blackmagic gear, they can unlock unique production workflow solutions that are easy to implement and go well beyond what you would expect a desktop video switcher to be able to do on its own.

Streaming Media’s Trendsetting Products and Services of 2023

A detailed guide to Streaming Media's Trendsetting Products and Services of 2023.