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Encoding/Transcoding > Featured Articles

Encoding and transcoding video is at the heart of online video, and Streaming Media offers deep dives into encoding parameters, bitrate ladders, per-title encoding, content/context-aware encoding, CBR, VBR, and ABR. Here you’ll find the latest news, reviews, tests, and analysis to help you stay on the top of your encoding/transcoding game.

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Netflix's Andrey Norkin and Streaming Learning Center's Jan Ozer Talk SVT-AV1

Streaming Learning Center's Jan Ozer interviews Netflix Senior Research Scientist - Video Algorithms and Alliance for Open Media co-chair Andrey Norkin about several topics around the future of AV1, including the necessity of HDR for premium content producers, Libaom's focus on SVT-AV1, and more.

The 2022 Streaming Media Readers' Choice Awards Finalists

More than 1,600 readers voted in 22 categories. We'll announce the winners at Streaming Media West in Huntington Beach on November 16, but here's a tease—the top three vote-getters in each category. And you just might be surprised at the names you see.

AOMedia Delivers on SVT-AV1's Promise

With the recent launch of version 1.0, SVT-AV1 appears to have caught up with libaom in quality, with very definite performance advantages. Its two-pass rate control is tested and proven. If you're creating an AV1 encoding workflow today that emphasises encoding speed and quality, SVT-AV1 should definitely be on your short list.

YoloLiv YoloBox Mini

In this review, I am going to be taking a look at YoloLiv's latest little streaming box, the YoloBox Mini

Tutorial: Publishing HDR Video to YouTube

In this tutorial, I'll show you how to publish HDR videos from your iPhone to YouTube, with an intermediate step through Adobe Premiere Pro.

Review: Telestream Wirecast Gear 3

The newly released Wirecast Gear 3 combines a change from Intel to AMD CPUs and a rearchitected software engine that Telestream claims "uses up to 60% less computer resources than previous versions." In this review, I tested the new version of hardware and software to its limits and came away very impressed.

Location, Location, Location: Cloud vs. On-Prem vs. Hybrid Streaming Workflows

Everything streaming is moving to the cloud, right? Not so fast. Where you keep your content and do your work depends on your own particular circumstances. And on-prem is by no means dead.

Telestream COO Jon Wilson Talks Encoding.com Acquisition

Streaming Media Contributing Editor Jan Ozer interviews Telestream President & COO Jon Wilson about Telestream's acquisition of Encoding.com and its implications for Telestream and the streaming industry at large.

Buyers' Guide: Per-Title Encoding

In per-title encoding, an encoding service creates a unique encoding ladder for each video file. While available for live streaming, per-title encoding is most often utilized with video on demand.

How to Implement Low-Latency HLS (LL HLS)

Rather than focusing on random tasks, this tutorial will walk you through the fundamentals of encoding for low latency HLS with FFmpeg, OBS, Mux Video, and THEOplayer

How to Encode with FFmpeg 5.0

Rather than focusing on random tasks, this tutorial will walk you through the fundamentals of encoding with the latest version of FFmpeg.

Testing EVC, VVC, and LCEVC: How Do the Latest MPEG Codecs Stack Up?

Jan Ozer put EVC, VVC, and LCEVC through the paces, checking each for not only encoding quality, encoding complexity, and playback efficiency but also power consumption. Each one has its pros and cons; read on to find out how they all performed.

Tutorial: Automated ABR With AWS Elemental MediaConvert

In a recent survey, two-thirds of respondents said they weren't using per-title encoding, possibly because of the general perception that its challenges outweigh its benefits. In this tutorial, I'll demonstrate how simple it is to produce per-title output using AWS Elemental's Automated ABR (adaptive bitrate) function.

Moscow State's Dr. Dmitriy Vatolin Talks Codecs and Quality

The head of the Moscow State University Graphics and Media Lab—the people behind VQMT and Subjectify.us—offers his insights into objective and subjective metrics, as well as VMAF hacking and AV1.

The 2021 Streaming Media Readers' Choice Award Winners

New entrants join old standbys in our annual survey of readers' preferred technical solutions

The Streaming Media 50: The Most Important Companies in Online Video Tech

Our annual Streaming Media 50 rounds up the most important, most interesting, and most innovative solutions providers in online video. You'll find names both familiar and unfamiliar here, as newer entrants join market veterans. So who made the list? Read on ...

The 2021 Streaming Media Readers' Choice Awards Finalists

Nearly 2,000 readers voted in 22 categories. We'll announce the winners later this month, but here's a tease—the top three vote-getters in each category. And you just might be surprised at the names you see.

Beyond Software: Hardware Processing for Streaming at Scale

Whether you use the cloud or a hybrid solution to encode your live or on-demand streaming content, high-efficiency hardware-based encoding has come of age. This article explores the math and science behind these at-scale solutions that are not only good for business, but also good for the environment.

Streaming Media Readers' Choice Awards Nomination Deadline Extended Until August 20

We've got two new categories this year—Best Streaming Innovation and Best New Streaming Company—along with 23 other categories from analytics to webcasting and everything in between. We've extended the nomination deadline to August 20, so don't delay.

The Past, Present, and Future of Per-Title Encoding

Video encoding began as a one-dimensional data rate adjustment that reflected the simple reality that all videos encode differently is now a complex analysis that incorporates frame rate, resolution, color gamut, and dynamic ranges, as well as delivery network and device-related data, along with video quality metrics.