Multiview’s Vendor Landscape: How Streaming Architectures Determine Success

Multiview isn't a feature you bolt on. It's an architecture decision that shapes which devices you can reach, how much you pay to operate at scale, and how much control your product team has over the viewer experience. Server-side, packager-side, and client-side each represent a genuinely different set of tradeoffs across those dimensions. The right choice depends on your device footprint, customization requirements, existing infrastructure, and cost model. This article is meant to give you a solid framework for making that call.

Streamticker: The Biggest Streaming Mergers and Acquisitions of 2025

Here is a month-by-month roundup of the streaming industry's most momentous mergers and acquisitions of 2025 (excluding the competing Paramount Skydance and Netflix bids for Warner Bros. Discovery—a drama that just turned definitively in Paramount's favor at press time).

The State of Streaming Sustainability 2026

Is it still fashionable to be sustainable, even with AI?

The State of Streaming Codecs 2026

Streaming codec adoption used to be an engineering abstraction governed by RD curves, BD-rate tables, and roadmap slides that no one outside of R&D ever considered. Over the last 15 months, codec adoption decisions have morphed into a much broader discussion, involving C-level execs from finance and legal. While the precursors to this transition occurred pre-2025, the situation coalesced in 2025. During the same period, we saw one codec step to the front (AV1) and another shrink before our eyes (VVC).

AI's Streaming Stack: Meet the Media Workflows

How has AI entered the media workflow? For this new column, we'll look at different applications used in the media industry. For this issue, we'll start with asset management, asset storefronts, and localization. While some of this functionality—speech-to-text transcription, translation, voice synthesis, natural language processing, logo detection, facial recognition, and object detection—has been around for a while, the biggest improvement is that much of it is now available on workflows with live content.

Presenting… The 2025 Streaming Media Top 100

Here we reveal the 2025 Streaming Media Top 100, our list (appropriately enough) of the top 100 companies in the streaming universe outside of Europe. This list complements the 2025 Streaming Media Europe 51, which acclaims Europe's key streaming innovators and high achievers.

Review: Media Excel HERO 6000

This review will highlight Media Excel's HERO 6000 and walk readers through the process of configuring streaming using the HERO platform. You'll learn how to deliver live streams, create encoding presets, add audio presets, create channels, and add outputs for playback. The article will also cover how to add roles and play streams.

Review: Meta's Video Codec Acid Test (VCAT)

Identifying which phones can handle AV1 decode is the goal of Meta's new VCAT testing tool, for Video Codec Acid Test, which is both the brainchild and the swan song of encoding legend David Ronca. In short, VCAT is an Android app for benchmarking battery drain and system health during HW/SW video decode operations on Android devices.

Industry Champions Revealed: The 2025 Streaming Media Readers' Choice Awards

The readers have spoken! Here we present 19 top tech solutions of 2025, as chosen by the readers of Streaming Media .

The Pros and Cons of Software Decoding for Publishers and Viewers

This article examines recent data on efficiency and power usage for hardware and software decoding and explores how this data shapes the value proposition for publishers opting for software decoding and viewers that wittingly, or unwittingly, watch services that deploy it. It concludes with two short surveys for publishers and consumers that ask for your perspective on and experience with software decoding. Be sure to take the surveys!

Software Decoding and the Future of Mobile Video

If you'll be encoding with SVT-AV1 or VVC, in this article you'll learn a bit about how to optimize your encodes, particularly the trade-offs that pre­sets deliver, and how many logical processors to use. With SVT-AV1, I also explore the qual­ity and playback efficiency of the fast decode option, although I didn't find much to show for it. You can also peruse the FFmpeg command strings used for all encodes.

REMI Production with LiveU LU800-PRO4 and LiveU Studio

This article will highlight the features of LiveU's LU800-PRO mobile unit and how it can be used for REMI lightweight production, webcasting, online interviews, and multi-camera streaming productions. You'll learn how to get up and running with the LU800-PRO and how to use it for production with LiveU Studio 2.0. You'll also learn how to create channels, add media and live-streaming inputs, and configure multicam streams.

The 2025 Streaming Media All-Stars

After a 12-year hiatus, Streaming Media is bringing back the Streaming Media All-Stars for 2025 to pay tribute to a select group of key technology innovators who are driving and disrupting the streaming industry.

Buyers' Guide: Hardware Transcoders

Although software transcoding is accept­able for transcoding most VOD streams and even low-volume live programming, most high-volume live applications need hardware for efficient transcoding, both to save you money and to save the planet. This buyers' guide will cover: What hardware transcoders are, what you need to bring to the table to identify the best hardware transcoder, factors to consider when choosing one, choosing a hardware transcoder for cloud workflows, and choosing a hardware transcoder for on-prem workflows.

The State of the Video Codec Market 2025

HEVC rode the 4K/HDR wave to success, but AV1, VVC, and LCEVC lack an equivalent killer app. With CDNs racing to the bottom on pricing and new royalty pools threatening to increase costs, codec adoption is no longer just about technical merit—it's about survival. These are the issues I'll explore in this article.

Streamticker: The Biggest Streaming Mergers and Acquisitions of 2024

The 2024 edition of Streamticker, recapping the streaming industry's most momentous mergers and acquisitions of 2023, kicked off with Disney's gobbling up the last extant portions of Hulu, as Comcast ceded its re­maining 33% stake. But if the late-2023 deal marked only the quiet conclusion of an already-silent part­nership, the much noisier news of Jan. 6, 2025, found Disney absorbing sports-centric streamer Fubo and merging it with Hulu Live + TV. Here we'll review this and other done (or more nearly done) M&A deals that reshuffled the stream­ing industry in 2024.

Buyers' Guide: Third-Party Commercial Streaming Codecs

For some streamers, open-source solutions meet all their needs. For others, commercial codecs deliver efficiency and optimizations that justify the cost. This article explores the factors that influence those decisions.

Review: Osprey Video TALON 4K60 Encoder

This review will showcase Osprey Video's TALON 4K60 encoder and explore its capabilities for ingesting live streams over RTMP and SRT. Readers will learn how to get up and running with the encoder and gain a better understanding of how to use the device. This article will also touch on some of the streaming options available as well as the different options available on the encoder. In addition, I'll share results of latency testing for RTMP ingest. 

Review: Magewell Director Mini 3.0

All-in-One (AIO) live production devices leverage the latest mobile CPU and GPU power and integrated capability, with real hardware connections for multiple HDMI ports, ethernet, headphones, audio input, and more—all from one manufacturer so there's just one update cycle to track. Magewell recently came out with the 3.0 update to their Director Mini AIO production tablet (Figure 1), and they are pushing the envelope with what these little powerhouses can do.

The 2024 Streaming Media Readers' Choice Awards

The readers have spoken! We've counted all of the votes in the 2024 Streaming Media Readers' Choice Awards, and—drumroll, please—it is now my pleasure and sworn duty to present winners and runners-up in each of our 17 categories.