Low-cost, high-efficiency system transmit uncompressed, HD video over 150 feet to any field monitor with a latency of less than 1 millisecond, making it ideal for real-time viewing
Featured News,
Posted 25 Jul 2012
The Sony NEX-FS700 has much to recommend it as a top-flight large-sensor, interchangeable-lens camcorder and as a worth-the-upgrade successor to the Sony FS100. And it's 4k support and 10x slo-mo are nothing to sneeze at. But what makes it the best camera in the market for webcast producers?
Featured Articles,
Posted 23 Jul 2012
In this two-part series, we'll examine how well Nikon's much-heralded D800 DSLR works as a video camera, in terms of operability and functionality. In part two, we'll report on some audio and video tests comparing the D800 to another highly regarded DSLR, and to a more traditional prosumer camcorder.
Featured Articles,
Posted 23 Jul 2012
Dutch filmmaker Nordwin Alberts has worked with a range of media in his 26 years in the professional production business, transitioning from stills and multi-projector slideshows to tape-based editing and DVD delivery. Today, streaming is the medium of choice for his industrial, promotional, and experimental films; here's a look at how his work and workflow have evolved.
Featured Articles,
Posted 19 Jul 2012
Semi-hard suitcase-style carrier (#PD620) glides smoothly and effortlessly on a built-in wheel-and-tote assembly; central compartment contoured to comfortably fit up to 2 DSLR cameras with lens attached
Featured News,
Posted 17 Jul 2012
DVEO HD Spigot converters feature dual outputs and are fully compatible with SMPTE-259M and SMPTE 292M; supported resolutions include 1080p, 1080i, 1035i, or 720p HD
Featured News,
Posted 17 Jul 2012
New F series, immediately available, supports recording up to AVC-Intra Class 200 of the AVC-ULTRA codec family and includes 64GB, 32GB and 16GB P2 cards
Featured News,
Posted 17 Jul 2012
There have been lots of comparisons between Final Cut Pro X and Premiere Pro CS6, with most focusing on features and workflows. This article discusses a series of multiple-format benchmark tests that analyzed comparative performance between the two programs.
Sponsored Articles,
Posted 09 Jul 2012
Part 2 of this series on webcast video production focuses on Sony's NEX-FS100 large-sensor camcorder and new capabilities added via a firmware upgrade that (among other things) makes it compatible with Sony's LA-EA2 lens adapter. While it's not as strong a webcast camera as the FS700 (review coming soon), it still has much to recommend it.
Featured Articles,
Posted 07 Jul 2012
Firmware adds the ability to adjust up to 64 audio levels manually prior to recording video, supports custom file naming
Featured News,
Posted 03 Jul 2012
New 2X Tele, equivalent to a 60mm lens on a 35mm SLR (84mm in video mode), promises images that feature edge-to-edge sharpness, with no vignetting
Featured News,
Posted 03 Jul 2012
DSLRs produce cinematic-looking video that exceeds the capabilities of most video cameras, but they lack the professional audio connections and controls that come standard on traditional pro camcorders. Which means anyone shooting pro video with DSLRs needs to develop workarounds. Here are some tips on getting great audio on a budget with a DSLR production workflow.
Featured Articles,
Posted 30 Jun 2012
Digital Juice Matte Box PRO features adjustable, detachable top and side flags that can be easily angled, added, removed and locked into position.
Featured News,
Posted 26 Jun 2012
Lander University is utilizing a combination of Canon BU-46H remote-control HD pan-tilt-zoom (PTZ) cameras, Canon XF305 HD camcorders, and Canon VC-C50iR security cameras to capture game play for local cablecasts, worldwide webcasts, and coaching/player analysis
Featured News,
Posted 26 Jun 2012
The new Vision blue5 pan and tilt head from Vinten, offers the unique combination of continuous perfect counterbalance (range of 4.6-11 pounds/2.1-5kg @ 100mm CofG) and infinitely adjustable LF drag.
Featured News,
Posted 26 Jun 2012
Both new Digital Juice Follow Focus products mount easily to industry standard 15mm rails and are compatible with a wide variety of lenses and cameras (such as the Nikon D90, Canon 550D, 7D, 5D MKII and many more) as well as a wide variety of shoulder rigs
Featured News,
Posted 19 Jun 2012
This tutorial describes how to install and configure ViewCast's dual-channel Osprey 820e card ($1,795 MSRP; as low as $1,400 street) into a Windows system for driving two cameras within Telestream Wirecast, and discusses the board's highly functional set of utilities and SimulStream feature, which allows it to feed audio and video streams to more than one encoding application.
Featured Articles,
Posted 18 Jun 2012
This article will be the first in a series of articles on webcasting and will cover a wide range of topics including video cameras, video switchers, converters, computer inputs, audio, reference monitors, webcast hardware, webcast software, live streaming services providers, and some additional hardware that is important in order to produce a professional live webcast.
Featured Articles,
Posted 15 Jun 2012
T4i features flip-out LCD, new autofocus system to help achieve fast, sharp focus and smooth HD video
Featured News,
Posted 12 Jun 2012
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