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State of Streaming Autumn 2022 Report Launched

New report expands on details provided during recent Streaming Media West keynote
Featured Articles, Posted 13 Jan 2023

Lake Forest High School Employs HyperDeck Shuttle HD for Live Sports

Blackmagic Design today announced that Lake Forest High School, located outside of Chicago, IL, uses the HyperDeck Shuttle HD recorder/player for sports replays during school sporting events.
Featured News, Posted 14 Dec 2022

FIBA 3x3 World Tour Paris Master Relies on ATEM Constellation 8K

Blackmagic Design today announced that the FIBA 3x3 World Tour 2022 Paris Masters has relied on a multicamera OB (outside broadcast) solution featuring the ATEM Constellation 8K live production switcher.
Featured News, Posted 07 Dec 2022

How to Do Interactive Streaming at Scale

What are some of the biggest issues encountered when handling interactive streaming at scale? The widespread increase of highly interactive streaming such as auctions, sports betting, and gaming has put pressure on networks while increasing the need to integrate interactivity into more traditional methods of content delivery.
Featured Articles, Posted 12 Nov 2022

Marshall CV368 Captures Unique Perspective for Bridge II Sports’ Valor Games Southeast 2022 3-On-3 Wheelchair Basketball Tournament Live Stream

Compact Global Shutter Camera with Genlock Offers Broadcast Quality Video Performance With Simultaneous Output Formats
Featured News, Posted 05 Nov 2022

TVU Networks Cloud-Based Video Solutions Enable Live, Remote Table Tennis Tournament for Beijing Sport University Students

TVU's Modular, Microservice-based Approach Provides Production, Collaboration, and Live Streaming Capabilities Needed During the Pandemic
Featured News, Posted 21 Sep 2022

Streaming Media West Is Back--Live, In-Person, In Huntington Beach

Streaming Media West returns to Huntington Beach November 15-16, with Streaming Media University Workshops on November 14. Registration is open now.
Featured Articles, Posted 07 Sep 2022

Resiliency and Cloud Production

Jef Kethley of LiveSports talks about how his organization develops solid resiliency models in varying production environments through the use of multiple data centers and cost-effective cloud production.
Featured Articles, Posted 07 Sep 2022

The ROI of Cloud vs. On-Prem Streaming Production

What drives decisions to move to cloud or hybrid production (as well as decisions to put off the move and stick with traditional on-prem)? LiveSports' Jef Kethley, Paramount's Corey Smith, and Warner Bros. Michael Koetter discuss their to-cloud-or-not-to-cloud decision process in this clip from Streaming Media Connect 2022.
Featured Articles, Posted 31 Aug 2022

FOR-A Gives LiveHD 4k Ultra-Slow Motion in Time for FIFA Club World Cup

As part of its move to comprehensive 4k production capabilities, outside broadcast production specialist LiveHD, part of Abu Dhabi Media, has invested in two ultra-slow motion camera systems from FOR-A.
Featured News, Posted 03 Aug 2022

How to Succeed with REMI and Cloud Production

CNN's Ben Ratner, LiveU's Mike Savello, and Signiant's Jon Finegold discuss best practices and lessons learned from forays into REMI and cloud production that have yielded successful workflows in this clip from their panel at Streaming Media East 2022.
Featured Articles, Posted 15 Jun 2022

Review: YoloLiv YoloBox Mini

The YoloBox Mini is a compact, single-source streaming encoder and recorder with the ability to do some audio mixing, overlay a sports scoreboard, social media content, logos, and lower-thirds. It's not a multi-camera live-switching tool like the original YoloBox or the YoloBox Pro. I consider it more of a YoloStream than a YoloBox, but this 5" screen device is so compact and light, it certainly is "Mini."
Featured Articles, Posted 02 May 2022

Globo selects Grass Valley Cloud-Based Production Platform to Produce Over 50 Live Sports and Entertainment Events

Brazilian Mediatech Company Globo has chosen Grass Valley's GV AMPP (Agile Media Processing Platform) to produce and stream over 50 live sports and entertainment events
Featured News, Posted 20 Apr 2022

How SRT Streamlines In-Person and REMI Production

Uncle Toad's Chris Steblay discusses discusses how SRT (Secure Reliable Transport) has enabled Uncle Toad and other small broadcasters to move into REMI production and reduce on-site crew and other production expenses in this clip from Streaming Media Connect 2022.
Featured Articles, Posted 11 Apr 2022

Cloud Production for Live Sports

Many people are interested in moving some if not all of their production workflows into the cloud. For some, the journey is easy, for others it is nice to have a partner they can count on to assist them. Jef Kethley, Chief Problem Solver at LiveSports, explains how live event needs helped propel them into the clouds and develop their Platform as a Service called MasterControl.cloud. Find out how a distributed workflow leveraging cloud infrastructure can help your organization deliver content in new and unexpected ways.
Featured Articles, Posted 06 Apr 2022

vMix and Blackbird in Cloud and Remote Production

Live X Co-Founder Corey Benhke and NHL Director of Broadcast Engineering Taishon Black discuss how vMix--a tool not originally designed for use in cloud production--and Blackbird have become instrumental in their cloud and remote production workflows.
Featured Articles, Posted 29 Mar 2022

Monumental Sports & Entertainment Raise Their Game with New Live Production Capabilities Delivered by FOR-A

Broad Range of FOR-A Upgrades at the Capital One Arena Keep Fans Engaged with Dynamic In-Stadium Video and Graphics
Featured News, Posted 29 Mar 2022

Streaming Media Poll: Are You Headed Back to Trade Shows?

After two years of dashed hopes and way too many Zoom meetings, we're looking forward to NAB and Streaming Media East. What do you think—Is it time to get back to the trade show floor?
Featured Articles, Posted 09 Mar 2022

Spanish Football Analysis Show Streamed with Blackmagic Design

Madrid-based live production and streaming specialist Patton produces the biweekly program, filming in front of a small live audience at the Teatro Luchana.
Featured News, Posted 26 Jan 2022

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