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John Ross Talks Laurel Canyon Live

Laurel Canyon Live's John Ross discusses the vision, mission, and workflow of a new live streaming facility that will operate at the nexus of live performance and narrative-driven music video in this interview with Streaming Media Producer's Steve Nathans-Kelly.
Featured Articles, Posted 27 Jan 2021

TAG Video Systems Adds Dolby Atmos Support to Monitoring and Multiviewer Solution

TAG Video Systems Adds Dolby Atmos Support to Monitoring and Multiviewer Solution
Featured News, Posted 13 Jan 2021

How to Make Your Remote Live Talent Look and Sound Awesome

Stream4us' Anthony Burokas offers best practices for making remote guests in multi-source live productions look and sound their best in this clip from Streaming Media West Connect.
Featured Articles, Posted 15 Dec 2020

Virtual Audio Cables for Multi-Source Remote Streaming Production

Stream4us' Anthony Burokas explains how to use "virtual audio cables" from vb-audio.com to connect multiple audio sources when using a laptop for live streaming production with multiple remote guests.
Featured Articles, Posted 14 Dec 2020

Review: Epiphan LiveScrypt

LiveScrypt combines a hardware appliance for audio input and a cloud application for transcription to deliver a polished, inexpensive, easy-to-use real-time transcription solution
Featured Articles, Posted 27 Oct 2020

Echo Cancellation and Multi-caller Remote Production

IEBA Imagineer Anthony Burokas explains how to handle audio when doing live production with multiple remote-in participants in this clip from his presentation at Streaming Media West Connect 2020.
Featured Articles, Posted 09 Oct 2020

Odd!Life Melds Music Video with Concert Streaming in Underoath:Observatory

Grammy-nominated metalcore band UnderOath set out to fill the void left by a year's worth of cancelled tour dates by giving their fans something new: three livestreams featuring top-to-bottom performances of fan-favorite albums, produced in the cinematic style of the band's music videos.
Featured Articles, Posted 08 Sep 2020

Brooklyn Bowl Nashville: FANS in the Stream

On May 15, Brooklyn Bowl Nashville became one of the first music venues in the country to deliver a livestreamed concert with no on-site audience. But Dayglo Presents' "Fans in the Stream" technology brought the online audience to the performers and to each other.
Featured Articles, Posted 01 Sep 2020

Ayako Yamauchi Calls on Nugen Audio Post Bundle for Gaming and Streaming Projects

Recording, editing, mixing and mastering engineer Ayako Yamauchi consistently calls on the Post bundle from NUGEN Audio to assist with a variety of aspects of sound effects editing.
Featured News, Posted 12 Aug 2020

MixOne Soundstage: Audience-Less Shows with a Festival Feel

Sidelined from rock tours and festivals by the COVID-19 crisis, MixOne Sound put their gear, expertise, and storage space to use building a state-of-the-art soundstage designed to deliver festival-like livestreamed experiences with audience-less shows.
Featured Articles, Posted 03 Aug 2020

First Look: BirdDog FLEX NDI Converters

An exclusive first-look review of the new BirdDog Flex NDI Converter, a tiny device that delivers tally, audio, video, PTZ control, audio intercom, and power via a single Ethernet cable.
Featured Articles, Posted 30 Jul 2020

Penny Arcade Goes Live with Help from Blackmagic Design Switchers and Cameras

Live streaming has become an essential part of Penny Arcade's business, especially for its several weekly online shows, which air live on Penny Arcade's Twitch channel, "PennyArcade," and are later uploaded to its YouTube channel, "pennyarcadeTV" (PATV), attracting tens of thousands of viewers.
Featured Articles, Posted 20 Jul 2020

Best Practices for Streaming Deployment

Robert Reinhardt outlines his streaming gear and workflow from ingest to delivery in this clip from Streaming Media East Connect 2020.
Featured Articles, Posted 08 Jul 2020

Streaming High School Graduations in the Era of COVID-19

Marty Jenoff of Maryland-based Focal Point Productions discusses his workflow for capturing socially distanced high school graduations as stream-first events.
Featured Articles, Posted 01 Jul 2020

The Show Goes On with Brian Sheil and NewTek’s Flexible, Scalable TriCaster

Entertainment Services LA owner Brian Sheil recounts how the NewTek TriCaster enabled a smooth pivot to remote production for the annual BeachLife music festival
Featured Articles, Posted 19 Jun 2020

Pros and Cons of Going Live with Remote Production

As social distancing necessitates remote production, live producers face new challenges and new variables that raise the question: Is walking the live streaming highwire the right choice? It depends, say Ben Ratner and Alex Lindsay, in this clip from their panel at Streaming Media East Connect 2020.
Featured Articles, Posted 17 Jun 2020

Has the Age of the Solo Live Producer Arrived?

Have the need to distance and the widespread availability of versatile, small-footprint, low-cost, multicam streaming-ready tools brought single-producer live production to the mainstream? Ben Ratner and Alex Lindsay discuss at Streaming Media East Connect 2020.
Featured Articles, Posted 09 Jun 2020

How COVID-19 Has Changed Streaming Workflows

As COVID-19 has necessitated the virtualization of formerly in-person live events, streaming producers' roles and workflows have changed, as Producer and Associate Director Liz Hart and 090 Media's Alex Lindsay discuss in this clip from Streaming Media East Connect 2020.
Featured Articles, Posted 09 Jun 2020

Ruy Garcia Leverages Upmixing Software for Film Releases on Netflix And AppleTV

NUGEN Halo Upmix Preserves the Character of the Original Audio for Wendy and Midsommar Without Adding any Artificial Reverb, Chorus or Delays
Featured Articles, Posted 02 Jun 2020

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