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Are REMI Production and Hybrid Events Here to Stay?

Gigcasters' Casey Charvet discusses how Gigcasters and the agencies they work with have embraced remote production and virtual and hybrid events--first out of necessity with the challenges of the pandemic, then recognizing the new possibilities and opportunities they offer.
Featured Articles, Posted 03 Nov 2021

Creamfields Wows Crowds with Blackmagic Design Live Production Workflow

Creamfields, the UK's biggest dance music festival, was delivered using a Blackmagic Design live production workflow built around ATEM production switchers and HyperDeck recorders.
Featured News, Posted 20 Oct 2021

Guildhall School Makes New Connections with NewTek and NDI Mix

When London's Guildhall School of Music and Drama upgraded its video infrastructure with NewTek's VMC (TriCaster) live multi-camera production system and NDI to solve a pressing issue, it also opened a world of possibilities.
Featured Articles, Posted 04 Oct 2021

PianoGroove Finds its Rhythm with ScreenFlow

PianoGroove Founder Hayden Hill creates online jazz piano school and community
Featured News, Posted 20 Jul 2021

Scruff of the Neck TV Streams Live Music Performances with Blackmagic Design

Indie music label Scruff of the Neck is broadcasting live as part of an official Twitch partnership using the ATEM Mini Extreme and Blackmagic Pocket Cinema Camera 6K as part of a multicamera setup.
Featured News, Posted 06 Jul 2021

Miami Video Director and NewTek Dealer Unite to Rescue Acclaimed JazzAid Live at the Banyan Bowl

For the past eleven years, the Pinecrest Gardens has been home to one of south Florida's premier jazz concert series: JazzAid Live at the Banyan Bowl. But due to the COVID-19 pandemic, the series was in serious danger of cancellation for the 2020-21 season.
Featured News, Posted 29 Jun 2021

Jazza’s New “Table Top Time” Stream Created With Blackmagic Design Cameras and Switchers

Blackmagic Design announced that "Table Top Time," Josiah ‘Jazza' Brook's new YouTube channel, is being created using Pocket Cinema Camera 6Ks, Pocket Cinema Camera 4Ks and ATEM Mini Extreme
Featured News, Posted 22 Jun 2021

Streaming the North Texas Irish Festival: A Cloud Production Case Study

In interviews with two fellow producers on the all-virtual 2021 North Texas Irish Festival, a multichannel event combining six concurrent live feeds, produced in the cloud using vMix and AWS, Anthony Burokas provides a look inside a complex cloud production, including challenges and lessons learned.
Featured Articles, Posted 08 Jun 2021

How to Give Live Streaming Viewers a Reason to Watch

7 Cinematics' Adam Paul discusses how to take a craft approach to large-scale live music streaming, that emphasizes creativity, engagement, and the way fans experience music, and minimizes gear requirements in this clip from a streaming-at-scale panel at Streaming Media East 2021.
Featured Articles, Posted 02 Jun 2021

Belgian Broadcaster VRT Selects Matrox Monarch EDGE for Concert Remote Production Trials that Never Miss a Beat

Monarch EDGE encoder/decoder pair provides secure, high-quality video transport for concert live streams from Belgium's leading Flemish public broadcast network
Featured News, Posted 05 May 2021

MisterWives’ SUPERBLOOM: The Live Dream Stream Shot with Pocket Cinema Camera 6Ks

Blackmagic Design today announced the band MisterWives' recent "SUPERBLOOM: The Live Dream" stream was shot completely on Blackmagic Design Pocket Cinema Camera 4K and 6K cameras.
Featured News, Posted 24 Mar 2021

Live Performance by The Darkness Relies on URSA Broadcast for Acquisition

Blackmagic Design today announced that a recent concert by The Darkness was produced and streamed from Indigo at The O2 using a multicam workflow featuring URSA Broadcast cameras.
Featured News, Posted 17 Mar 2021

How to Maintain Production Control in Cloud-Based Production

Zixi's Eric Bolten discusses the transition to remote and cloud-based production in this clip from Streaming Media Connect 2021.
Featured Articles, Posted 24 Feb 2021

John Ross Talks Laurel Canyon Live

Laurel Canyon Live's John Ross discusses the vision, mission, and workflow of a new live streaming facility that will operate at the nexus of live performance and narrative-driven music video in this interview with Streaming Media Producer's Steve Nathans-Kelly.
Featured Articles, Posted 27 Jan 2021

Behind-the-Scenes of The Avett Brothers’ Epic New Year’s Eve Special

Production Company 7 Cinematics Proves Massive Success with Premiere Music Experiences & Livestreaming Events
Featured News, Posted 13 Jan 2021

Outfitting Toronto's Legendary Music Venues for Live Concert Streaming

Doug McKendrick, VP Production at Toronto's Massey Hall and Roy Thomson Hall discusses the pandemic-accelerated pivot to in-house production and streaming in Roy Thomson Hall, home to the Toronto Symphony Orchestra, and the role video is playing in the revitalization of the legendary Massey Hall.
Featured Articles, Posted 12 Jan 2021

New World Symphony's Clyde Scott Talks Pivot to Streaming, New PTZ Workflow

Streaming Media Producer Editor Steve Nathans-Kelly and New World Symphony Director of Video Production Clyde Scott discuss New World Symphony's recent adoption of a workflow centered on Panasonic 4K PTZ cameras and controllers and their pandemic-era pivot to livestreaming.
Featured Articles, Posted 21 Dec 2020

New World Symphony Adopts 4K/UHD Panasonic Professional PTZ Camera Systems to Level Up Its Highly Distinguishable Performance Hall

With the pandemic sending the live entertainment and performing arts world reeling, New World Symphony turned to AV technology to engage with their fans virtually.
Featured News, Posted 09 Dec 2020

Streaming New Orleans Voices of Congo Square

Streaming Media Producer's Steve Nathans-Kelly interviews William Sabourin and Carlos Larrondo, Director and Tech Director of the world premiere live stream of Voices of Congo Square.
Featured Articles, Posted 08 Dec 2020

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