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KAN-NARI AV Division Uses Blackmagic Studio Camera 4K Pro and ATEM Workflow for Japanese Streaming Business

KAN-NARI AV Division Uses Blackmagic Studio Camera 4K Pro and ATEM Workflow for Japanese Streaming Business
Featured News, Posted 26 Jan 2022

Tutorial: Remote Production with EasyLive

This tutorial will walk you through setting up and producing a simple live event with easylive.io.
Featured Articles, Posted 26 Jan 2022

Producing Branded Content in the New Normal

Culture House's Nicole Galovski discusses how brand storytelling and the way video producers work brands and clients have changed in the last 18 months in this clip from Streaming Media West 2021.
Featured Articles, Posted 12 Jan 2022

How the Pandemic Has Changed Production and Post

Will pre-pandemic video production budgets ever return? Will postproduction collaboration remain remote? White Label Productions' Chris Wagner and Culture House's Nicole Galovski discuss the challenges producers and editors face in this clip from Streaming Media West Connect 2021.
Featured Articles, Posted 12 Jan 2022

How the Pivot to Remote Work Changed Corporate Communications

Deloitte's Melissa Dale and NewTek's Chris Burgos discussed how the pivot to remote turned home offices to enterprise streaming video production studios and the longterm impact of that change in this clip from Streaming Media West 2022.
Featured Articles, Posted 20 Dec 2021

How to Add Interactivity to Hybrid Events

Sage Event Management Creative Producer Blue Melnick explains his approach to enhancing the viewing and engagement experience for in-person and remote audiences at different types of hybrid events in this clip from Streaming Media West Connect 2021.
Featured Articles, Posted 14 Dec 2021

What Is a Hybrid Event?

LinkedIn's Dan Swiney, 090 Media's Alex Lindsay, Kaltura's Charlotte Copeman, and Sage Event Management's Blue Melnick offer definitions of hybrid events and what it means to produce content effectively for in-person and online live audiences simultaneously in this clip from Streaming Media West 2021.
Featured Articles, Posted 14 Dec 2021

Do Hybrid Events Work for the Online Audience?

090 Media Head of Operations discusses the value of the viewing experience for remote viewers of hybrid live events, the challenges of serving both in-person and off-site live audiences effectively, and what it means for the future of hybrid live events as currently constituted in this clip from Streaming Media West Connect 2021.
Featured Articles, Posted 14 Dec 2021

How to Maximize Reach for Your Live Streaming Clients

VideoRx's Robert Reinhardt, LiveX's Corey Behnke, and SLV Live's Shawn Lam discuss how live streaming producers can (and in many cases, must) educate their clients on how to make sure the right viewers see their streams in this clip from Streaming Media West Connect 2021.
Featured Articles, Posted 07 Dec 2021

How to Choose the Right Streaming Gear for Each Gig

SLVLive's Shawn Lam, LiveX's Corey Behnke, and LiveSports' Jef Kethley discuss how to choose which live production and streaming gear to use for the job at hand in this clip from Streaming Media West Connect 2021.
Featured Articles, Posted 01 Dec 2021

How to Optimize Your Live Streaming Productions

SLV Live's Shawn Lam, LiveX's Corey Behnke, LiveSports' Jef Kethley, andf videoRx's discuss best practices for meeting client expectations and bringing more fluidity to your live streaming productions in this clip from Streaming Media West Connect 2021.
Featured Articles, Posted 01 Dec 2021

Review: YoloLiv Yolobox and Yolobox Pro

Anthony Burokas provides a walkthrough of Android tablet-based multicam livestreaming Yololiv's YoloBox and Yolobox Pro, discussing key features, usability, and current shortcomings.
Featured Articles, Posted 10 Oct 2021

How Cloud Migration Changes Live Streaming Workflows

LiveSports LLC's Jef Kethley discusses how moving to cloud production has changed both his workflows and the ways he allocates staff in this clip from Streaming Media Connect 2021.
Featured Articles, Posted 22 Sep 2021

Remote Production with NewTek Live Call Connect

NewTek's Chris Burgos explains how NewTek Live Call Connect and NDI 5 enable heightened engagement for multi-guest remote production in this clip from his presentation at Streaming Media Connect 2021.
Featured Articles, Posted 22 Sep 2021

Review: JVC HC-550 4K Camcorder

The JVC GY-HC550 will do very well in news production, corporate video, and event production. The ability to store a station or other logo on the camera for streaming is very useful.
Featured Articles, Posted 13 Sep 2021

Review: Riverside.fm for Remote Producers

From a perfect high-quality audio recording of a podcast guest to a remote shoot with a 4K camera hooked into a computer via Riverside, editors can have access to perfect video files in seconds and avoid most of the downsides of other popular video call services.
Featured Articles, Posted 07 Sep 2021

Ongoing Challenges of Remote Production

It's been the eighteen months since most streaming pros began pivoting to remote production, and the challenges producers face have evolved along with changes in working conditions, workflows, and client expectations. In this clip from Streaming Media Connect 2021, remote production experts discuss the current state of the art.
Featured Articles, Posted 31 Aug 2021

Comms Best Practices for Remote Live Production

Live X's Anna Cowdery, Live Sports' Jef Kethley, Focal Point's Marty Jenoff, and Maven's Ben Ratner discuss what works and what doesn't when it comes to comms and talkback and remote live production in this clip from their panel at Streaming Media Connect.
Featured Articles, Posted 25 Aug 2021

Pros and Cons of Cloud Production

Pizazz Chief Problem Solver Jef Kethley discusses the benefits and challenges of moving production to the cloud in this clip from his presentation at Streaming Media East 2021.
Featured Articles, Posted 17 Aug 2021

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