The new mixer layout in Sony Vegas Pro 11 makes editing audio for video in Vegas feel like you're using a pro hardware mixer. Vegas instructor David McKnight explains how it's done.
Featured Articles,
Posted 07 May 2012
When Apple originally released Final Cut Pro 10, the biggest deficit for Pro users was the lack of multicam. With the 10.0.3 release, Apple has addressed this with a highly functional and easy-to-use multicam feature, which Jan Ozer explains in this tutorial.
Featured Articles,
Posted 24 Apr 2012
In this final segment of this series on the JStreet Making History convention webcast, we'll examine one aspect of webcast production that too often gets ignored: monitoring and controlling audio volume, which becomes a complex issue as speakers change, audio techs and shooters adjust their own levels, and the webcaster is left to make sure the signal sent over the web remains audible and consistent.
Featured Articles,
Posted 22 Apr 2012
Sonicfire Pro Plug-ins for Adobe products have been upgraded to add support for Adobe Premiere Pro CS6 and Adobe After Effects CS6
Featured News,
Posted 18 Apr 2012
Highlights of the show will include the first public demonstrations of Adobe Creative Suite 6 Production Premium--including major updates for Adobe Premiere Pro CS6 and Adobe After Effects CS6--before its official release, showcasing the software's blazingly fast performance and tight integration that enables video professionals to work efficiently and streamline workflows
Featured News,
Posted 12 Apr 2012
New Petrol Bags include Deca Audio Bag, Liteporter carrier for Litepanels 1x1 LED, Rolling DigiSuite DSLR case, 2 new LCD Monitor bags
Featured News,
Posted 28 Mar 2012
During a 3-day gig as webcaster for J Street's Making History conference on Israeli-Palestinian relations, Jan Ozer learned a lot about the challenges of streaming events where you don't control critical factors like the set background and lighting. In part 1 of 3 on this project, Jan details the planning process and streaming setup.
Featured Articles,
Posted 28 Mar 2012
St. Louis-area studio Gebbs.TV has created a renewable revenue stream and a powerful body of work producing promo videos for area schools that live on the schools' websites and serve as recruiting films and video mission statements.
Featured Articles,
Posted 28 Mar 2012
Video production and encoding expert Jan Ozer describes the workflow and challenges of a Livestream webcast he produced for marimba player Larissa Venzie using the Roland VR-3 and Next Computer's Radius portable workstation.
Featured Articles,
Posted 20 Mar 2012
In this final chapter of our 3-part series on Corporate Identity Videos, we'll go on set and into the editing bay with producers Rochelle Morris of Preface Films, Keith Kelly of Innovative Communications, Ryan Koral of Tell, and Dave Williams of Media Wave. Some of the clips they share here are of their own corporate identity videos.
Featured Articles,
Posted 15 Mar 2012
To storyboard or not to storyboard? Should the story drive the interviews or vice versa? At what point in a corporate project do you set video length and budget? These questions and more are discussed in Part 2 of our Producing Corporate Identity Videos series.
Featured Articles,
Posted 07 Mar 2012
If you're in the market for an all-in-one video mixer for webcasting 4:3 NTSC video, Roland's compact new VR-3 fits the bill nicely. If you need widescreen video output, you may need to add some steps to your workflow when you pair NTSC widescreen video with many of the popular streaming services.
Featured Articles,
Posted 07 Mar 2012
Adapting servo zoom ENG lenses to your DSLR rig with suitable rails and power makes for a smooth transition from prosumer camcorder to large-sensor video camera.
Featured Articles,
Posted 06 Mar 2012
Canon 5D Mark III new video features include better noise reduction, longer continuous recording times, and a built-in headphone jack for audio monitoring
Featured News,
Posted 02 Mar 2012
Sony's NEX-FS100 presents challenges shooters never encounter with traditional camcorders, as well as different lens-mounting choices and caveats than DSLR shooters face. In this article we'll discuss the abilities and limitations of the FS100 for live event production work.
Featured Articles,
Posted 01 Mar 2012
The new EDIUS software boasts a comprehensive 3D workflow, new Flash exporter, improvements to Layouter tool, and build-in Loudness Meter.
Featured News,
Posted 27 Feb 2012
GoPro shoots for online video pros with the new HD Hero2, which adds an improved CMOS sensor, better glass, and from-the-wrist remote control and live streaming to a camera line that's become a go-to device for aerial, POV, and action sports applications.
Featured Articles,
Posted 22 Feb 2012
StreamingMedia.com/Producer focuses on tutorials and real-world technical advice for professional online video producers
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Posted 16 Feb 2012
Recently I had to shoot two greenscreen intros for some screencam tutorials, and it took three hours to produce them. So, just to have ammunition for higher fees next time, I figured I would detail the gear I had to set up and configure to get the job done.
Featured Articles,
Posted 15 Feb 2012
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