Blackmagic Design today announced that Art'istic Production has implemented a multicamera OB featuring the Blackmagic URSA Broadcast G2 cameras and ATEM Constellation 8K live production switcher to capture and broadcast the National Volleyball League (LNV)
Featured News,
Posted 01 Mar 2023
New report expands on details provided during recent Streaming Media West keynote
Featured Articles,
Posted 13 Jan 2023
Blackmagic Design today announced that Lake Forest High School, located outside of Chicago, IL, uses the HyperDeck Shuttle HD recorder/player for sports replays during school sporting events.
Featured News,
Posted 14 Dec 2022
Blackmagic Design today announced that the FIBA 3x3 World Tour 2022 Paris Masters has relied on a multicamera OB (outside broadcast) solution featuring the ATEM Constellation 8K live production switcher.
Featured News,
Posted 07 Dec 2022
What are some of the biggest issues encountered when handling interactive streaming at scale? The widespread increase of highly interactive streaming such as auctions, sports betting, and gaming has put pressure on networks while increasing the need to integrate interactivity into more traditional methods of content delivery.
Featured Articles,
Posted 12 Nov 2022
Compact Global Shutter Camera with Genlock Offers Broadcast Quality Video Performance With Simultaneous Output Formats
Featured News,
Posted 05 Nov 2022
TVU's Modular, Microservice-based Approach Provides Production, Collaboration, and Live Streaming Capabilities Needed During the Pandemic
Featured News,
Posted 21 Sep 2022
Streaming Media West returns to Huntington Beach November 15-16, with Streaming Media University Workshops on November 14. Registration is open now.
Featured Articles,
Posted 07 Sep 2022
Jef Kethley of LiveSports talks about how his organization develops solid resiliency models in varying production environments through the use of multiple data centers and cost-effective cloud production.
Featured Articles,
Posted 07 Sep 2022
What drives decisions to move to cloud or hybrid production (as well as decisions to put off the move and stick with traditional on-prem)? LiveSports' Jef Kethley, Paramount's Corey Smith, and Warner Bros. Michael Koetter discuss their to-cloud-or-not-to-cloud decision process in this clip from Streaming Media Connect 2022.
Featured Articles,
Posted 31 Aug 2022
As part of its move to comprehensive 4k production capabilities, outside broadcast production specialist LiveHD, part of Abu Dhabi Media, has invested in two ultra-slow motion camera systems from FOR-A.
Featured News,
Posted 03 Aug 2022
CNN's Ben Ratner, LiveU's Mike Savello, and Signiant's Jon Finegold discuss best practices and lessons learned from forays into REMI and cloud production that have yielded successful workflows in this clip from their panel at Streaming Media East 2022.
Featured Articles,
Posted 15 Jun 2022
The YoloBox Mini is a compact, single-source streaming encoder and recorder with the ability to do some audio mixing, overlay a sports scoreboard, social media content, logos, and lower-thirds. It's not a multi-camera live-switching tool like the original YoloBox or the YoloBox Pro. I consider it more of a YoloStream than a YoloBox, but this 5" screen device is so compact and light, it certainly is "Mini."
Featured Articles,
Posted 02 May 2022
Brazilian Mediatech Company Globo has chosen Grass Valley's GV AMPP (Agile Media Processing Platform) to produce and stream over 50 live sports and entertainment events
Featured News,
Posted 20 Apr 2022
Uncle Toad's Chris Steblay discusses discusses how SRT (Secure Reliable Transport) has enabled Uncle Toad and other small broadcasters to move into REMI production and reduce on-site crew and other production expenses in this clip from Streaming Media Connect 2022.
Featured Articles,
Posted 11 Apr 2022
Many people are interested in moving some if not all of their production workflows into the cloud. For some, the journey is easy, for others it is nice to have a partner they can count on to assist them. Jef Kethley, Chief Problem Solver at LiveSports, explains how live event needs helped propel them into the clouds and develop their Platform as a Service called MasterControl.cloud. Find out how a distributed workflow leveraging cloud infrastructure can help your organization deliver content in new and unexpected ways.
Featured Articles,
Posted 06 Apr 2022
Live X Co-Founder Corey Benhke and NHL Director of Broadcast Engineering Taishon Black discuss how vMix--a tool not originally designed for use in cloud production--and Blackbird have become instrumental in their cloud and remote production workflows.
Featured Articles,
Posted 29 Mar 2022
Broad Range of FOR-A Upgrades at the Capital One Arena Keep Fans Engaged with Dynamic In-Stadium Video and Graphics
Featured News,
Posted 29 Mar 2022
After two years of dashed hopes and way too many Zoom meetings, we're looking forward to NAB and Streaming Media East. What do you think—Is it time to get back to the trade show floor?
Featured Articles,
Posted 09 Mar 2022
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