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Review: Litepanels MicroPro Hybrid DSLR LED

Litepanels recently shipped the MicroPro Hybrid, a dimmable, on-camera Hybrid LED that can refresh itself much faster than most any strobe light can. Thus it may pack a powerful 1-2 punch for DSLR producers who need to capture both video and still images. But how well does it handle both tasks? In this article Anthony Burokas reviews the new light and compares it to an LED light that's one-fifth the cost to see how these two lights measure up.
Featured Articles, Posted 01 May 2012

Review: Divergent Media ScopeBox 3.0

For scopes and DVR functionality, Divergent's ScopeBox 3.0 outdoes Adobe's late, lamented OnLocation, particularly because it works with a range of cameras, not just those with FireWire outputs. If you've been wondering what you were going to do for DVR/scope functionality on the Mac now that Adobe has exited the market, you should definitely give ScopeBox a try.
Featured Articles, Posted 01 May 2012

The NAB Interviews With Shawn Lam: The Matrox MC-100 Mini Converter

In Episode 2, Shawn discusses the MC100, the new SDI-to-HDMI mini converter from Matrox Video with Matrox product manager Charles Amyot.
Featured Articles, Posted 24 Apr 2012

Live From J Street, Part 3: Monitoring Webcast Audio

In this final segment of this series on the JStreet Making History convention webcast, we'll examine one aspect of webcast production that too often gets ignored: monitoring and controlling audio volume, which becomes a complex issue as speakers change, audio techs and shooters adjust their own levels, and the webcaster is left to make sure the signal sent over the web remains audible and consistent.
Featured Articles, Posted 22 Apr 2012

Review: The HP Z1 as a Webcaster's Workstation

HP's Z1 is the first all-in-one computer with workstation components and field serviceability. Here, encoding expert Jan Ozer takes a look at how this workstation-class portable PC fared in a live production and webcast environment, with testing emphasis in 3 areas: rendering, streaming encoding, and live encoding.
Featured Articles, Posted 11 Apr 2012

Live from J Street, Part 2: Framing Tips for Conference Shooters and Webcasters

Jan Ozer passes on several key tips on framing panels and applying the rule of thirds (and when to break it) gleaned from his recent gig webcasting the national J Street conference on Israeli-Palestinian relations.
Featured Articles, Posted 04 Apr 2012

FOR-A To Debut its SmartDirect 'All-in-One' Live Production System at NAB

With Brainstorm's Easy On Air Graphics template-based CG interface, SmartDirect can key graphics over background video internally or output key and fill signals for an external mix
Featured News, Posted 04 Apr 2012

Film School: Producing School Promo Videos

St. Louis-area studio Gebbs.TV has created a renewable revenue stream and a powerful body of work producing promo videos for area schools that live on the schools' websites and serve as recruiting films and video mission statements.
Featured Articles, Posted 28 Mar 2012

Marrying Video and Animation in Commercial Video

Mad Bear Productions' Glenn Zimmerman describes how to make video and animation work together in commercial production by playing to each medium's respective strengths.
Featured Articles, Posted 20 Mar 2012

Artbeats Releases New HD Aerial Stock Footage of Washington, DC

Subjects include the Capitol Building, Pentagon, Arlington National Cemetery, National Mall, Washington Monument, Lincoln Memorial, Jefferson Memorial, US Supreme Court Building, the Watergate, as well as hospitals, universities, stadiums, and other government buildings and landmarks.
Featured News, Posted 20 Mar 2012

Producing Corporate Identity Videos Part 3: Directing and Editing

In this final chapter of our 3-part series on Corporate Identity Videos, we'll go on set and into the editing bay with producers Rochelle Morris of Preface Films, Keith Kelly of Innovative Communications, Ryan Koral of Tell, and Dave Williams of Media Wave. Some of the clips they share here are of their own corporate identity videos.
Featured Articles, Posted 15 Mar 2012

Concept to Script to Shoot: Producing Corporate Identity Videos, Part 2

To storyboard or not to storyboard? Should the story drive the interviews or vice versa? At what point in a corporate project do you set video length and budget? These questions and more are discussed in Part 2 of our Producing Corporate Identity Videos series.
Featured Articles, Posted 07 Mar 2012

Canon Unveils 5D Mark III With 22MP Full-Frame Sensor and New Intraframe H.264 Compression for Easier Editing

Canon 5D Mark III new video features include better noise reduction, longer continuous recording times, and a built-in headphone jack for audio monitoring
Featured News, Posted 02 Mar 2012

The Live Event Producer's Guide to the Sony NEX-FS100

Sony's NEX-FS100 presents challenges shooters never encounter with traditional camcorders, as well as different lens-mounting choices and caveats than DSLR shooters face. In this article we'll discuss the abilities and limitations of the FS100 for live event production work.
Featured Articles, Posted 01 Mar 2012

Selling Storytelling: Producing Corporate Identity Videos, Part 1

In as few as 30 seconds, a singular corporate identity video can convince a website visitor of a company's expertise, poise, and uniqueness. But it's easier said than done, of course, so we talked to four leading producers about how they approach these types of projects. In this 3-part series they'll share their secrets on telling and selling corporate stories.
Featured Articles, Posted 29 Feb 2012

Complete Control: KnowledgeVision Redefines Online Presentation Video

When your job is to produce corporate presentation videos for delivery online, how do you make them both watchable and effective in one of the few web video genres where less isn't more? KnowledgeVision has an answer in a new platform that may recast presentations for the online video world.
Featured Articles, Posted 22 Feb 2012

EventDV Relaunches as New Pro Video Production Site Streaming Media Producer

StreamingMedia.com/Producer focuses on tutorials and real-world technical advice for professional online video producers
Featured News, Posted 16 Feb 2012

Adapting Servo Zoom Lenses for Smooth-Zooming DSLR Production, Part 1

DSLRs have become the standard by which current and future large-sensor camcorders are judged. But as we adopted DSLRs and primes to produce more "filmic" video for our clients, we left something critical behind: the feathery smooth servo zoom that serves feature film producers so well. So how do you get that capability on your DSLR?
Featured Articles, Posted 16 Feb 2012

Tutorial: Adjusting Color and Brightness in Adobe Premiere Pro CS5.5

When you compress video for the web, the video can darken and colors can become muted. In this tutorial, I'll show you how to correct color and adjust brightness and color saturation with Adobe Premiere Pro's Fast Color Corrector.
Featured Articles, Posted 15 Feb 2012

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