In this tutorial, Cord3Films' Glen Elliott demonstrates how to mix audio from multiple off-camera sources in a multicam edit in Apple Final Cut Pro X.
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Posted 30 Jul 2013
Although it's possible to webcast with a webcam or smartphone and a streaming service provider, a professional live-switched webcast has more in common with a live TV broadcast than it does a kid with a smartphone. This article discusses the roles that must be filled in a live-switched webcast, the various features and types of video switchers, and a lot of the small details that are important considerations in the larger video switching and webcasting workflow.
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Posted 25 Jul 2013
While Sound Forge Pro 11 andSpectraLayers Pro 2 are standalone applications, both are now configured to work seamlessly with each other, providing a comprehensive editing environment that combines deep waveform and spectrum editing capabilities
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Posted 24 Jul 2013
Rather than depending on traditional elastic mounts or pop-in vertical clips, the Nautilus floats the microphone in a round spring design with horizontal clips that are over molded with rubber to achieve optimum isolation
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Posted 16 Jul 2013
There's been a lot written about the forthcoming Blackmagic Design Pocket Cinema Camera--mostly by those in forums who haven't handled it. As of May, there were just three models in the U.S. I got my hands on one to see how it works.
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Posted 15 Jul 2013
In part 2 of our series on multicam editing in Final Cut Pro X, Glen Elliott explains how you can accelerate and streamline the multicam-syncing process in Red Giant's PluralEyes 3.
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Posted 10 Jul 2013
In this tutorial you'll learn how to create and edit industry-standard closed captions for video using the new closed-captioning capabilities in the just-released Adobe Premiere Pro CC.
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Posted 03 Jul 2013
Our Final Cut Pro X tutorial series continues with the first installment of a 3-part series on multicam editing in FCP X, addressing the basics like creating a multicam clip and cutting and switching audio and video using the Angle Editor.
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Posted 22 Jun 2013
Whether you're capturing lectures, presentations, or multiple camera concerts, Cbox is a simple, affordable, and flexible solution that's definitely worth a look.
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Posted 18 Jun 2013
Professional carrier optimally designed to transport the Sound Devices 664 (with or without the CL6 Controller) comfortably and securely, and keep it safe, organized, and accessible while working
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Posted 11 Jun 2013
Roland R-88 v1.10 software adds input delay function, support for polyphonic WAV, expanded low-cut filters, external MIDI controllers, sensitivity gain and headphone output boost functions, and expanded footswitch parameters
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Posted 05 Jun 2013
Go behind the scenes at Streaming Media East 2013's 4-track, 3-day, live-switched conference and 1-day webcast with producer and crew chief Shawn Lam and see the process and the gear and how it all fits together in live-switched webcast production.
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Posted 28 May 2013
External audio mixers make it easy to adapt XLR mic and line-level sources to the audio inputs on DSLRs. The juicedLink Riggy Assist series of audio mixers are intended to adapt various microphones to be used with DSLRs. They can also provide additional features like phantom power and metering. The Riggy Assist does all this and more.
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Posted 20 May 2013
Twenty vendors, including Canon, Sony Electronics, RED, Blackmagic Design, JVC, Panasonic, TV Logic and Newtek, will have a collection of pro video products on display, including some of the latest innovations shown for the first time in Las Vegas at NAB
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Posted 07 May 2013
Shawn Lam and Atomos' Jeremy Young discuss the Samurai Blade, Atomos' new field recorder that features an improved 16:9 preview screen, waveform functionality, and enhanced Canon 5D Mark III support.
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Posted 23 Apr 2013
Shawn Lam discusses the new ATEM Production Studio 4K and 6Gb SDI with Blackmagic Design's Stuart Ashton an NAB 2013.
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Posted 16 Apr 2013
Now featuring a new interview from NAB 2013 on the Sound Devices Pix240i, this article looks at a handful of portable and rackmount external video recorders for live HD production, specifically in the role of recording the master program feed from a live switch.
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Posted 16 Apr 2013
Unlike the plastic housing of many competitors' microphones, the all-metal Azden SGM-DSLR with its shock-mount holder eliminates camera lens motor noise
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Posted 06 Apr 2013
In this article we'll walk through the process of connecting a camcorder to an external microphone or soundboard for optimum, clean, balanced audio capture--critical skills for any videographer or online video producer doing corporate video or live events.
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Posted 03 Apr 2013
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