Z Line now features 3rd-Gen PCI Express technology, providing customers increased performance and seamless integration of new graphics cards
Featured News,
Posted 07 Mar 2012
In this tutorial you'll learn how to make the most of Vegas's new by-parameter keyframing capabilities for effects plug-ins that ship with Vegas Pro 11 using the new Sony Text & Titles plug-in as an example.
Featured Articles,
Posted 06 Mar 2012
Denoiser II features intelligent default settings that provide immediate clean-up results when first applied to footage
Featured News,
Posted 28 Feb 2012
The new EDIUS software boasts a comprehensive 3D workflow, new Flash exporter, improvements to Layouter tool, and build-in Loudness Meter.
Featured News,
Posted 27 Feb 2012
When your job is to produce corporate presentation videos for delivery online, how do you make them both watchable and effective in one of the few web video genres where less isn't more? KnowledgeVision has an answer in a new platform that may recast presentations for the online video world.
Featured Articles,
Posted 22 Feb 2012
sideKick HD attaches to any HD camcorder or HDSLR using a standard 1/4"-20 mount, records to off-the-shelf, hot-swappable 2.5-inch SSD drives in native ProRes (FCP) or DNxHD (Avid) formats
Featured News,
Posted 22 Feb 2012
GPU-accelerated PHYX Defocus effects accurately simulate depth of field, bokeh, tilt-shift, rack-focus, and more; available in FxFactory 3
Featured News,
Posted 22 Feb 2012
New LightWave features include instancing, flocking, and fracturing tools, flexible Bullet Dynamics, and more
Featured News,
Posted 20 Feb 2012
Viewfinder HUD includes three filters--Binoculars, Target, and Viewfinder OSD--and is compatible with Final Cut Pro, Motion, and After Effects
Featured News,
Posted 19 Feb 2012
StreamingMedia.com/Producer focuses on tutorials and real-world technical advice for professional online video producers
Featured News,
Posted 16 Feb 2012
LandingZone, which will be available in a few weeks for $199.00 in two sizes—11" or 13" designs—provides more USB ports than a MacBook Air natively has, offers integrated Ethernet, and doesn't cover up some of the slots that other MacBook Air solutions are less tolerant of.
Featured Articles,
Posted 16 Feb 2012
This newest Canvases collection features an eclectic mix of subtle image backgrounds specifically designed to highlight and frame your text and graphics using a sophisticated mix of colors and textures.
Featured News,
Posted 16 Feb 2012
When you compress video for the web, the video can darken and colors can become muted. In this tutorial, I'll show you how to correct color and adjust brightness and color saturation with Adobe Premiere Pro's Fast Color Corrector.
Featured Articles,
Posted 15 Feb 2012
If you're a streaming producer you have to know how to produce H.264 for both Flash distribution and for mobile devices. Fortunately, Adobe Media Encoder makes this simple with multiple presets for desktop and mobile players which I'll show you how to find and customize in this tutorial.
Featured Articles,
Posted 15 Feb 2012
Recently I had to shoot two greenscreen intros for some screencam tutorials, and it took three hours to produce them. So, just to have ammunition for higher fees next time, I figured I would detail the gear I had to set up and configure to get the job done.
Featured Articles,
Posted 15 Feb 2012
With the appropriate hardware, multiple streams can be captured on one single MacPro (up to 8 SD or 4 HD streams) using the corresponding number of MovieReorder licenses.
Featured News,
Posted 15 Feb 2012
PluralEyes for FCP X is available now for 149.00 USD. Existing PluralEyes for FCP customers can upgrade to PluralEyes for Final Cut Pro X free of charge.
Featured News,
Posted 13 Feb 2012
Boris RED is a plug-in application for transitions, professional text, and advanced composites inside of Adobe Premiere Pro as well as video editing software applications from Apple, Avid, Grass Valley, Sony, and Media 100
Featured News,
Posted 10 Feb 2012
How do you get all the different cameras you might use to cover an event to match? There is a trick you can use to set up a color profile for each of the cameras, and then use the corrections established there to correct for the rest of the footage from your project.
Featured Articles,
Posted 01 Feb 2012
|