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Live from J Street, Part 2: Framing Tips for Conference Shooters and Webcasters

Jan Ozer passes on several key tips on framing panels and applying the rule of thirds (and when to break it) gleaned from his recent gig webcasting the national J Street conference on Israeli-Palestinian relations.
Featured Articles, Posted 04 Apr 2012

Sony to Release New 4K-capable NEX-FS700 Super 35mm Camcorder in June

New NXCAM designed for high-speed shooting and is capable of capturing footage at up to 960 fps; also features a range of capabilities such as 3G HD-SDI output and built-in ND filters; supports most DSLR 35mm lenses via E-Mount and adapters
Featured News, Posted 04 Apr 2012

Singular Software CloudEyes Takes PluralEyes to the Cloud

New cloud-basd media-sync technology lets remote video collaborators use PluralEyes dual-system audio sync
Featured News, Posted 03 Apr 2012

Canon Intros EOS 60Da DSLR

New Canon 60Da DSLR eatures 18MP CMOS sensor, improved 3" Clear View LCD flip-out Vari-angle screen
Featured News, Posted 03 Apr 2012

New Vision blue5 Pan and Tilt Head and Tripod System to Launch at NAB

blue5 extends Vision blue with higher carrying capacity, support for larger cameras used by professional videographers
Featured News, Posted 03 Apr 2012

Vision Research Unveils Phantom v642 Digital High-Speed Camera for Live Sports

Retains the unique ability to both record and playback ultra-slow motion footage simultaneously, while adding the capability to accurately color match regular speed broadcast cameras using advanced Multi-Matrix Color Correction Technology
Featured News, Posted 28 Mar 2012

Petrol To Roll Out New Camera and Audio Gear Bags at NAB 2012

New Petrol Bags include Deca Audio Bag, Liteporter carrier for Litepanels 1x1 LED, Rolling DigiSuite DSLR case, 2 new LCD Monitor bags
Featured News, Posted 28 Mar 2012

Film School: Producing School Promo Videos

St. Louis-area studio Gebbs.TV has created a renewable revenue stream and a powerful body of work producing promo videos for area schools that live on the schools' websites and serve as recruiting films and video mission statements.
Featured Articles, Posted 28 Mar 2012

Panasonic Unveils New 18.5" HD LCD Production Monitor

Panasonic BT-LH1850 features 1366x768 resolution, HD/SD SDI and HDMI connectivity, waveform monitor, vectorscope, and serial remote
Featured News, Posted 27 Mar 2012

Sachtler to Debut New Ace Tripod System at NAB 2012

Ace features 5-step counterbalance, 8.8-lb payload range, and is ideal for lightweight HDV camcorders and video-enabled DSLR cameras
Featured News, Posted 20 Mar 2012

Producing Corporate Identity Videos Part 3: Directing and Editing

In this final chapter of our 3-part series on Corporate Identity Videos, we'll go on set and into the editing bay with producers Rochelle Morris of Preface Films, Keith Kelly of Innovative Communications, Ryan Koral of Tell, and Dave Williams of Media Wave. Some of the clips they share here are of their own corporate identity videos.
Featured Articles, Posted 15 Mar 2012

Adapting ENG Lenses to DSLR Production, Part 2: Power & Rigging

Adapting servo zoom ENG lenses to your DSLR rig with suitable rails and power makes for a smooth transition from prosumer camcorder to large-sensor video camera.
Featured Articles, Posted 06 Mar 2012

Hitachi Unveils 2 New HD Cameras for Sports Video

SK-HD1500 uses standard 2/3" bayonet mount lenses, captures video at 2.5X and 3X speed; compact HV-HD33 3-MOS POV HD camera outputs SDI at multiple frame rates
Featured News, Posted 05 Mar 2012

Canon Unveils 5D Mark III With 22MP Full-Frame Sensor and New Intraframe H.264 Compression for Easier Editing

Canon 5D Mark III new video features include better noise reduction, longer continuous recording times, and a built-in headphone jack for audio monitoring
Featured News, Posted 02 Mar 2012

The Live Event Producer's Guide to the Sony NEX-FS100

Sony's NEX-FS100 presents challenges shooters never encounter with traditional camcorders, as well as different lens-mounting choices and caveats than DSLR shooters face. In this article we'll discuss the abilities and limitations of the FS100 for live event production work.
Featured Articles, Posted 01 Mar 2012

Ikonoskop Digital Cinema A-Cam dII Ships With Versatile P+S Technik PS-IMS Lens Mount

With the open industry standard PS-IMS, users can choose from different lens mount adapters like PL, C-mount Leica M, Canon, Nikon, and more to capture cinematic moments in a digital world
Featured News, Posted 22 Feb 2012

FFV Ships New sideKick Multiformat Camera-Mountable DVR With 220Mbps Bit Rate Recording

sideKick HD attaches to any HD camcorder or HDSLR using a standard 1/4"-20 mount, records to off-the-shelf, hot-swappable 2.5-inch SSD drives in native ProRes (FCP) or DNxHD (Avid) formats
Featured News, Posted 22 Feb 2012

Review: GoPro HD Hero2

GoPro shoots for online video pros with the new HD Hero2, which adds an improved CMOS sensor, better glass, and from-the-wrist remote control and live streaming to a camera line that's become a go-to device for aerial, POV, and action sports applications.
Featured Articles, Posted 22 Feb 2012

Blackmagic Design Updates HyperDeck SSD Recorder Update With Embedded Timecode Support and HD-SDI Record

Timecode information embedded within the ancillary data space of HD-SDI video signals can now be written to HyperDeck's uncompressed or Avid DNxHD compressed video files.
Featured News, Posted 19 Feb 2012

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