In mid-December I spoke with MixOne Sound & Cinema Video Partner & Director of Film Kevin Garcia about the tentative return of live music as the pandemic continues, the challenges of streaming shows with hybrid (in-person and online) audiences, and the gear and techniques MixOne uses to deliver a unique experience to their online viewers.
Featured Articles,
Posted 05 Jan 2022
In a recent survey, two-thirds of respondents said they weren't using per-title encoding, possibly because of the general perception that its challenges outweigh its benefits. In this tutorial, I'll demonstrate how simple it is to produce per-title output using AWS Elemental's Automated ABR (adaptive bitrate) function.
Featured Articles,
Posted 27 Dec 2021
Anthony Burokas reviews the new Teradek Wave, which combines bonding, encoding, streaming, recording, and monitoring in a single compact devices that users control using Teradek's handy streaming app on its 7" touchscreen.
Featured Articles,
Posted 20 Dec 2021
Deloitte's Melissa Dale and NewTek's Chris Burgos discussed how the pivot to remote turned home offices to enterprise streaming video production studios and the longterm impact of that change in this clip from Streaming Media West 2022.
Featured Articles,
Posted 20 Dec 2021
Sage Event Management Creative Producer Blue Melnick explains his approach to enhancing the viewing and engagement experience for in-person and remote audiences at different types of hybrid events in this clip from Streaming Media West Connect 2021.
Featured Articles,
Posted 14 Dec 2021
LinkedIn's Dan Swiney, 090 Media's Alex Lindsay, Kaltura's Charlotte Copeman, and Sage Event Management's Blue Melnick offer definitions of hybrid events and what it means to produce content effectively for in-person and online live audiences simultaneously in this clip from Streaming Media West 2021.
Featured Articles,
Posted 14 Dec 2021
090 Media Head of Operations discusses the value of the viewing experience for remote viewers of hybrid live events, the challenges of serving both in-person and off-site live audiences effectively, and what it means for the future of hybrid live events as currently constituted in this clip from Streaming Media West Connect 2021.
Featured Articles,
Posted 14 Dec 2021
Two of the most innovative streaming producers in the business--LiveSports' Jef Kethley and LiveX's Corey Behnke--discuss their workflows and kits for live streaming production and explain why they do it the way they do and use what they use in this clip from Streaming Media West Connect 2021.
Featured Articles,
Posted 07 Dec 2021
VideoRx's Robert Reinhardt, LiveX's Corey Behnke, and SLV Live's Shawn Lam discuss how live streaming producers can (and in many cases, must) educate their clients on how to make sure the right viewers see their streams in this clip from Streaming Media West Connect 2021.
Featured Articles,
Posted 07 Dec 2021
LiveX's Corey Behnke explains what SMPTE2110 is, how it differs from NDI, and its value to live streaming producers in this clip from Streaming Media West Connect 2021.
Featured Articles,
Posted 07 Dec 2021
SLVLive's Shawn Lam, LiveX's Corey Behnke, and LiveSports' Jef Kethley discuss how to choose which live production and streaming gear to use for the job at hand in this clip from Streaming Media West Connect 2021.
Featured Articles,
Posted 01 Dec 2021
SLV Live's Shawn Lam, LiveX's Corey Behnke, LiveSports' Jef Kethley, andf videoRx's discuss best practices for meeting client expectations and bringing more fluidity to your live streaming productions in this clip from Streaming Media West Connect 2021.
Featured Articles,
Posted 01 Dec 2021
Blizzard Director, Live Operations, Global Broadcast Corey Smith discusses some of the roadblocks Blizzard has encountered when using NDI in cloud and remote workflows for gaming and esports in this clip from a panel at Streaming Media West 2021.
Featured Articles,
Posted 17 Nov 2021
There are many cloud-based editing solutions available, nearly too many to count. Who should consider using them and why? How can you tell them apart? That's what I'll cover in this article.
Featured Articles,
Posted 11 Nov 2021
In this article, I'll detail how to plan, configure, and produce a live event using Roland's two-input HDMI mixer, the V-O2HD MK II. I'll cover the high-level planning and execution issues generically, but show configuration options using the V-02HD.
Featured Articles,
Posted 10 Nov 2021
Gigcasters' Casey Charvet discusses how Gigcasters and the agencies they work with have embraced remote production and virtual and hybrid events--first out of necessity with the challenges of the pandemic, then recognizing the new possibilities and opportunities they offer.
Featured Articles,
Posted 03 Nov 2021
3Q's Andrew McCargar, Fairmile's Ian Nock, and PUSH's Larry Gale discuss how the remote production workflows that have become prevalent during the pandemic era will impact live streaming going forward.
Featured Articles,
Posted 20 Oct 2021
Anthony Burokas provides a walkthrough of Android tablet-based multicam livestreaming Yololiv's YoloBox and Yolobox Pro, discussing key features, usability, and current shortcomings.
Featured Articles,
Posted 10 Oct 2021
When London's Guildhall School of Music and Drama upgraded its video infrastructure with NewTek's VMC (TriCaster) live multi-camera production system and NDI to solve a pressing issue, it also opened a world of possibilities.
Featured Articles,
Posted 04 Oct 2021
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