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“Remember the Ribbon: A Tribute to World AIDS Day” Powered by ATEM Mini Extreme ISO Live Production Switcher

In order to capture "Remember the Ribbon: A Tribute to World AIDS Day," Moritz employed four cameras, which fed into an ATEM Mini Extreme ISO live production switcher for multicamera switching and ISO recording. He also used three Blackmagic Video Assist 7" 12G HDRs for monitoring and recording.
Featured Articles, Posted 21 Apr 2022

Telestream Releases Wirecast 15 with Rearchitected Engine, New UI, and Low-Cost Subscription Options

Featuring improved efficiency, new viewer engagement features, and enhanced 4K support to empower affordable creativity for live streaming professionals
Featured News, Posted 20 Apr 2022

Globo selects Grass Valley Cloud-Based Production Platform to Produce Over 50 Live Sports and Entertainment Events

Brazilian Mediatech Company Globo has chosen Grass Valley's GV AMPP (Agile Media Processing Platform) to produce and stream over 50 live sports and entertainment events
Featured News, Posted 20 Apr 2022

YoloLiv introduces YoloBox Mini

The YoloBox Mini provides the same core functionality as the YoloBox and YoloBox Pro with playback, titles, audio inputs, and multi-destination streaming capability but it uses a smaller 5.5" built-in LCD.
Featured Articles, Posted 14 Apr 2022

Broadcast Pix introduces FX Hybrid

A new model added to the 4K Hybrid lineup
Featured News, Posted 13 Apr 2022

Matrox Extio 3 IP KVMs Add New Multi-System Control Options to Enhance Remote Operations

The expanded Tile View feature enables users to further customize remote workspaces by monitoring and controlling multiple systems simultaneously across a variety of Full HD and 4K layouts
Featured News, Posted 13 Apr 2022

How Latency Hinders Hybrid and Cloud Production

CNN+ Live Operations Manager Ben Ratner discusses how even "ultra-low latency" complicates hybrid (cloud and on-prem) workflows in this clip from Streaming Media Connect 2022.
Featured Articles, Posted 13 Apr 2022

How SRT Streamlines In-Person and REMI Production

Uncle Toad's Chris Steblay discusses discusses how SRT (Secure Reliable Transport) has enabled Uncle Toad and other small broadcasters to move into REMI production and reduce on-site crew and other production expenses in this clip from Streaming Media Connect 2022.
Featured Articles, Posted 11 Apr 2022

Cloud Production for Live Sports

Many people are interested in moving some if not all of their production workflows into the cloud. For some, the journey is easy, for others it is nice to have a partner they can count on to assist them. Jef Kethley, Chief Problem Solver at LiveSports, explains how live event needs helped propel them into the clouds and develop their Platform as a Service called MasterControl.cloud. Find out how a distributed workflow leveraging cloud infrastructure can help your organization deliver content in new and unexpected ways.
Featured Articles, Posted 06 Apr 2022

vMix and Blackbird in Cloud and Remote Production

Live X Co-Founder Corey Benhke and NHL Director of Broadcast Engineering Taishon Black discuss how vMix--a tool not originally designed for use in cloud production--and Blackbird have become instrumental in their cloud and remote production workflows.
Featured Articles, Posted 29 Mar 2022

Monumental Sports & Entertainment Raise Their Game with New Live Production Capabilities Delivered by FOR-A

Broad Range of FOR-A Upgrades at the Capital One Arena Keep Fans Engaged with Dynamic In-Stadium Video and Graphics
Featured News, Posted 29 Mar 2022

Straight Arrow News choose Quicklink Studio (ST55) to easily integrate high-quality, remote guest contribution into existing workflows

Straight Arrow News, a digital news outlet for unbiased journalism, have chosen Quicklink Studio (ST55) to gather high-quality, remote guest contributions from around the world.
Featured News, Posted 29 Mar 2022

Telestream to Show Latest Innovations Across the Media Creation, Distribution, and Archiving Lifecycle at NAB 2022

Featuring a comprehensive portfolio of products in live and studio production, post production, VOD, content management, and OTT monitoring and streaming
Featured News, Posted 29 Mar 2022

FOR-A delivers Charisma’s First post-COVID Studio

Charisma Group is one of the largest and most successful production companies in the Middle East. Its success meant that it needed to add studio capacity quickly. Last March they chose an end-to-end system from FOR-A.
Featured News, Posted 29 Mar 2022

MyEvent Streams RMIT University Graduation Live from Marvel Stadium with Magewell Ultra Encode

Australian live events company delivers more than 20 simultaneous streams through feature-rich live streaming encoders
Featured News, Posted 29 Mar 2022

Streaming Media Poll: Are You Headed Back to Trade Shows?

After two years of dashed hopes and way too many Zoom meetings, we're looking forward to NAB and Streaming Media East. What do you think—Is it time to get back to the trade show floor?
Featured Articles, Posted 09 Mar 2022

What Do You Need for a Successful Virtual Event?

Virtual events are here to stay, from basic one-way webinars to highly produced, interactive simulations of the in-person experience. Here's how each of the three levels of virtual event production works.
Featured Articles, Posted 08 Mar 2022

Tutorial: Using SuperSource on the Blackmagic ATEM Mini Extreme

Blackmagic Design calls its PxP feature SuperSource and it used to only be available on their highest-end switchers, the ATEM 2 M/E Production Studio 4K, ATEM 4 M/E Broadcast Studio 4K, and ATEM Constellation 8K. While much of the workflow is the same as we will discuss here, in this tutorial, we will be discussing SuperSource on the newest and more budget friendly ATEM Mini Extreme and ATEM Mini Extreme ISO video switchers.
Featured Articles, Posted 08 Mar 2022

NDI And SRT: What Are They, And Why Should You Care?

The Network Device Interface (NDI) and Secure Reliable Transport (SRT) protocols are revolutionizing how video gets produced and transmitted. And though they are sometimes pitted against each other, it's really an apples-to-oranges comparison, and producers need to understand the differences to choose which solution is best for which application.
Featured Articles, Posted 16 Feb 2022

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