The Canon XF205 pro camcorder resembles the acclaimed XA25 consumer model introduced last year in several respects, but adds welcome features such as individual rings for iris, zoom, and focus; 2 additional channels of internal microphone recording; 1080/30P HD-SDI output in the XF205, and more. As such, the XF205 comes highly recommended as a camcorder well-suited to webcasting workflows.
Featured Articles,
Posted 25 Jul 2014
Summer special on Pocket Cinema Camera available through August 31, 2014; then price reverts to $995
Featured News,
Posted 23 Jul 2014
Camera 1.8.2 enables Blackmagic Cinema Camera, Pocket Cinema Camera, and Production Camera 4K shooters to record to ProRes 422, ProRes 422 LT, and ProRes 422 Proxy
Featured News,
Posted 23 Jul 2014
The MoVI Controller is purpose built to provide for a true two-user MoVI stabilizer setup by letting a second operator control pan, tilt, roll, focus, iris, and zoom of a MoVI-mounted camera while the first operator holds the system
Featured News,
Posted 23 Jul 2014
Combining the core X10 ultra-motion technology with Vision Research's Phantom Flex4K camera, X10 UHD supports operation in a range of modes to meet differing production requirements, and can be instantly re-configured for new 4K or HD shooting scenarios
Featured News,
Posted 15 Jul 2014
ProHD cameras included in the promotion are the GY-HM650U, GY-HM850U, GY-HM850CHU, GY-HM890U and GY-HM890CHU
Featured News,
Posted 14 Jul 2014
People are buzzing about the Sony a7S, so Streaming Media Producer is launching a comprehensive three-part review. In this first part, we'll examine lens options for the Sony a7S and related cameras, as well as what to look for in a video lens.
Featured Articles,
Posted 10 Jul 2014
ARRI ALEXA XT cameras and ALEXA Classic cameras with the XR Module will gain ProRes 4444 XQ capability with ARRI's Software Update Packet SUP 10
Featured News,
Posted 01 Jul 2014
Launched at NAB, the Ninja Star is a must have for film creatives who need to "Record Apple ProRes on Board" camera rigs, such as Drones, RC Helicopters and other UAVs, or recording post production quality from the world's best camera makers, Canon, Sony, Nikon Panasonic and GoPro
Featured News,
Posted 01 Jul 2014
Surging in popularity thanks to affordable, unmanned multirotor copters comfortably paired with cameras ranging from GoPros to DSLRs to REDs, aerial cinema is proving as effective a pro video tool as it is a cool hobby. But regardless of what "ready to fly" advocates tell you, there's no shortcut to aerial cinema coolness. This 3-part series will provide an essential primer in the technologies, tools, techniques, legal and practical concerns, and hidden challenges you'll face in aerial cinema as you prepare for takeoff.
Featured Articles,
Posted 30 Jun 2014
This update supports the original wide dynamic range 2.5K Blackmagic Cinema Camera, Blackmagic Pocket Cinema Camera, and the Blackmagic Production Camera 4K
Featured News,
Posted 24 Jun 2014
New camera series features Range-Set image control, a revolutionary new camera optical image control technology that allows integrators and technical staff the ability to set the appropriate camera wide field-of-view and optical zoom range to match the requirements of the room
Featured News,
Posted 18 Jun 2014
Enhancements over AG-AC90 include two new recording options -- a PM mode (1280x720, 8Mbps) supporting sports analysis applications and a CS mode (720x480, 3.5Mbps) for cloud service utilization.
Featured News,
Posted 18 Jun 2014
If you're looking for a tripod for tracking high-motion events and have only $150 to spend, you should check out the Adorama 3Pod V2AH.
Featured Articles,
Posted 17 Jun 2014
4K content is here today and here to stay. Content acquisition is much easier than the rest of the workflow, led by consumer devices such as the millions of 4K cell phones, 4K POV cameras, and soon 4K Interchangeable Lens cameras that will lead the way for wider professional 4K adoption. 4K screen adoption is increasing rapidly too, and this just leaves some workflow issues for editing and distribution to be solved and adopted before 4K will be viable across a wide range of video production markets.
Featured Articles,
Posted 17 Jun 2014
The time for idle speculation about 4K production has passed. 4K is here, and it's arrived in mainstream cameras at various price points with some surprisingly modest data rates. Do you need all-new, cutting-edge hardware to handle it? Probably not. Delve deeper into the specifics of your production chain, and do a little math to find out what your needs really are, and what you find might surprise you.
Featured Articles,
Posted 03 Jun 2014
SolidTrax Dollies are made from heavy-duty aluminum but are lightweight and portable to to allow for versatility in filming
Featured News,
Posted 27 May 2014
For both cameras, the upgrade includes 1080p/60 recording modes, Extreme High Quality (XHQ) recording with virtually lossless 50 Mbps H.264 (.MOV), and large file support for SDXC media cards
Featured News,
Posted 27 May 2014
The LockPort 800 DUAL protects the fragile HDMI/USB outputs on your camera from tough production abuse with a rock solid universal clamp locking to the camera a smart micro to full-size HDMI and a micro to full-size USB 3.0 adapter
Featured News,
Posted 27 May 2014
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