JM Associates, a B.A.S.S. LLC-owned production company based in Little Rock, Ark., will offer live coverage of next month's 2016 GEICO Bassmaster Classic fishing tournament using one GY-HM200 4KCAM and three JVC GY-HM850 ProHD camcorders in the field and a BR-800 ProHD Broadcaster powered by Zixi in its studio.
Featured News,
Posted 17 Feb 2016
Company's first compact block camera for industrial, corporate, security, ProAV and broadcast applications promises gorgeous UltraHD and HD imagery with Sony optics with built-in 12x optical and up to 20x zoom with Sony Super Resolution Zoom
Featured News,
Posted 17 Feb 2016
Based on Vision Research's Phantom® Flex4K camera and the I-MOVIX X10 platform, INFINITE can be operated in a range of modes to meet the most challenging production constraints
Featured News,
Posted 10 Feb 2016
On February 3, Sony announced a new camera, three new lenses, and two teleconverters. The media jumped all over the specs on the new Sony a6300 mirrorless camera, but the big news for live producers concerns the lenses.
Featured Articles,
Posted 03 Feb 2016
The university specified three new Ikegami HC-HD300 Affordable CMOS Camera Systems to spearhead their recent HD upgrade, ensuring that productions are created with world-class tools
Featured News,
Posted 02 Feb 2016
First battery pack capable of handling high draw loads, perfect for powering cameras, such as REDTM, ARRI TM Alexa Mini, etc.
Featured News,
Posted 27 Jan 2016
Syracuse University is using two Hitachi Z-HD5000 HDTV broadcast cameras to produce select Syracuse Orange NCAA Division I athletics events for ESPN3, ESPN's online streaming service
Featured News,
Posted 27 Jan 2016
At the bare-bones, sub-$1000 level, there are very few HD mixers that combine the mixing, recording, and streaming capabilities that the Cerevo LiveWedge offers, although this device does come with a few caveats.
Featured Articles,
Posted 27 Jan 2016
Ikegami to introduce new 4K camera at BVE 2016
Featured News,
Posted 20 Jan 2016
In the concluding segment of a series of articles about my first virtual reality (VR) project, which I produced using equipment supplied by, and assistance from Mobeon I describe the lessons learned during the project.
Featured Articles,
Posted 20 Jan 2016
proDAD's Mercalli V4 is an irreplaceable yet inexpensive stabilization plug-in that every editor should have in their toolkit.
Featured Articles,
Posted 20 Jan 2016
This article explores what it takes to pull off a live multi-camera concert film, backhaul a compressed stream from a crazy location, and deliver it at scale to users on multiple screens. It also looks at different monetization models, rights management, policy enforcement, royalties, and why some shows go perfectly well and others go perfectly wrong.
Featured Articles,
Posted 06 Jan 2016
This category-creating live-editing camera helps busy consumers, organizations, and event producers seamlessly share the engaging stories of their live events by putting the power and capabilities of a multi-camera production studio in their hands
Featured News,
Posted 06 Jan 2016
Kodak is launching an initiative aimed at putting Super 8 cameras into the hands of a new generation of filmmakers as well as meeting the needs of top directors, indie filmmakers and others who appreciate the art and craft of filmmaking
Featured News,
Posted 06 Jan 2016
Designed to enhance single-camera HD sports coverage, the camera produces a real-time score overlay on recorded and streamed video output without the use of an external CG and production switcher
Featured News,
Posted 06 Jan 2016
The Blackmagic Micro Studio Camera 4K was deployed at the 2015 European Short Course Swimming Championship, held in Netanya, Israel, as part of a specialist 3D motion robotic cable system developed by DynamiCam
Featured News,
Posted 28 Dec 2015
Trost Motion and DitoGear are offering a bundled solution for filmmakers; the MotionKit with OmniController for Trost Motion
Featured News,
Posted 21 Dec 2015
In Part 2 of this 3-part series on VR streaming, I detail the workflow for producing VR video in Vahana VR, which is the software in charge of stitching together the video from the 6-camera GoPro rig I used to shoot the video.
Featured Articles,
Posted 21 Dec 2015
SCARLET-W captures 5K at 60 frames per second (fps), 4K at 150 fps, or 2K at 300 fps with REDCODE RAW; and its wide dynamic range produces cinema-quality images rich with natural color
Featured News,
Posted 16 Dec 2015
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