We've all had the misfortune of recording clipped, distorted audio from a signal that's too hot, resulting in time-consuming retakes or total disaster if the audio is from a live event. The Declip feature in iZotope RX3 can reduce that disaster to a quick and easy fix.
Featured Articles,
Posted 18 Feb 2014
While some of the time-tested principles of traditional video production still apply, online video is really a world of its own; here we look at key elements of online video production that distinguish it from producing for other media, including composition, lighting, and more.
Featured Articles,
Posted 10 Feb 2014
Available as a physical server or cloud-based solution, the JVC ProHD Broadcaster receives live HD video from compatible JVC camcorders, transcodes the signal for a variety of delivery platforms, and provides reliable transmission of the signal
Featured News,
Posted 05 Feb 2014
Are pro video cameras overkill for single-speaker webinars? What's the best type of camera these ever-more popular productions, and what kind and how much lighting do you need to pull them off? We set up some common scenarios, ran some tests, and here's what we found out.
Featured Articles,
Posted 04 Feb 2014
The next key element of feeding the beast and maintaining high-volume video output is workflow; the choices that you make for your workflow are important for everything that you do, from studio space to production, post, syndication, and archiving.
Featured Articles,
Posted 21 Jan 2014
HP's new, lightweight, full-powered 27-inch monitor fits into several workflows with its adjustable, detachable base and varied connectivity options.
Featured Articles,
Posted 20 Jan 2014
Video publishers often struggle to keep up with the demands of viewers expect fresh content on a daily basis, and advertisers who want lots of inventory. This article explains how a two-person production crew generates 800-1,000 new videos per year for a leading site for investors.
Featured Articles,
Posted 16 Jan 2014
IEBA Communications' Anthony Burokas offers a sneak preview of his two Streaming Media Producer Live sessions, "Choosing Lenses for Online Video Production" and "Choosing a Video Switcher."
Featured Articles,
Posted 15 Jan 2014
Shawn Lam of Vancouver video production company Shawn Lam Video discusses his full-day workshop at Streaming Media West, "Shoot, Switch, Stream: Live-Switched Webcast Production," November 18, 2013 in Huntington Beach, California. Article now updated with the complete video of Shawn's advanced session, "Producing Synchronized Webcasts from Multiple Locations."
Featured Articles,
Posted 15 Jan 2014
Video storyteller extraordinaire Glenn Zimmerman of Manhattan and Tampa-based Mad Bear Productions discusses how to move from online delivery to online engagement in his two Streaming Media Producer Live Strategic Track sessions--updated with complete session video from Streaming Media Producer Live!
Featured Articles,
Posted 15 Jan 2014
Is this HP's chance to polish off the Apple all-in-one competitor?
Featured Articles,
Posted 09 Jan 2014
In Part 2 of our in-depth look at the Canon XA20/25, I'll touch on a feature new to Canon's pro line of camcorders, and to see how the AVCHD image stacks up.
Featured Articles,
Posted 07 Jan 2014
StreamVu is a simple, inexpensive and well-featured service, and Matrox Monarch HD is the only hardware encoder that can produce one stream for live distribution and the other for archiving. In combination, they make an ideal solution for your live and on-demand video production requirements.
Sponsored Articles,
Posted 06 Jan 2014
This tutorial demonstrates how to apply an effect to a portion of a video image while leaving the rest of the clip untouched, and how to track that portion of the image throughout the duration of the clip, using the Track Matte effect in Adobe Premiere Pro CC.
Featured Articles,
Posted 26 Dec 2013
How the Canon XA25 and Livestream Broadcaster proved a straightforward and effective no muss, no fuss solution for live streaming of a series of trade conference with little ramp-up time or gear-up budget.
Featured Articles,
Posted 18 Dec 2013
An in-depth discussion on the features and usability, image quality, and capabilities of the Canon XA20/25, along with comparisons to the predecessor XA10 and next-higher models XF100 and XF300 featuring the author and Andrew Jones of Dallas's The Movie Institute.
Featured Articles,
Posted 18 Dec 2013
With Wirecast 5, Telestream has significantly improved usability with a redesigned interface, beneficially expanded the product's input capabilities, and upgraded the product's plumbing with features like x.264 encoding and HD-SDI output via Blackmagic Design Intensity or DeckLink cards. Learn more in this video tutorial that guides you through the new release.
Featured Articles,
Posted 17 Dec 2013
In this ongoing Streaming Media Producer series on webcast video production, Shawn Lam covers the video format converters he uses in his own HD webcast workflows, and one new converter that just might be the video converter, scaler, and distribution amplifier to rule them all.
Featured Articles,
Posted 11 Dec 2013
Recent upgrades to Adobe CC make it easy to apply graded looks in Adobe Premiere Pro CC and match shots with different color temperatures via seamless roundtripping between Premiere Pro CC and SpeedGrade CC.
Featured Articles,
Posted 11 Dec 2013
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