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Sneak Preview: Choosing Cameras for Live Video Switching and Webcasting at Streaming Media Producer Live 2014

Shawn Lam of Shawn Lam Video presents a video trailer for his Streaming Media Producer Live 2014 Technical Track session, "Choosing Cameras for Live Video Switching and Webcasting."
Featured Articles, Posted 22 Sep 2014

Blackmagic Design Announces New Ultra HD-Compatible Mini Converters

New Ultra HD compatible Mini Converters and Heavy Duty Mini Converter 4K models feature 6G-SDI technology, allowing customers to use a single type of converter for all conversion needs in SD, HD and Ultra HD television formats.
Featured News, Posted 17 Sep 2014

Tutorial: Animating a Company Logo in Adobe After Effects CC

While animating a client's logo can be a time-consuming process, it adds more production value and life to your video projects. This tutorial will demonstrate how to create dynamic logo animations using Adobe After Effects CC and Adobe Illustrator.
Featured Articles, Posted 15 Sep 2014

Under the Hood: HP Z820 Workstation

Here we take a look under the hood of HP's new flagship workstation, the HP Z820, and examine both its design and performance advantages as a top-of-the-line system for video editing, graphics, effects, and other postproduction tasks.
Sponsored Articles, Posted 08 Sep 2014

Plura to Roll Out New Dual 7-inch Monitor Solution at IBC2014

The new LCM-207-3G monitor expands the LCM range of affordable monitors, keeping costs very low by integrating features tailored specifically for preview needs - notably, in-depth color calibration to maximize picture quality and integrity
Featured News, Posted 03 Sep 2014

Tutorial: Grass Valley ADVC-G1 Converter

Some video switchers have built-in scan converters for converting VGA signals to an internal standard that you can use in your live production workflow. If you don't have that, then you're going to need a converter like the Grass Valley ADVC-G1 that can convert that VGA to your output. In this tutorial we'll explore how the ADVC-G1 works and how you can incorporate it into your workflow.
Sponsored Articles, Posted 02 Sep 2014

Review: TorchLED Bolt 220R Remote-Controlled Dimmable Light

Switronix' TorchLED 220R, like the TorchLED 220W, is a compact, dimmable, temperature-adjustable on- or off-camera LED light. The 220R model adds a handy remote control that allows you to operate the light at a distance of more than 175 feet.
Featured Articles, Posted 26 Aug 2014

Epiphan Rolls Out Free Firmware Upgrade to its Video Streaming and Recording Devices

New firmware upgrade enables Epiphan devices to encode audio/video content in RTMP, the protocol of choice for many major content delivery networks
Featured News, Posted 24 Aug 2014

JVC F.A.S.T. Track Tour to Feature Streaming Media's Jan Ozer

Multi-city tour offers series of presentations to promote the live HD streaming capabilities built into its camcorders and related products, as well as to provide information about streaming technology for video professionals
Featured News, Posted 19 Aug 2014

Review: eMotimo TB3 Programmable Pan-Tilt Head with Rhino Rails

Here we test eMotimo's TB3 3-axis motion control camera robot with the Rhino slider system for its usability, versatility, and reliability for live production.
Featured Articles, Posted 18 Aug 2014

LED Fresnels: Two Takes on Design

For location lighting, moving around a lot, and travel, the Fiilex LED kits offer amazing capability and flexibility in a small and light package. Designed for use as a fixed solution, for a small sound stage, or grip truck, the Gus 41 makes a perfect solution. It is very wide and soft or small and focused as needed.
Featured Articles, Posted 11 Aug 2014

How to Produce Professional Aerial Video, Part 2: Choosing a Gimbal and Capturing Stable, Usable Shots

In Part 2 of our 3 part series on mastering aerial video, we'll explore the challenges of choosing and assembling a gimbal system--ranging from DIY options to fully assembled kits--to ensure smooth and successful flight operation and capture stable, usable, professional-quality aerial shots, and also look at monitoring approaches and options.
Featured Articles, Posted 08 Aug 2014

Atomos Intros Open HDMI Standard for Video Pros

With new standard, users can connect using HDMI and automatically trigger functions on external devices from the camera itself, just as they have for years with SDI
Featured News, Posted 05 Aug 2014

Drobo Mini with SSD Drives Debuts

The Drobo Mini is the first portable, rugged and expandable SSD solution ideal for filmmakers, photographers and creative professionals who need to capture and protect data while on location, and safely transport footage and photos back to the studio for post-production
Featured News, Posted 04 Aug 2014

Sonnet Ships xMac Pro Server

The xMac Pro Server securely mounts the computer horizontally inside a specially designed 4U modular enclosure, connects three PCIe 2.0 slots via Thunderbolt 2 technology, and provides space to install additional equipment in two 5.25-inch mobile rack bays
Featured News, Posted 04 Aug 2014

Blackmagic Design Announces Free ATEM Switchers Update 6.0 with New Camera Control Support

ith the new ATEM Camera Control software update, ATEM live production switchers can now control cameras via a new open standard protocol sent to the camera via the return program feed
Featured News, Posted 04 Aug 2014

1Beyond Unveils StreamCam AutoTracker Camera

Designed for lecture capture/streaming, the StreamCam is a zero-setup, automatic tracking camera that will automatically focus, pan, tilt, and zoom to follow a presenter
Featured News, Posted 04 Aug 2014

Tutorial: Creating a Lens Flare in Adobe After Effects

This tutorial will show you a quick way to create an animated lens flare effect that can enhance your transitions, lower-thirds, and more using Adobe After Effects CC 2014.
Featured Articles, Posted 04 Aug 2014

Sony a7S Full-Frame Mirrorless Camera, Part 2: Adapting Lenses to the E-Mount

Now that we have covered some of the important characteristics of lenses from a videographer's perspective, we'll discuss several of the lens-and-adapter combinations for E-Mount cameras, like the Sony a7S, that are also relevant for the Sony FS100 and FS700/R.
Featured Articles, Posted 01 Aug 2014

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