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Canon Unveils 5D Mark III With 22MP Full-Frame Sensor and New Intraframe H.264 Compression for Easier Editing

Canon 5D Mark III new video features include better noise reduction, longer continuous recording times, and a built-in headphone jack for audio monitoring
Featured News, Posted 02 Mar 2012

The Live Event Producer's Guide to the Sony NEX-FS100

Sony's NEX-FS100 presents challenges shooters never encounter with traditional camcorders, as well as different lens-mounting choices and caveats than DSLR shooters face. In this article we'll discuss the abilities and limitations of the FS100 for live event production work.
Featured Articles, Posted 01 Mar 2012

Ikonoskop Digital Cinema A-Cam dII Ships With Versatile P+S Technik PS-IMS Lens Mount

With the open industry standard PS-IMS, users can choose from different lens mount adapters like PL, C-mount Leica M, Canon, Nikon, and more to capture cinematic moments in a digital world
Featured News, Posted 22 Feb 2012

FFV Ships New sideKick Multiformat Camera-Mountable DVR With 220Mbps Bit Rate Recording

sideKick HD attaches to any HD camcorder or HDSLR using a standard 1/4"-20 mount, records to off-the-shelf, hot-swappable 2.5-inch SSD drives in native ProRes (FCP) or DNxHD (Avid) formats
Featured News, Posted 22 Feb 2012

Review: GoPro HD Hero2

GoPro shoots for online video pros with the new HD Hero2, which adds an improved CMOS sensor, better glass, and from-the-wrist remote control and live streaming to a camera line that's become a go-to device for aerial, POV, and action sports applications.
Featured Articles, Posted 22 Feb 2012

Blackmagic Design Updates HyperDeck SSD Recorder Update With Embedded Timecode Support and HD-SDI Record

Timecode information embedded within the ancillary data space of HD-SDI video signals can now be written to HyperDeck's uncompressed or Avid DNxHD compressed video files.
Featured News, Posted 19 Feb 2012

EventDV Relaunches as New Pro Video Production Site Streaming Media Producer

StreamingMedia.com/Producer focuses on tutorials and real-world technical advice for professional online video producers
Featured News, Posted 16 Feb 2012

Adapting Servo Zoom Lenses for Smooth-Zooming DSLR Production, Part 1

DSLRs have become the standard by which current and future large-sensor camcorders are judged. But as we adopted DSLRs and primes to produce more "filmic" video for our clients, we left something critical behind: the feathery smooth servo zoom that serves feature film producers so well. So how do you get that capability on your DSLR?
Featured Articles, Posted 16 Feb 2012

Litepanels Unveils Croma On-Camera LED

New variable color temperature output solution designed for run-and-gun news shooters, event videographers or still photographers who move rapidly from one light environment to the next, with no time to change lighting equipment or add gels
Featured News, Posted 15 Feb 2012

Ross Video Acquires FX-Motion Robotic Camera Systems Line

The FX-Motion Furio system has been used to control cameras and provide compelling visuals on productions such as the Eurovision Song Contest, So You Think You Can Dance and in augmented reality productions like the VGA awards as well as in news studio production environments.
Featured News, Posted 14 Feb 2012

Lensbaby Intros 80mm Edge Optic With 12-blade Adjustable Aperture

Gives shooters creative depth-of-field control by transforming any of Lensbaby's bending lens bodies into a tilt lens that delivers a selective slice of sharp focus through an image
Featured News, Posted 14 Feb 2012

Singular Follows FCP 10.0.03 Upgrade with PluralEyes Multicam A/V Sync Support for FCP X

PluralEyes for FCP X is available now for 149.00 USD. Existing PluralEyes for FCP customers can upgrade to PluralEyes for Final Cut Pro X free of charge.
Featured News, Posted 13 Feb 2012

Review: Panasonic AG-HMC80 Shouldermount Camcorder

In an era of ever-shrinking HD cameras, cell phone HD, and DSLRs, you might ask, why would anyone need an on-shoulder HD camcorder? Is it the copious amount of I/O jacks? The ergonomics? Or the easy access to numerous features in a big camera sort of way that enamor the Panasonic AG-HMC80 to its target end users? Let's find out.
Featured Articles, Posted 10 Feb 2012

OConnor Unveils O-Focus Dual Mini Double-Sided Direct Drive Follow Focus

O-Focus is optimized for both still and cine-style camera lenses, to meet the exacting needs of professional camera operators and assistants
Featured News, Posted 10 Feb 2012

Color Calibration in the Field

How do you get all the different cameras you might use to cover an event to match? There is a trick you can use to set up a color profile for each of the cameras, and then use the corrections established there to correct for the rest of the footage from your project.
Featured Articles, Posted 01 Feb 2012

Blackmagic Design Rolls Out HyperDeck Shuttle 2 SSD

Replaces HyperDeck Shuttle 1 and adds broadcast quality 10-bit recording and playback to the Avid DNxHD format for $345
Featured News, Posted 24 Jan 2012

The Sweet Science of Producing Boxing Shows

Jon Connor and Cristina Valdivieso, two renowned event filmmakers from Philadelphia, went to Los Angeles in June to shadow World Light Welterweight boxing champion Amir Khan as he prepared for his title unification bout, capturing footage for pay-per-view broadcast in the UK. Stephen Nathans-Kelly describes how they pulled it off.
Featured Articles, Posted 23 Jan 2012

Live, Raw, Real: Producing One-Take Online Music Videos

There's a wave of raw, demolike one-take music videos with an unmistakable live feel sweeping the web, and some savvy event filmmakers have thrown their hats into thering. Here we look behind the scenes of Bill Grant's boneshow and Jet Kaiser's One Take Shows, and get their spin on this new, viral field-recording phenomenon.
Featured Articles, Posted 18 Jan 2012

Like a Mighty Stream: Webcasting Rock Shows with Ryan Bodie Films

Streaming concerts and other live events has established Ryan Bodie's Studio 26 as the go-to live event webcast provider in his region and in some key entertainment areas, ranging from concert series in the spring to festivals in the summer and one-off arena gigs like a Chaka Khan show. Bodie estimates that his crew shoots, switches, and streams 80 live events per year, with maybe half of those involving music.
Featured Articles, Posted 17 Jan 2012

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