If you're a streaming producer you have to know how to produce H.264 for both Flash distribution and for mobile devices. Fortunately, Adobe Media Encoder makes this simple with multiple presets for desktop and mobile players which I'll show you how to find and customize in this tutorial.
Featured Articles,
Posted 15 Feb 2012
Recently I had to shoot two greenscreen intros for some screencam tutorials, and it took three hours to produce them. So, just to have ammunition for higher fees next time, I figured I would detail the gear I had to set up and configure to get the job done.
Featured Articles,
Posted 15 Feb 2012
With the appropriate hardware, multiple streams can be captured on one single MacPro (up to 8 SD or 4 HD streams) using the corresponding number of MovieReorder licenses.
Featured News,
Posted 15 Feb 2012
PluralEyes for FCP X is available now for 149.00 USD. Existing PluralEyes for FCP customers can upgrade to PluralEyes for Final Cut Pro X free of charge.
Featured News,
Posted 13 Feb 2012
Boris RED is a plug-in application for transitions, professional text, and advanced composites inside of Adobe Premiere Pro as well as video editing software applications from Apple, Avid, Grass Valley, Sony, and Media 100
Featured News,
Posted 10 Feb 2012
How do you get all the different cameras you might use to cover an event to match? There is a trick you can use to set up a color profile for each of the cameras, and then use the corrections established there to correct for the rest of the footage from your project.
Featured Articles,
Posted 01 Feb 2012
Levels and Curves Filter Pack allows users to color grade in film-log space
Featured News,
Posted 25 Jan 2012
Replaces HyperDeck Shuttle 1 and adds broadcast quality 10-bit recording and playback to the Avid DNxHD format for $345
Featured News,
Posted 24 Jan 2012
Jon Connor and Cristina Valdivieso, two renowned event filmmakers from Philadelphia, went to Los Angeles in June to shadow World Light Welterweight boxing champion Amir Khan as he prepared for his title unification bout, capturing footage for pay-per-view broadcast in the UK. Stephen Nathans-Kelly describes how they pulled it off.
Featured Articles,
Posted 23 Jan 2012
What happens when you deliver your event live? This is nothing new for live TV broadcasters, but more and more event video producers are being asked to perform their postproduction activities in real-time—that is, live as the event is occurring.
Featured Articles,
Posted 16 Jan 2012
For Altair and humanstory, the name of the game in college sports web shows is storytelling, and their theme-driven style is getting them lucrative gigs with top college programs.
Featured Articles,
Posted 11 Jan 2012
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