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Upcoming Industry Conferences
Streaming Media West [19-20 Nov 2019]
Esport & Sports Streaming Summit [19-20 Nov 2019]
OTT Leadership Summit [19-20 Nov 2019]
Video Engineering Summit [19-20 Nov 2019]
Live Streaming Summit [19 Nov 2019]
Streaming Media East [5-6 May 2020]
Past Conferences
Streaming Media East [7-8 May 2019]
Live Streaming Summit [7-8 May 2019]
OTT Leadership Summit [7-8 May 2019]
Video Engineering Summit [7-8 May 2019]
Content Delivery Summit [6 May 2019]
Streaming Forum [26 February 2019]
Live Switching/Webcasting
Articles

Complete Control: KnowledgeVision Redefines Online Presentation Video

When your job is to produce corporate presentation videos for delivery online, how do you make them both watchable and effective in one of the few web video genres where less isn't more? KnowledgeVision has an answer in a new platform that may recast presentations for the online video world.
Featured Articles, Posted 22 Feb 2012

Ross Video Unveils BlackStorm Video Servers With File-Based Workflow

BlackStorm 102P live production playback solution and supports file based workflows with popular editing systems and graphics packages such as Final Cut, Adobe Premiere, Avid Media Composer and Adobe After Effects
Featured News, Posted 22 Feb 2012

Review: GoPro HD Hero2

GoPro shoots for online video pros with the new HD Hero2, which adds an improved CMOS sensor, better glass, and from-the-wrist remote control and live streaming to a camera line that's become a go-to device for aerial, POV, and action sports applications.
Featured Articles, Posted 22 Feb 2012

EventDV Relaunches as New Pro Video Production Site Streaming Media Producer

StreamingMedia.com/Producer focuses on tutorials and real-world technical advice for professional online video producers
Featured News, Posted 16 Feb 2012

Tactical Fiber Systems Ships Low-Cost Multicamera Production and Broadcast Solutions

Turnkey packages include Blackmagic Design ATEM Camera and Studio Converter / transceivers bundled with TFS Tactical Optical Fiber on large capacity reels enabling video and audio communications between distant camera locations and the switcher.
Featured News, Posted 14 Feb 2012

Review: NewTek TriCaster 850 Extreme

The Extreme version provides a number of enhancements over the original TCXD850 including full HD recording treatment, with the ability to record 1080p30 of any discrete input as well as the program or AUX outputs (the TCXD850 could record only outputs). This extended ability to record both inputs and outputs means that 850 Extreme can perform isolation recording of up to 8 simultaneous camera inputs with its proprietary IsoCorder software.
Featured Articles, Posted 10 Feb 2012

To the Edge: Producing and Broadcasting Summer X Games 2011

As a hybrid live/broadcast event, the X Games franchise is the closest thing we have to the Olympics, only better, because ESPN has near-complete control over the events and seems to enjoy taking the "extreme" philosophy at the heart of the games to the limit.
Featured Articles, Posted 10 Feb 2012

Producing the 53rd Grammy Awards Concert

The Grammy Awards get their share of slings and arrows from hipsters, but as CD and more recently ticket sales continue to decline, finding ways to "eventize" the concert experience and create a recording of it that can offer continuous revenue streams going forward might be Grammy's biggest contribution yet to keeping the music business as we know it alive.
Featured Articles, Posted 10 Feb 2012

Review: ViewCast Niagara 2120 Live Encoding Appliance

With a competitive price of $3,995, the ViewCast's portable, multistream Niagara 2120 should be on the short list of any company or service bureau producing high volumes of on-location live H.264 webcasts.
Featured Articles, Posted 01 Feb 2012

Review: Panasonic AV-HS400N HD Video Mixer

HD video mixers aren't cheap, but they do offer amazing functionality inside compact boxes. I put Panasonic's AV-HS400N through its paces during an awards ceremony. I found much to like, and a few minor issues, and look forward to technologies like this becoming more affordable in the years to come.
Featured Articles, Posted 01 Feb 2012

Review: Roland VR-5 A/V Mixer

Roland's VR-5 A/V Mixer features multiple video inputs, an internal media player, computer input and conversion, a built-in audio mixer, two integrated LCD monitors to see video inputs, output and various device settings, and the ability to internally record your program output while also sending your program to a laptop for streaming--all for an MSRP of $4,995.
Featured Articles, Posted 01 Feb 2012

Like a Mighty Stream: Webcasting Rock Shows with Ryan Bodie Films

Streaming concerts and other live events has established Ryan Bodie's Studio 26 as the go-to live event webcast provider in his region and in some key entertainment areas, ranging from concert series in the spring to festivals in the summer and one-off arena gigs like a Chaka Khan show. Bodie estimates that his crew shoots, switches, and streams 80 live events per year, with maybe half of those involving music.
Featured Articles, Posted 17 Jan 2012

Producing My First Webcast

Jan Ozer produced his first live webcast on May 8, 2010. As with anything else, he learned some huge lessons that didn't become obvious until he was there in the chair, broadcasting live. If you've got your first live webcast coming up, perhaps you'll find them useful.
Featured Articles, Posted 16 Jan 2012

Producing Conference Video Pt. 4: Live Delivery and Postproduction

What happens when you deliver your event live? This is nothing new for live TV broadcasters, but more and more event video producers are being asked to perform their postproduction activities in real-time—that is, live as the event is occurring.
Featured Articles, Posted 16 Jan 2012

Producing Conference Video Pt. 3: Shooting Presentations and Directing Live Switches

Award-winning producer Shawn Lam looks at two key elements of the process: capturing multimedia presentations effectively for both live-switched productions and post-produced edits, and how to become a successful technical director of a live-switched shoot, whether for IMAG delivery or providing a live feed for broadcast or webcast.
Featured Articles, Posted 16 Jan 2012

Producing Conference Video Pt. 2: Lighting and Audio

Award-winning producer Shawn Lam looks at the art and science of stage lighting and the challenges of making lighting designed for performance work for video. He also discusses the meat-and-potatoes things you need to know for microphone selection and successful live-recorded conference audio.
Featured Articles, Posted 16 Jan 2012

Producing Conference Video Pt. 1: Setting Up

Whether you're shooting a conference, a convention, or an AGM, the setup of the shoot is one of the most important parts of the production process. It's the step where you select the equipment, establish your camera positions, lay your cables, and check and recheck your audio and lighting.
Featured Articles, Posted 15 Jan 2012

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