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Upcoming Industry Conferences
Streaming Media West [19-20 Nov 2019]
Esport & Sports Streaming Summit [19-20 Nov 2019]
OTT Leadership Summit [19-20 Nov 2019]
Video Engineering Summit [19-20 Nov 2019]
Live Streaming Summit [19 Nov 2019]
Streaming Media East [5-6 May 2020]
Past Conferences
Streaming Media East [7-8 May 2019]
Live Streaming Summit [7-8 May 2019]
OTT Leadership Summit [7-8 May 2019]
Video Engineering Summit [7-8 May 2019]
Content Delivery Summit [6 May 2019]
Streaming Forum [26 February 2019]
Live Switching/Webcasting
Articles

FOR-A Announces New Compact HD/SD Frame Converter

The FOR-A FRC-30 features built-in up/down/cross converters that deliver SD to HD, HD to SD, and 1080i to 720p conversions as well
Featured News, Posted 11 Apr 2012

Digital Rapids Enhances Stream Software with Extended Closed Caption and Ad Insertion Support

Digital Rapids Stream for StreamZ Live encoders featured expanded advanced config options for streaming to iOS devices, increased closed caption preservation capabilities
Featured News, Posted 11 Apr 2012

Review: The HP Z1 as a Webcaster's Workstation

HP's Z1 is the first all-in-one computer with workstation components and field serviceability. Here, encoding expert Jan Ozer takes a look at how this workstation-class portable PC fared in a live production and webcast environment, with testing emphasis in 3 areas: rendering, streaming encoding, and live encoding.
Featured Articles, Posted 11 Apr 2012

Live from J Street, Part 2: Framing Tips for Conference Shooters and Webcasters

Jan Ozer passes on several key tips on framing panels and applying the rule of thirds (and when to break it) gleaned from his recent gig webcasting the national J Street conference on Israeli-Palestinian relations.
Featured Articles, Posted 04 Apr 2012

FOR-A To Debut its SmartDirect 'All-in-One' Live Production System at NAB

With Brainstorm's Easy On Air Graphics template-based CG interface, SmartDirect can key graphics over background video internally or output key and fill signals for an external mix
Featured News, Posted 04 Apr 2012

Live from J Street, Part 1: Webcasting the National J Street Conference

During a 3-day gig as webcaster for J Street's Making History conference on Israeli-Palestinian relations, Jan Ozer learned a lot about the challenges of streaming events where you don't control critical factors like the set background and lighting. In part 1 of 3 on this project, Jan details the planning process and streaming setup.
Featured Articles, Posted 28 Mar 2012

Producing a Live Concert Webcast with the Next Computer Radius and the Roland VR-3

Video production and encoding expert Jan Ozer describes the workflow and challenges of a Livestream webcast he produced for marimba player Larissa Venzie using the Roland VR-3 and Next Computer's Radius portable workstation.
Featured Articles, Posted 20 Mar 2012

Review: Roland VR-3 All-In-One A/V Mixer—UPDATED!

If you're in the market for an all-in-one video mixer for webcasting 4:3 NTSC video, Roland's compact new VR-3 fits the bill nicely. If you need widescreen video output, you may need to add some steps to your workflow when you pair NTSC widescreen video with many of the popular streaming services.
Featured Articles, Posted 07 Mar 2012

Complete Control: KnowledgeVision Redefines Online Presentation Video

When your job is to produce corporate presentation videos for delivery online, how do you make them both watchable and effective in one of the few web video genres where less isn't more? KnowledgeVision has an answer in a new platform that may recast presentations for the online video world.
Featured Articles, Posted 22 Feb 2012

Ross Video Unveils BlackStorm Video Servers With File-Based Workflow

BlackStorm 102P live production playback solution and supports file based workflows with popular editing systems and graphics packages such as Final Cut, Adobe Premiere, Avid Media Composer and Adobe After Effects
Featured News, Posted 22 Feb 2012

Review: GoPro HD Hero2

GoPro shoots for online video pros with the new HD Hero2, which adds an improved CMOS sensor, better glass, and from-the-wrist remote control and live streaming to a camera line that's become a go-to device for aerial, POV, and action sports applications.
Featured Articles, Posted 22 Feb 2012

EventDV Relaunches as New Pro Video Production Site Streaming Media Producer

StreamingMedia.com/Producer focuses on tutorials and real-world technical advice for professional online video producers
Featured News, Posted 16 Feb 2012

Tactical Fiber Systems Ships Low-Cost Multicamera Production and Broadcast Solutions

Turnkey packages include Blackmagic Design ATEM Camera and Studio Converter / transceivers bundled with TFS Tactical Optical Fiber on large capacity reels enabling video and audio communications between distant camera locations and the switcher.
Featured News, Posted 14 Feb 2012

Review: NewTek TriCaster 850 Extreme

The Extreme version provides a number of enhancements over the original TCXD850 including full HD recording treatment, with the ability to record 1080p30 of any discrete input as well as the program or AUX outputs (the TCXD850 could record only outputs). This extended ability to record both inputs and outputs means that 850 Extreme can perform isolation recording of up to 8 simultaneous camera inputs with its proprietary IsoCorder software.
Featured Articles, Posted 10 Feb 2012

To the Edge: Producing and Broadcasting Summer X Games 2011

As a hybrid live/broadcast event, the X Games franchise is the closest thing we have to the Olympics, only better, because ESPN has near-complete control over the events and seems to enjoy taking the "extreme" philosophy at the heart of the games to the limit.
Featured Articles, Posted 10 Feb 2012

Producing the 53rd Grammy Awards Concert

The Grammy Awards get their share of slings and arrows from hipsters, but as CD and more recently ticket sales continue to decline, finding ways to "eventize" the concert experience and create a recording of it that can offer continuous revenue streams going forward might be Grammy's biggest contribution yet to keeping the music business as we know it alive.
Featured Articles, Posted 10 Feb 2012

Review: ViewCast Niagara 2120 Live Encoding Appliance

With a competitive price of $3,995, the ViewCast's portable, multistream Niagara 2120 should be on the short list of any company or service bureau producing high volumes of on-location live H.264 webcasts.
Featured Articles, Posted 01 Feb 2012

Review: Panasonic AV-HS400N HD Video Mixer

HD video mixers aren't cheap, but they do offer amazing functionality inside compact boxes. I put Panasonic's AV-HS400N through its paces during an awards ceremony. I found much to like, and a few minor issues, and look forward to technologies like this becoming more affordable in the years to come.
Featured Articles, Posted 01 Feb 2012

Review: Roland VR-5 A/V Mixer

Roland's VR-5 A/V Mixer features multiple video inputs, an internal media player, computer input and conversion, a built-in audio mixer, two integrated LCD monitors to see video inputs, output and various device settings, and the ability to internally record your program output while also sending your program to a laptop for streaming--all for an MSRP of $4,995.
Featured Articles, Posted 01 Feb 2012

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