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Featured Articles

Tutorial: Using Adjustment Layers with your Videos

By using adjustment layers in Adobe After Effects, you can easily create a variety of looks for your videos and share and compare them with clients
Featured Articles, Posted 08 Jul 2014

Flight Plan: How to Produce Professional Aerial Video, Part 1

Surging in popularity thanks to affordable, unmanned multirotor copters comfortably paired with cameras ranging from GoPros to DSLRs to REDs, aerial cinema is proving as effective a pro video tool as it is a cool hobby. But regardless of what "ready to fly" advocates tell you, there's no shortcut to aerial cinema coolness. This 3-part series will provide an essential primer in the technologies, tools, techniques, legal and practical concerns, and hidden challenges you'll face in aerial cinema as you prepare for takeoff.
Featured Articles, Posted 30 Jun 2014

Tutorial: Exporting for Digital Cinema with Adobe Premiere Pro and Adobe Media Encoder CC 2014

A key concern for any producer is to ensure that the work you produce will play back on as many platforms (online, mobile, broadcast) as possible. Until recently, delivering content in digital cinema environments was the exclusive province of high-end facilities with specialized equipment. But with the release of Adobe Media Encoder CC 2014 and its Wraptor DCP plug-in, DCP has become just another export option, putting digital cinema delivery well within the reach of any Adobe CC user. Here's how you can add it to your offerings when your clients or projects demand it.
Featured Articles, Posted 24 Jun 2014

Commentary: Adobe Unveils 'Big Splash' Creative Cloud Release Including New iPad Apps and Major Photoshop and After Effects Updates

New After Effects features include additional keying effects, Kuler integration, and the ability to create live text templates and to share masks with Premiere Pro; Photoshop gets more powerful Smart Objects, Improved Layer Comps and Content-Aware technology, Blur Gallery motion effects, and a Focus Mask
Featured Articles, Posted 18 Jun 2014

Review: Adorama 3Pod V2AH Tripod

If you're looking for a tripod for tracking high-motion events and have only $150 to spend, you should check out the Adorama 3Pod V2AH.
Featured Articles, Posted 17 Jun 2014

How to Develop a Viable 4K Production Workflow

4K content is here today and here to stay. Content acquisition is much easier than the rest of the workflow, led by consumer devices such as the millions of 4K cell phones, 4K POV cameras, and soon 4K Interchangeable Lens cameras that will lead the way for wider professional 4K adoption. 4K screen adoption is increasing rapidly too, and this just leaves some workflow issues for editing and distribution to be solved and adopted before 4K will be viable across a wide range of video production markets.
Featured Articles, Posted 17 Jun 2014

Review: Epiphan DVI2USB 3.0 Frame Grabber

The Epiphan DVI2USB 3.0 provides a boon to conference videographers via a simple, small-footprint, low-cost solution for capturing a live PowerPoint or Keynote presentation to a PC or Mac as a full-frame rate, native-resolution video file. Here's a walkthrough of a functional conference presentation capture workflow using the DVI2USB 3.0.
Featured Articles, Posted 11 Jun 2014

Reality Check: What Does a 4K Production Workflow Require?

The time for idle speculation about 4K production has passed. 4K is here, and it's arrived in mainstream cameras at various price points with some surprisingly modest data rates. Do you need all-new, cutting-edge hardware to handle it? Probably not. Delve deeper into the specifics of your production chain, and do a little math to find out what your needs really are, and what you find might surprise you.
Featured Articles, Posted 03 Jun 2014

How to Pack and Prepare for International Video Shoots

A veteran producer of video projects on multiple continents offers tips on everything from hard-shelled equipment cases to travel restrictions to international power issues to visas to carnets for videographers who want to book international jobs, make the most of them, and escape the pitfalls that come with being un- or under-prepared.
Featured Articles, Posted 22 May 2014

Wired Lavaliere Head-to-Head: Can a $20 Audio Technica ATR-3350 Compete with a $200 Sony ECM-44B?

This article and accompanying (hear it for yourself) video will compare the results of capturing audio with a $20 Audio-Technica wired lavaliere mic and a $200 professional mic from Sony directly into a DSLR. Is the $200 Sony really worth the 10x cost?
Featured Articles, Posted 12 May 2014

Hands-on with the Panasonic DMC-GH4 4K DSLR

A strong contender for the most affordable 4K camera on the market today, Panasonic's DMC-GH4 adds both UltraHD and pixel-for-pixel Cinema4K to the feature set that made its GH3 predecessor great, and joins a rapidly growing Micro 4/3 marketplace.
Featured Articles, Posted 07 May 2014

Tutorial: Using Text to Mask Video in Adobe After Effects CC

This tutorial demonstrates how to use an After Effects alpha matte to make your video "shine through" your text.
Featured Articles, Posted 05 May 2014

First Look: Blackmagic Studio Camera

Company offers two models of innovative, if fragile, studio camera
Featured Articles, Posted 02 May 2014

Almost Live with Streaming Media: NewTek 3Play

Shawn Lam and NewTek CMO Carter Holland discuss the latest developments with NewTek's 3Play professional instant replay and slo-mo server.
Featured Articles, Posted 02 May 2014

Almost Live with Streaming Media: vMix 4K and vMix Social

vMix developer Martin Sinclair discusses the latest developments with the live production software application, including vMix 4K and vMix Social, and offers users some device about choosing the proper hardware to ensure smooth and efficient operation.
Featured Articles, Posted 25 Apr 2014

Almost Live with Streaming Media: Roland Systems VR-50HD All-in-One A/V Mixer

Shawn Lam and Roland's Doug Schouten discuss key features of Roland's VR-50HD an audio/video mixer/switcher with a multi-viewer touchscreen and integrated USB 3.0 output for live streaming.
Featured Articles, Posted 25 Apr 2014

Almost Live with Streaming Media: Blackmagic URSA

Streaming Media Producer's Shawn Lam and Blackmagic Designs' Bob Caniglia discuss the new Blackmagic URSA camera, which features a Super 35mm UltraHD sensor, comes in multiple lens mounts, and features an innovative dual-sided touchscreen to enable on-camera collaboration for multiple crew members.
Featured Articles, Posted 25 Apr 2014

Almost Live with Streaming Media: The Blackmagic Studio Camera HD and 4K

Streaming Media Producer contributing editor Shawn Lam and Blackmagic Design Senior Regional Manager Bob Caniglia discuss Blackmagic's new HD and 4K Studio Cameras, introduced at NAB 2014, and touted as "the world's smallest studio camera with the world's largest viewfinder."
Featured Articles, Posted 25 Apr 2014

How Much Video Processing Performance Boost Do the Latest PC Processors Deliver?

Now that Intel has launched Ivy Bridge-based CPUs that triple the core count of early Nehalem-based workstations from four to 12, can video editors expect significant performance gains? In this article we'll assess the performance gain from the 12-core HP Z800 to the 24-core HP Z820 with respect to both editing and streaming encoding.
Featured Articles, Posted 22 Apr 2014

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