The new Edelkrone JibPLUS is a new motion control device capable of tracking up to three targets at once
Featured Articles,
Posted 18 May 2016
The new Atomos Shogun Flame, along with other new entries in the Atomos monitor/recorder line, brings forth AtomHDR, which enables producers taking advantage of new HDR capabilities available in their cameras to reproduce it on their monitors as they do HDR work in the field.
Featured Articles,
Posted 10 May 2016
This tutorial demonstrates a nice way to highlight key words, titles, logos, and lower-thirds within your video graphics using a simple workflow in After Effects CC.
Featured Articles,
Posted 09 May 2016
Shawn Lam interviews Blackmagic Design's Bob Caniglia about the URSA Studio Viewfinder, a Streaming Media Best of NAB 2016 award-winning accessory for Blackmagic's popular URSA camera line that contributes to a professional studio camera workflow that producers can build around the camera.
Featured Articles,
Posted 04 May 2016
Pan-tilt-zoom (PTZ) camera systems are now hitting a sort of renaissance for event videography, especially in live concert, government, and worship settings. This tutorial looks at how to use a PTZ-based workflow to pull off a multicam live-switched stream with a single operator at the controls.
Featured Articles,
Posted 03 May 2016
Shawn Lam interviews Matrox's Wayne Andrews regarding the Matrox Monarch LCS, a Streaming Media Best of NAB 2016 award-winning new, dual-input, dual-encoder addition to the popular Matrox Monarch series of streaming and recording appliances.
Featured Articles,
Posted 28 Apr 2016
Recording a presentation that is delivered to a live audience for later on-demand viewing is nothing new. Neither is webcasting live presentations. But more and more the lines of what is considered the norm for presentations is getting blurred as online participants interaction is being incorporated with the live audience and presenters are delivering their talks remotely to both a live and an online audience. This article discusses the challenges producers face when managing both live and online audiences and presenters concurrently.
Featured Articles,
Posted 26 Apr 2016
Shawn Lam interviews Datavideo's Craig Moffat regarding the Datavideo KMU-100, a new device that enables 4K shooters to take up to 4 images from their camera's 4K output as discrete 1080 outputs in real-time and send them to a switcher or monitor. With support for two 4K inputs, the KMU-100 can output up to 8 separate images.
Featured Articles,
Posted 21 Apr 2016
NAB took over Las Vegas this week, and the Streaming Media and Streaming Media Producer editorial staffs were on hand to pick out the signal from the noise, selecting the best new products from this year's show
Featured Articles,
Posted 20 Apr 2016
Other key announcements include UltraStudio 4K Extreme with Thunderbolt 3 support and HDR playback over HDMI
Featured Articles,
Posted 19 Apr 2016
NAB-synced announcements for CC apps bring new creativity and efficiency features
Featured Articles,
Posted 13 Apr 2016
I've waited 5 years to write this review, about a new camera model that delivers everything I'm looking for in a professional video camera: Sony's large-sensor, interchangeable-lens, 4K-capable PXW-FS5 XDCAM Super35.
Featured Articles,
Posted 12 Apr 2016
Is your company going to make a splash with news at NAB? If you want to be considered for our annual Best of NAB awards, submit your information now to be sure you're on our radar.
Featured Articles,
Posted 06 Apr 2016
This tutorial demonstrates Adobe Audition's Remix feature, which allows you to shorten the length of a music track to match the duration of your video edit.
Featured Articles,
Posted 05 Apr 2016
Every live producer knows half of good video is 90% audio, and intrusive ground loop hum can ruin even the most visually pristine webcast. Here we'll look at how to identify the source of the problem and detail two possible solutions.
Featured Articles,
Posted 05 Apr 2016
If you've been waiting for a significant set of improvements to decide whether to upgrade or buy into PluralEyes 4, the time is right. With tight Premiere Pro integration, stellar syncronization capabilities, and automatic drift correction, PluralEyes remains one of the best utilities that postproduction pros can get.
Featured Articles,
Posted 29 Mar 2016
As a longtime user of the Panasonic GH4 DSLR, and the founder/moderator of the now-10,000+ member GH4 Technical Group on Facebook, I know there has been plenty of talk about making the GH4 into a successor to Panasonic's AF100 Micro 4/3 Camcorder. When Panasonic announced the DVX200, the bar was set quite high. Reportedly, based on the GH4, the DVX200 is all that, and a lot more, but what did it give up to get there?
Featured Articles,
Posted 22 Mar 2016
Here's a look at how the Epiphan Pearl Production Switcher performed under pressure on live-switched keynotes at the Computers in Libraries 2016 conference in Washington, DC.
Featured Articles,
Posted 16 Mar 2016
The last 24 hours before any live-streamed event are probably more stressful than the event itself. We asked a range of experienced live event producers what they focused on during the last 24 hours, and to share some practices and techniques that allowed them to avoid, or workaround, problems that would otherwise derail an event.
Featured Articles,
Posted 15 Mar 2016
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