With Wirecast 5, Telestream has significantly improved usability with a redesigned interface, beneficially expanded the product's input capabilities, and upgraded the product's plumbing with features like x.264 encoding and HD-SDI output via Blackmagic Design Intensity or DeckLink cards. Learn more in this video tutorial that guides you through the new release.
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Posted 17 Dec 2013
In this ongoing Streaming Media Producer series on webcast video production, Shawn Lam covers the video format converters he uses in his own HD webcast workflows, and one new converter that just might be the video converter, scaler, and distribution amplifier to rule them all.
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Posted 11 Dec 2013
Recent upgrades to Adobe CC make it easy to apply graded looks in Adobe Premiere Pro CC and match shots with different color temperatures via seamless roundtripping between Premiere Pro CC and SpeedGrade CC.
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Posted 11 Dec 2013
How KABCOM captured and streamed the entire 2013 competitive fencing season--including the International Challenge in Paris and the world championshops in Budapest--leveraging the Matrox VS4 quad capture and ISO recording card and Telestream Wirecast streaming software.
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Posted 04 Dec 2013
All of the items Adorama's Flashpoint product line are priced in the $200-$400 range, but quality-wise they're very good. They're not the most refined and precision instruments available, but they get the job done, and this 7-inch, 1280x800-resolution LCD monitor, which lists for $400, is no exception.
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Posted 01 Dec 2013
In this review we're going to look at the Adorama Flashpoint line of Cinema DSLR Gear. We're going to start off with a broadly compatible and modular system including the Mattebox, the Shoulder Rig, and the Follow Focus, and finish off (in a separate review) with Adorama's 7-inch LCD monitor.
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Posted 25 Nov 2013
The dual-stream use case--one for streaming, one for archive or other production--is very common in live production, and Matrox Monarch HD, a $995 compact standalone streaming/recording unit, appears to be the lowest-cost solution--and a highly competent one at that.
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Posted 16 Nov 2013
How does the all-in-one that's won over the workstation crowd stack up against laptop form-factor workstations for speed, power, and upgradability for streaming media producers?
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Posted 13 Nov 2013
Blackmagic Design's rackmount format converter and Thunderbolt recording/playback interface is a tightly packed workflow genie of (almost) unlimited options.
Featured Articles,
Posted 13 Nov 2013
Adobe has end-of-lifed Adobe Encore, which is bad news if you need to burn DVDs or Blu-ray Discs or build Flash DVDs. This article will discuss how to install Encore if you're a CC subscriber and don't have Encore CS6 already installed on your computer; the terms and implications of Encore's end-of-life status; and how to work around the lack of Dynamic Link transfers from Premiere Pro CC to Encore CS6.
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Posted 06 Nov 2013
This tutorial on Apple Final Cut Pro X takes a closer look at color correction in the Inspector, exploring the Balance Color, Match Color, and Color Mask and Shape Mask features.
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Posted 31 Oct 2013
Repetitive tasks are part of video editing, but they don't have to be tedious in Adobe Premiere Pro CC if you use one of the multiple techniques described in this tutorial.
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Posted 23 Oct 2013
In this final round between audio editing champs iZotope RX 3 and Adobe Audition CC, we compare the two audio editors in noise reduction and reverb/echo reduction.
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Posted 14 Oct 2013
If you've ever needed to record a screen with full motion to illustrate a method or process, then Camtasia may fill that gap.
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Posted 14 Oct 2013
In this first installment of a two-part series, Jan Ozer compares the declipping and crackle and pop-removal features in iZotope's new RX 3 pro audio editor to the parallel features in Adobe Audition CC.
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Posted 12 Oct 2013
This tutorial on Apple Final Cut Pro X inspects the Video Inspector, a context-sensitive area of the FCP X interface that allows you to change settings of various filters and settings, and focuses on making basic but effective color adjustments.
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Posted 07 Oct 2013
Any time you produce a webinar that's got PowerPoint and a talking-head video, it's helpful to present them in the same video frame. This tutorial explains how to composite these two sources in Telestream Wirecast.
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Posted 02 Oct 2013
New York City-based media production specialist Stjepan Alaupovic describes his Streaming Media Producer Live sessions, "How to Light, Frame, and Shoot Video for the Web" and "How to Brand Your Online Productions."
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Posted 25 Sep 2013
Jyl Ferris, creative director of the popular webisodic cooking show CookingForBachelors.tv, discusses her Streaming Media Producer Live 2013 session, "How to Corner a Niche Market for Episodic Web Video."
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Posted 25 Sep 2013
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