At more than twice the brightness of the L7, the L10 is one of the brightest LED Fresnels on the market
Featured News,
Posted 25 Feb 2015
In this five-part series, we'll examine all the elements you need to consider when developing an in-house video competency at your business or organization, beginning with studio setup in Part 1, then moving on to staffing, investment, gearing up,, content and marketing strategy, and concluding with the elements of a video publishing program that you should continue to outsource.
Featured Articles,
Posted 12 Jan 2015
In part 2 of our 3-part series on gearing up for 4K live production, we'll explore the cameras and lenses available today for professional 4K production.
Featured Articles,
Posted 29 Dec 2014
The new light, which offers a continuously adjustable beam angle (16-70 degrees), will be demonstrated in the USHIO America booth (1451) during the Live Design International show
Featured News,
Posted 25 Nov 2014
Adorama's Flashpoint 1300 LED Panel light is powerful, flexible and well-featured as a standalone light and can be easily integrated into two- and four-light panels should the need arise.
Featured Articles,
Posted 05 Nov 2014
I'm revisiting ring lights because I found one that addressed the two things that wanted to be different when I reviewed the Rosco Ring Light http://buff.ly/1u7t08l last year. The F&V R300 is a different design, with LEDs facing the subject instead of into a white plastic. It also has a battery holder on the right of the light, and a built-in power/dimmer on the left. The exact two things I said I wanted in a ringlight. But how does it light?
Featured Articles,
Posted 06 Oct 2014
Anthony Q. Artis, author of the Shut Up and Shoot Freelance Guide, will present an all-day workshop and a Tuesday morning keynote at Streaming Media Producer Live 2014 on November 17-18 in Huntington Beach, CA. Check out Anthony's video trailer for the workshop and keynote for a sneak preview of what he'll be presenting at the event.
Featured Articles,
Posted 23 Sep 2014
In the last two articles in this 3-part series on the Sony a7S, we covered a lot of ground discussing what to look for in video lenses and lens adapters for the Sony e-mount that is native to the Sony a7S. Now it is time to take a deeper look at the Sony a7S as a video camera, with comparisons to the Canon 5D MKIII and Panasonic DMC-GH4.
Featured Articles,
Posted 23 Sep 2014
Switronix' TorchLED 220R, like the TorchLED 220W, is a compact, dimmable, temperature-adjustable on- or off-camera LED light. The 220R model adds a handy remote control that allows you to operate the light at a distance of more than 175 feet.
Featured Articles,
Posted 26 Aug 2014
The MINIVATOR II is the long-awaited stronger and taller version of the MINIVATOR stand, first introduced over 10 years ago
Featured News,
Posted 24 Aug 2014
For location lighting, moving around a lot, and travel, the Fiilex LED kits offer amazing capability and flexibility in a small and light package. Designed for use as a fixed solution, for a small sound stage, or grip truck, the Gus 41 makes a perfect solution. It is very wide and soft or small and focused as needed.
Featured Articles,
Posted 11 Aug 2014
New Flashpoint lights include the SpeedLight Partner and the VariAngle light, as well as a collection of LED lights in both standard and bi-color options; new stand-mounted lights include various models of circular and panel lights.
Featured News,
Posted 29 Jul 2014
The 5600K Zylight fresnels have been particularly effective while shooting scenes in the ER, where the installed fluorescent lighting adds a green tint to skin tones
Featured News,
Posted 01 Jul 2014
The ASTRA 1x1 Bi-Color offers a light output that is up to four times brighter than the company's traditional 1x1 Bi-Color fixture, high CRI (Color Rendering Index), and user-selectable active or passive cooling modes
Featured News,
Posted 03 Jun 2014
A veteran producer of video projects on multiple continents offers tips on everything from hard-shelled equipment cases to travel restrictions to international power issues to visas to carnets for videographers who want to book international jobs, make the most of them, and escape the pitfalls that come with being un- or under-prepared.
Featured Articles,
Posted 22 May 2014
Each Softy Lite has 8 panels of 48 LEDs, daylight balanced and wired for 12 volts in banks of three
Featured News,
Posted 14 May 2014
Whether you're an independent production facility or a corporate or institutional outfit bringing professional online video production and webcasting in-house, what will it cost to create a flexible and functional studio? In this article, we'll spec out three different studios at three different price points—$5,000, $15,000, and $25,000.
Featured Articles,
Posted 10 Apr 2014
The Hilio D12/T12 fixtures were designed by Litepanels to augment the lighting requirements of broadcast studios, as well as motion picture, episodic television, and commercial location shoots
Featured News,
Posted 19 Mar 2014
Designed specifically to accommodate the needs of shooters and productions on the go, the Sola 4 Traveler Kit includes three Sola 4 LED Fresnel fixtures in a rugged, ergonomically designed, trolley-style hard case
Featured News,
Posted 25 Feb 2014
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