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Upcoming Industry Conferences
Content Delivery Summit [1 June 2020]
Streaming Media East Connect [2-3 June 2020]
Streaming Media West [6-7 October 2020]
Past Conferences
Streaming Media West [19-20 Nov 2019]
Esport & Sports Streaming Summit [19-20 Nov 2019]
OTT Leadership Summit [19-20 Nov 2019]
Video Engineering Summit [19-20 Nov 2019]
Live Streaming Summit [19 Nov 2019]
Concert/Performance Video
Articles

Livestream Launches All-in-One Portable Live HD Production Switcher

Livestream Studio HD500 is designed to perform as a standalone, broadcast quality live video switcher when using live video output for applications such as in-venue screen broadcasting, live-to-tape production and network and local television programming, all with or without live streaming to the web
Featured News, Posted 05 Sep 2012

What is IMAG?

Streaming Media Producer continues its "What Is...?" series tackling essential topics in the streaming media and live production world with a look at IMAG, or image magnification, a common and effective way of delivering instant video projection of speakers and performers at corporate, conference, and faith-based events. We examine the technical challenges, the required gear, and the preferability of producing separate feeds for projection and streaming of the same event.
What Is ..., Posted 05 Sep 2012

LIVE ART: Two Filmmakers Capture Life-Changing Theater Education in a Crowd-Funded Documentary

SPARC's LIVE ART combines two brilliant and ambitious ideas: to create "a 20-week inclusive performing arts educational experience for children with and without developmental disabilities and hearing impairment," culminating "with these students performing on stage alongside some of Virginia's best professional musicians"; and to bring in a skeleton film crew to document not just the event itself, but the entire 5-month teaching, development, and rehearsal process in a documentary that is now being crowd-funded to completion.
Featured Articles, Posted 04 Sep 2012

NewTek's New TriCaster 40: Bringing the TriCaster Back to the "Little Guy"

NewTek returns to its roots of empowering entry-level and budget-constrained live producers with its first sub-$5k HD-capable, multi-camera live production system
Featured Articles, Posted 29 Aug 2012

NewTek Ships Sub-$5k TriCaster 40 Multi-camera Live Production System

TriCaster 40 creates a new entry point for broadcasters and producers who need full-resolution, HD, multi-camera live production and streaming capabilities, at a breakthrough price
Featured News, Posted 29 Aug 2012

Canon Announces EOS C100 Digital Video Camera with $7999 MSRP

The C100 digital video camera is a compact, entry-level model delivering full 1920x1080 AVCHD video and compatibility with 70+ zoom and prime lenses in Canon's EF, EF-S and EF Cinema lens lineups; new digital cinema cameras also available
Featured News, Posted 29 Aug 2012

Atomos Showcases Ninja-2 and Samurai Field Recorders at IBC

Visitors to the annual convention in Amsterdam will be able to get hands-on with Ninja-2s and Samurais working with the latest D800 and D4 DSLRs from Nikon, Sony FS100, FS700 and F3 camcorders, Canon C300 and XF305, JVC 750 and the RED Epic.
Featured News, Posted 22 Aug 2012

Blackmagic Design Adds Audio Mixing Capability to ATEM 1 M/E Production Switcher and ATEM TV Studio

ATEM Switcher 3.2 audio mixer software lets customers mix embedded audio from SDI and HDMI inputs, as well as external audio inputs
Featured News, Posted 13 Aug 2012

Tutorial: Multicamera Editing in Adobe Premiere Pro CS6

Adobe Premiere Pro Instructor extraordinaire Luisa Winters explains how to use the new and enhanced Multi-Camera Monitor for quick and efficient multicam edits in Adobe Premiere Pro CS6 in this video and text tutorial.
Sponsored Articles, Posted 02 Aug 2012

Video Review: Sony Creative Software SpectraLayers Pro

Sony SpectraLayers is a dynamic new audio editing tool for Mac and Windows users that might be best described as "Photoshop for Audio," featuring the ability to isolate and edit individual layers of a mixed track using frequency analysis. In this video review, David McKnight explains how it works and what it offers post-production pros with complex audio issues to resolve.
Featured Articles, Posted 30 Jul 2012

Broadcast Pix Video Control Center 3.1 Adds Multi-Screen and Multi-Language Support to Granite and Mica Live Production Solutions

Designed to drive any combination of image magnification (I-MAG) screens, Internet feeds, and live television productions
Featured News, Posted 25 Jul 2012

Review: Sony NEX-FS700 Large-Sensor Camcorder

The Sony NEX-FS700 has much to recommend it as a top-flight large-sensor, interchangeable-lens camcorder and as a worth-the-upgrade successor to the Sony FS100. And it's 4k support and 10x slo-mo are nothing to sneeze at. But what makes it the best camera in the market for webcast producers?
Featured Articles, Posted 23 Jul 2012

HD Webcasting with the Sony NEX-FS100

Part 2 of this series on webcast video production focuses on Sony's NEX-FS100 large-sensor camcorder and new capabilities added via a firmware upgrade that (among other things) makes it compatible with Sony's LA-EA2 lens adapter. While it's not as strong a webcast camera as the FS700 (review coming soon), it still has much to recommend it.
Featured Articles, Posted 07 Jul 2012

What is Live Switching?

Streaming Media Producer kicks off its "What Is...?" series tackling essential topics in the streaming media production world with a look at live switching, touching on the differences between switching and mixing, assembling the components and crew of a live switch, and the basics of "punching" a multi-camera show or event for live delivery.
What Is ..., Posted 03 Jul 2012

Tutorial: 3D Title Creation With NewBlue FX Titler Pro

David McKnight explores the range of features in NewBlueFX Titler Pro that allow editors to produce creative titling effects, animations, and extrusions along the 3D plane using both manual controls and a host of preset styles and templates.
Featured Articles, Posted 26 Jun 2012

Tutorial: Configuring ViewCast Osprey 820e for a Live-Switched Wirecast Webcast

This tutorial describes how to install and configure ViewCast's dual-channel Osprey 820e card ($1,795 MSRP; as low as $1,400 street) into a Windows system for driving two cameras within Telestream Wirecast, and discusses the board's highly functional set of utilities and SimulStream feature, which allows it to feed audio and video streams to more than one encoding application.
Featured Articles, Posted 18 Jun 2012

Broadcast Pix Unveils Multiscreen Support for 1 M/E Line at InfoComm 2012

The new multi-screen technology is ideal for driving three image magnification (I-MAG) screens, as each enjoys patented technology to maintain one frame of constant delay for continual lip sync throughout a presentation
Featured News, Posted 12 Jun 2012

Roland Announces Dedicated iPad Control App for M-480

Application designed to control parameters of the M-480 Digital Mixer, allowing the user to store scenes and edit the Channel Strip (EQ), GEQ, Sends on Fader, and more
Featured News, Posted 12 Jun 2012

Is the New MacBook Pro the Ultimate Ultra-Portable Live Stream Machine?

Due to its unprecedented screen resolution, speed, and next-gen connectivity, the new next-generation MacBook Pro, announced on Monday at Apple's World Wide Developers Conference, might just be the ticket for streaming media ultraportability, for a variety of reasons.
Featured Articles, Posted 12 Jun 2012

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