If you have a unique shooting situation and you need a unique camera to fill that need, the RovoCam from AJA is worth a look.
Featured Articles,
Posted 18 Nov 2016
Epiphan's David Kirk gives Streaming Media Producer's Tim Siglin the skinny on Epiphan's new 4K-capable streaming appliance, the Pearl 2, at Streaming Media West 2016.
Featured Articles,
Posted 07 Nov 2016
The 1 Beyond StreamMachine, an all-in-one video switcher, recorder, streaming encoder with graphics and media playback for live event production, now comes in five models designed for different needs
Featured News,
Posted 28 Oct 2016
With only a single 4K camera and encoder with 4K capture capabilities, you can easily tap into the power of a traditional multi-camera setup for a fraction of the cost.
Featured Articles,
Posted 24 Oct 2016
To determine how powerful a system it takes to produce and deliver live event streams, we tested a range of computers (old and new), capture devices, and multiple live streaming software programs, streaming to one or more streaming services, recording archive/ISO files in various formats, and measuring CPU utilization. Read on for the results.
Featured Articles,
Posted 03 Oct 2016
The new HD-SDI operation features the four JVC cameras and a NewTek TriCaster 8000 live video system, which allows live streaming of its Sunday and mid-week services
Featured News,
Posted 21 Sep 2016
If you frequently produce live or on-demand videos for social media sites, Livestream Mevo can help you produce more polished and engaging videos. While there are some rough edges in version 1.0, and there is a learning curve for operation, Mevo is an essential tool for any organization seeking to leverage the power of video in its social media marketing.
Featured Articles,
Posted 06 Sep 2016
Wirecast Gear, a portable computer workstation fully configured for live event production and streaming, comes installed with Wirecast Pro live streaming production software with pricing starting at $4,995
Featured News,
Posted 31 Aug 2016
The small form factor Monarch devices are ideal for house of worship applications; facilitating live service offerings, broadening accessibility, and spreading high-quality video content to congregations who are present in-house or are joining the service remotely
Featured News,
Posted 24 Aug 2016
When discussing the current state of UHD/4K, "current" is a fast-moving target in mid-2016. This article will introduce you to what you need to know to get into 4K for live production and online video, from codecs to cameras.
Featured Articles,
Posted 24 Aug 2016
Once the church adds another location, it will require the addition of live-streaming capability. That's something the Roland V-1200HD is ready for.
Featured News,
Posted 14 Aug 2016
VR remains a niche market at this writing, but it's a growing one with huge potential. Here are the latest developments and what it means to adoption in the live production and streaming world.
Featured Articles,
Posted 18 Jul 2016
Starting June 27th, the Archdiocese has been live streaming its daily Mass service over its Facebook Live account to parishioners in San Antonio and anyone else in the world looking to connect with its message
Featured News,
Posted 13 Jul 2016
If you haven't been watching the live titling space, you've missed the NDI revolution, and your productions may be falling behind in terms of graphics quality. In this article I'll explain what NDI is and how it works, and I'll explore how it enhances the titling capabilities of the NewTek TriCaster, Telestream Wirecast, and vMix GO. I'll also look at the base capabilities of each system and discuss when it's time to consider third-party offerings.
Featured Articles,
Posted 12 Jul 2016
Even when your video is perfect, nothing sours a streaming experience more quickly than poor audio. Whether you are running the whole show yourself or receiving an audio feed from the "sound guy," there are several areas you need to pay attention to when combining audio into your live video stream.
Sponsored Articles,
Posted 11 Jun 2016
The Avid NEXIS | PRO has all the features that Avid's big NEXIS shared storage solutions have, but scaled down for producers with smaller shops but the same need for reliability and sharing functionality that makes NEXIS popular with bigger studios.
Sponsored Articles,
Posted 02 Jun 2016
What do you look for in a tripod? Knoxville, Tennessee producers Paul Schmutzler and Jacob Dean explore this and other questions in this video review of the Manfotto 546B tripod along with various fluid heads and different camera rigs.
Featured Articles,
Posted 30 May 2016
Million-dollar upgrade featured FOR-A video production package that included the HVS-2000 switcher, MV-4200 multi-viewer, FA-505 multi-channel signal processor, MFR-5000 routing switcher and LTS-60 media archiving server
Featured News,
Posted 17 May 2016
Shawn Lam interviews Blackmagic Design's Bob Caniglia about the URSA Studio Viewfinder, a Streaming Media Best of NAB 2016 award-winning accessory for Blackmagic's popular URSA camera line that contributes to a professional studio camera workflow that producers can build around the camera.
Featured Articles,
Posted 04 May 2016
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