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4K/HD Production/Gear
Articles

Reality Check: What Does a 4K Production Workflow Require?

The time for idle speculation about 4K production has passed. 4K is here, and it's arrived in mainstream cameras at various price points with some surprisingly modest data rates. Do you need all-new, cutting-edge hardware to handle it? Probably not. Delve deeper into the specifics of your production chain, and do a little math to find out what your needs really are, and what you find might surprise you.
Featured Articles, Posted 03 Jun 2014

ProAm Rolls Out SolidTrax Track Dolly and SolidTrax Platform Dolly

SolidTrax Dollies are made from heavy-duty aluminum but are lightweight and portable to to allow for versatility in filming
Featured News, Posted 27 May 2014

JVC Upgrades Firmware for GY-HM600 and GY-HM650 Camcorders

For both cameras, the upgrade includes 1080p/60 recording modes, Extreme High Quality (XHQ) recording with virtually lossless 50 Mbps H.264 (.MOV), and large file support for SDXC media cards
Featured News, Posted 27 May 2014

P+S Technik Intros LockPort 800 DUAL Clamp to Protect Nikon D800 DSLR Outputs from Production Abuse

The LockPort 800 DUAL protects the fragile HDMI/USB outputs on your camera from tough production abuse with a rock solid universal clamp locking to the camera a smart micro to full-size HDMI and a micro to full-size USB 3.0 adapter
Featured News, Posted 27 May 2014

Canon Digital Learning Center Rolls Out New Educational Tools for XA20/XA25 Users

Canon's new educational resources include an XA25/XA20 camcorder video tutorial series and an easy-to-use Field of View Comparator tool
Featured News, Posted 27 May 2014

Tiffen Releases Steadicam Smoothee Mount for Drift Action Cameras

The new Drift mount expands the list of models compatible with the Steadicam Smoothee line to include: Drift HD170 Stealth, Drift HD, Drift HD720, Drift HD Ghost and Drift Ghost-S
Featured News, Posted 27 May 2014

How to Pack and Prepare for International Video Shoots

A veteran producer of video projects on multiple continents offers tips on everything from hard-shelled equipment cases to travel restrictions to international power issues to visas to carnets for videographers who want to book international jobs, make the most of them, and escape the pitfalls that come with being un- or under-prepared.
Featured Articles, Posted 22 May 2014

Ross Video Rolls With Ikegami HDK-95C Full Digital Portable CMOS Cameras for New Mobile Production Unit

RMP was created to provide broadcast quality production to mid-market events, where smaller venues can be served cost effectively by smaller mobile production units equipped with world-class solutions
Featured News, Posted 21 May 2014

ProAm Intros New Extra-Large Hard Wheeled Carrying Case for Camera Crans and Jibs

The new extra-large case measures 55.5 x 12 x 7.75 inches on its exterior, allowing for comfortable transportation of larger support systems such as ProAm's Orion 8- or 12-foot cranes and Orion Jr. 4-foot crane
Featured News, Posted 21 May 2014

Tiffen Intros Steadicam Smoothee Bonus Pak for iPhone, iPod, and GoPro

Smoothee lets users "fly" through their video capture moments — up and down steps, indoors and outside, through crowds — almost anywhere, with precise, elegant control and ease
Featured News, Posted 21 May 2014

Camera Corps Debuts MeerCat Mountable Miniature HD Broadcast

Developed in response to demand from sports, reality-television and stage-show producers, the MeerCat is housed in a metal case with a very small footprint, 30 x 30 mm, and is only 93 mm in height
Featured News, Posted 14 May 2014

Wired Lavaliere Head-to-Head: Can a $20 Audio Technica ATR-3350 Compete with a $200 Sony ECM-44B?

This article and accompanying (hear it for yourself) video will compare the results of capturing audio with a $20 Audio-Technica wired lavaliere mic and a $200 professional mic from Sony directly into a DSLR. Is the $200 Sony really worth the 10x cost?
Featured Articles, Posted 12 May 2014

Delvcam Debuts DELV-DUALFVP-7 7" FPV Monitor

The Delvcam DELV-DUALFPV-7 provides 5.8GHz monitoring in a small, lightweight & durable package which is perfect for FPV aerial monitoring of quadcopters, hexcopters, octocopters in addition to GoPro mounted cameras and similar mobile video capture devices
Featured News, Posted 07 May 2014

Adorama Now Selling Blackmagic Studio Camera

With a massive 10" built-in viewfinder, collapsible sunshade and interchangeable lenses, the Blackmagic Studio camera enables producers to pack an entire multi-camera production rig into a single road case
Featured News, Posted 07 May 2014

Hands-on with the Panasonic DMC-GH4 4K DSLR

A strong contender for the most affordable 4K camera on the market today, Panasonic's DMC-GH4 adds both UltraHD and pixel-for-pixel Cinema4K to the feature set that made its GH3 predecessor great, and joins a rapidly growing Micro 4/3 marketplace.
Featured Articles, Posted 07 May 2014

First Look: Blackmagic Studio Camera

Company offers two models of innovative, if fragile, studio camera
Featured Articles, Posted 02 May 2014

Sony Releases 4.0 Firmware for F5 and F55 Large-Sensor Camcorders

The version 4.0 release includes many key upgrades including User Generated 3D LUT's via RAW VIEWER or DaVinci Resolve, Picture Cache, User Customizable Menu, and includes an SGAMUT3 release, providing a wider color space than SGAMUT3.CINE
Featured News, Posted 29 Apr 2014

Schneider Optics Unveils Wide Angle Adapter for Fujinon’s 19-90mm T2.9 PL-mount Cabrio Zoom Lens

The adapter provides a 30-percent wider angle than the Cabrio's 19mm limitation, with a minimum focal length of 14.5mm
Featured News, Posted 29 Apr 2014

Tiffen Intros 3 New Davis & Sanford Tripods

New entries include Pro Elite 6100-33, Monoped 64 and Steady Stick 3QR
Featured News, Posted 29 Apr 2014

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