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Streaming Media
Magazine

June 2019
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Editing/Postproduction
Articles

Pixel Power Launches StreamMaster PRODUCE for Multi-channel, Multi-operator Virtualizable Graphics Production at IBC2018

Pixel Power, the global automation, branding and graphics innovator, is extending its highly customisable, evolutionary platform with a new set of functionality
Featured News, Posted 27 Jul 2018

ASSIMILATE Announces New SCRATCH Play Pro

New Universal Format Player and Essential Media Toolkit
Featured News, Posted 26 Jul 2018

Review: FXhome HitFilm Pro

This article continues our series of reviews of alternative nonlinear editors from the perspective of a longtime Premiere Pro editor with a look at HitFilm Pro from FXhome.
Featured Articles, Posted 23 Jul 2018

Blackmagic Design Announces Blackmagic eGPU

New Thunderbolt 3 external graphics processor delivers desktop-class performance for MacBook Pro
Featured News, Posted 17 Jul 2018

AJA Ships KONA HDMI, KONA 1 and Io IP with Desktop Software v14.2

AJA Video Systems today released the KONA HDMI multi-channel HD/single-channel UltraHD HDMI capture card; KONA 1 3G-SDI capture/playback card; and the Io IP Thunderbolt-3 equipped video and audio I/O device
Featured News, Posted 17 Jul 2018

Slomo.tv Debuts Dominator AT/12G 4K Server

The Dominator AT/12G server provides advanced slow motion and instant replay capabilities as well as direct recording for editing on site
Featured News, Posted 11 Jul 2018

Tutorial: Working with the New Gradient Tools in Adobe Premiere Pro CC 2018

Clear Online Video's Stjepan Alaupovic walks demonstrates how to use the new gradient tools in the Premiere Pro CC 2018 Essential Graphics panel.
Featured Articles, Posted 11 Jul 2018

Tutorial: Creating a Moving Timelapse Effect in Adobe After Effects CC

This tutorial will demonstrate an advanced method of adding a slider or jib effect to timelapse footage in Adobe After Effects CC 2014.
Featured Articles, Posted 10 Jul 2018

IHSE's Dual-Head 4K DisplayPort Extender Kit Increases Viewing Area at Multidisplay Workstations

The new 4K extender solution supports up to two 4K60 displays in one extender set
Featured News, Posted 27 Jun 2018

Adobe Unveils Project Rush, the Goldilocks of Video Editors

Currently available in limited beta, Project Rush is aimed at YouTube creators who want pro results, simple controls, and the freedom to work on any device.
Featured Articles, Posted 20 Jun 2018

FutureVideo Products, Inc. Introduces V-Station®HD Studio8 Multi-Channel DVR For 8 HDMI Sources

Provides Synchronized 9-Track Video Recording, Multi-Streaming & Switching
Featured News, Posted 20 Jun 2018

Atlantis Television Places Telestream at Heart of Europe’s Largest Virtualized Postproduction Workflow

France's leading production company optimizes efficiency & agility, from camera ingest through workflow automation, quality control and AS-10 program output
Featured News, Posted 20 Jun 2018

Producing and Grading HDR

Although the standards may come and go, with the right know-how, you can be ready to produce HDR when your clients ask for it.
Featured Articles, Posted 06 Jun 2018

Tutorial: Shot Comparison & Color Matching Tools Using Adobe Premiere Pro

Clear Online Video's Stjepan Alaupovic demos the new shot matching tools in Adobe Premiere Pro's Color panel.
Featured Articles, Posted 06 Jun 2018

SME 2018: Technicolor-Postworks Colorist Anthony Raffaele Talks 4K and HDR

Streaming Media Contributing Editor Tim Siglin interviews Technicolor-Postworks' Anthony Raffaele following his keynote at at Streaming Media East 2018
Featured Articles, Posted 16 May 2018

Tutorial: How to Optimize Video Content for Instagram

Here are some tips to help you quickly create videos that are tailored for Instagram.
Featured Articles, Posted 07 May 2018

Boris FX Announces Free 360/VR Plug-in Giveaway for the Month of May

The Boris FX Continuum VR Unit is now available free through May 31, 2018. Five 360° enabled plug-ins for immersive video post-production.
Featured News, Posted 02 May 2018

The Accidental Videographer Shoots Interviews With an iPhoneX

At NAB 2018, I shot 13 video interviews using my new iPhone X. In this article, I'll detail the ancillary gear that I used, and discuss the production and artistic lessons that I learned.
Featured Articles, Posted 01 May 2018

Pomfort Rolls Our LiveGrade Pro 4 Color Management Solution

The new version 4 of LiveGrade Pro for the first time makes live camera metadata available directly in the software and gives the production team even greater control over the live image on set
Featured News, Posted 25 Apr 2018

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