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Upcoming Industry Conferences
Streaming Media West [19-20 Nov 2019]
Esport & Sports Streaming Summit [19-20 Nov 2019]
OTT Leadership Summit [19-20 Nov 2019]
Video Engineering Summit [19-20 Nov 2019]
Live Streaming Summit [19 Nov 2019]
Streaming Media East [5-6 May 2020]
Past Conferences
Streaming Media East [7-8 May 2019]
Live Streaming Summit [7-8 May 2019]
OTT Leadership Summit [7-8 May 2019]
Video Engineering Summit [7-8 May 2019]
Content Delivery Summit [6 May 2019]
Streaming Forum [26 February 2019]
Concert/Performance Video
Articles

Review: Sony NEX-FS700 Large-Sensor Camcorder

The Sony NEX-FS700 has much to recommend it as a top-flight large-sensor, interchangeable-lens camcorder and as a worth-the-upgrade successor to the Sony FS100. And it's 4k support and 10x slo-mo are nothing to sneeze at. But what makes it the best camera in the market for webcast producers?
Featured Articles, Posted 23 Jul 2012

HD Webcasting with the Sony NEX-FS100

Part 2 of this series on webcast video production focuses on Sony's NEX-FS100 large-sensor camcorder and new capabilities added via a firmware upgrade that (among other things) makes it compatible with Sony's LA-EA2 lens adapter. While it's not as strong a webcast camera as the FS700 (review coming soon), it still has much to recommend it.
Featured Articles, Posted 07 Jul 2012

What is Live Switching?

Streaming Media Producer kicks off its "What Is...?" series tackling essential topics in the streaming media production world with a look at live switching, touching on the differences between switching and mixing, assembling the components and crew of a live switch, and the basics of "punching" a multi-camera show or event for live delivery.
What Is ..., Posted 03 Jul 2012

Tutorial: 3D Title Creation With NewBlue FX Titler Pro

David McKnight explores the range of features in NewBlueFX Titler Pro that allow editors to produce creative titling effects, animations, and extrusions along the 3D plane using both manual controls and a host of preset styles and templates.
Featured Articles, Posted 26 Jun 2012

Tutorial: Configuring ViewCast Osprey 820e for a Live-Switched Wirecast Webcast

This tutorial describes how to install and configure ViewCast's dual-channel Osprey 820e card ($1,795 MSRP; as low as $1,400 street) into a Windows system for driving two cameras within Telestream Wirecast, and discusses the board's highly functional set of utilities and SimulStream feature, which allows it to feed audio and video streams to more than one encoding application.
Featured Articles, Posted 18 Jun 2012

Broadcast Pix Unveils Multiscreen Support for 1 M/E Line at InfoComm 2012

The new multi-screen technology is ideal for driving three image magnification (I-MAG) screens, as each enjoys patented technology to maintain one frame of constant delay for continual lip sync throughout a presentation
Featured News, Posted 12 Jun 2012

Roland Announces Dedicated iPad Control App for M-480

Application designed to control parameters of the M-480 Digital Mixer, allowing the user to store scenes and edit the Channel Strip (EQ), GEQ, Sends on Fader, and more
Featured News, Posted 12 Jun 2012

Is the New MacBook Pro the Ultimate Ultra-Portable Live Stream Machine?

Due to its unprecedented screen resolution, speed, and next-gen connectivity, the new next-generation MacBook Pro, announced on Monday at Apple's World Wide Developers Conference, might just be the ticket for streaming media ultraportability, for a variety of reasons.
Featured Articles, Posted 12 Jun 2012

Tutorial: Configuring Blackmagic Intensity Pro for a Live-Switched Wirecast Webcast

This is the first of a three-part tutorial on using Wirecast to mix two streams of video and other disk-based content. In this first tutorial, I'll describe how to install and configure two Blackmagic Design Intensity Pro cards into an HP Z600 for switching with Wirecast.
Featured Articles, Posted 11 Jun 2012

OConnor Intros 60L Carbon Fiber Tripod for Large-Camera Producers

Ideally suited for the OConnor Ultimate 2065 and 2575D 150mm ball-based fluid heads, the 60L combines the benefits of new-age materials with precision engineering to provide a support system that is lighter weight with quick setup features, yet is solid enough to carry large film and digital camera configurations
Featured News, Posted 30 May 2012

Tutorial: Streamlining Video Encoding in Sony Vegas Pro

In this fifth tutorial in our six-part series on Sony Vegas Pro 11, we're going to talk about the Render dialog box. Every project you work on, whether it's delivered on the web, or even on DVD or Blu-ray Disc, has to go through a rendering stage, so you'll find yourself getting quite familiar with it as you do more project. In Vegas Pro 11, Sony has added some new features to the Render dialog, and they've totally revamped the way that it works.
Featured Articles, Posted 30 May 2012

The NAB Interviews with Shawn Lam: Adobe Premiere Pro CS6

In the final installment of the NAB Interviews with Shawn Lam, Shawn talks with Adobe's Al Mooney about key new features in Premiere Pro CS6 and Adobe Media Encoder.
Featured Articles, Posted 17 May 2012

The NAB Interviews With Shawn Lam: The Vinten Blue5 Tripod System

Shawn Lam interviews Boston-area DP Tom Guilmette on Vinten's new Blue5 DSLR and 12-28 lb. camcorder-ready fluid-head and tripod system.
Featured Articles, Posted 01 May 2012

The NAB Interviews With Shawn Lam: Blackmagic Design UltraStudio Express

Shawn Lam interviews Blackmagic Design president Dan May on UltraStudio Express, Blackmagic's new Thunderbolt-powered SDI/HDMI capture and playback solution.
Featured Articles, Posted 01 May 2012

Review: Litepanels MicroPro Hybrid DSLR LED

Litepanels recently shipped the MicroPro Hybrid, a dimmable, on-camera Hybrid LED that can refresh itself much faster than most any strobe light can. Thus it may pack a powerful 1-2 punch for DSLR producers who need to capture both video and still images. But how well does it handle both tasks? In this article Anthony Burokas reviews the new light and compares it to an LED light that's one-fifth the cost to see how these two lights measure up.
Featured Articles, Posted 01 May 2012

Review: Divergent Media ScopeBox 3.0

For scopes and DVR functionality, Divergent's ScopeBox 3.0 outdoes Adobe's late, lamented OnLocation, particularly because it works with a range of cameras, not just those with FireWire outputs. If you've been wondering what you were going to do for DVR/scope functionality on the Mac now that Adobe has exited the market, you should definitely give ScopeBox a try.
Featured Articles, Posted 01 May 2012

The NAB Interviews With Shawn Lam: The Matrox MC-100 Mini Converter

In Episode 2, Shawn discusses the MC100, the new SDI-to-HDMI mini converter from Matrox Video with Matrox product manager Charles Amyot.
Featured Articles, Posted 24 Apr 2012

Tutorial: Creating and Editing Multicam Sequences in Final Cut Pro X

When Apple originally released Final Cut Pro 10, the biggest deficit for Pro users was the lack of multicam. With the 10.0.3 release, Apple has addressed this with a highly functional and easy-to-use multicam feature, which Jan Ozer explains in this tutorial.
Featured Articles, Posted 24 Apr 2012

FOR-A To Debut its SmartDirect 'All-in-One' Live Production System at NAB

With Brainstorm's Easy On Air Graphics template-based CG interface, SmartDirect can key graphics over background video internally or output key and fill signals for an external mix
Featured News, Posted 04 Apr 2012

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