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Upcoming Industry Conferences
Streaming Media East [2-3 June 2020]
Esport & Sports Streaming Summit [2 June 2020]
OTT Summit [2-3 June 2020]
Video Engineering & Technology Summit [2-3 June 2020]
Enterprise & Education Video Summit [3 June 2020]
Content Delivery Summit [1 June 2020]
Past Conferences
Streaming Media West [19-20 Nov 2019]
Esport & Sports Streaming Summit [19-20 Nov 2019]
OTT Leadership Summit [19-20 Nov 2019]
Video Engineering Summit [19-20 Nov 2019]
Live Streaming Summit [19 Nov 2019]
Concert/Performance Video
Articles

Canon Announces EOS C100 Digital Video Camera with $7999 MSRP

The C100 digital video camera is a compact, entry-level model delivering full 1920x1080 AVCHD video and compatibility with 70+ zoom and prime lenses in Canon's EF, EF-S and EF Cinema lens lineups; new digital cinema cameras also available
Featured News, Posted 29 Aug 2012

Atomos Showcases Ninja-2 and Samurai Field Recorders at IBC

Visitors to the annual convention in Amsterdam will be able to get hands-on with Ninja-2s and Samurais working with the latest D800 and D4 DSLRs from Nikon, Sony FS100, FS700 and F3 camcorders, Canon C300 and XF305, JVC 750 and the RED Epic.
Featured News, Posted 22 Aug 2012

Blackmagic Design Adds Audio Mixing Capability to ATEM 1 M/E Production Switcher and ATEM TV Studio

ATEM Switcher 3.2 audio mixer software lets customers mix embedded audio from SDI and HDMI inputs, as well as external audio inputs
Featured News, Posted 13 Aug 2012

Tutorial: Multicamera Editing in Adobe Premiere Pro CS6

Adobe Premiere Pro Instructor extraordinaire Luisa Winters explains how to use the new and enhanced Multi-Camera Monitor for quick and efficient multicam edits in Adobe Premiere Pro CS6 in this video and text tutorial.
Sponsored Articles, Posted 02 Aug 2012

Video Review: Sony Creative Software SpectraLayers Pro

Sony SpectraLayers is a dynamic new audio editing tool for Mac and Windows users that might be best described as "Photoshop for Audio," featuring the ability to isolate and edit individual layers of a mixed track using frequency analysis. In this video review, David McKnight explains how it works and what it offers post-production pros with complex audio issues to resolve.
Featured Articles, Posted 30 Jul 2012

Broadcast Pix Video Control Center 3.1 Adds Multi-Screen and Multi-Language Support to Granite and Mica Live Production Solutions

Designed to drive any combination of image magnification (I-MAG) screens, Internet feeds, and live television productions
Featured News, Posted 25 Jul 2012

Review: Sony NEX-FS700 Large-Sensor Camcorder

The Sony NEX-FS700 has much to recommend it as a top-flight large-sensor, interchangeable-lens camcorder and as a worth-the-upgrade successor to the Sony FS100. And it's 4k support and 10x slo-mo are nothing to sneeze at. But what makes it the best camera in the market for webcast producers?
Featured Articles, Posted 23 Jul 2012

HD Webcasting with the Sony NEX-FS100

Part 2 of this series on webcast video production focuses on Sony's NEX-FS100 large-sensor camcorder and new capabilities added via a firmware upgrade that (among other things) makes it compatible with Sony's LA-EA2 lens adapter. While it's not as strong a webcast camera as the FS700 (review coming soon), it still has much to recommend it.
Featured Articles, Posted 07 Jul 2012

What is Live Switching?

Streaming Media Producer kicks off its "What Is...?" series tackling essential topics in the streaming media production world with a look at live switching, touching on the differences between switching and mixing, assembling the components and crew of a live switch, and the basics of "punching" a multi-camera show or event for live delivery.
What Is ..., Posted 03 Jul 2012

Tutorial: 3D Title Creation With NewBlue FX Titler Pro

David McKnight explores the range of features in NewBlueFX Titler Pro that allow editors to produce creative titling effects, animations, and extrusions along the 3D plane using both manual controls and a host of preset styles and templates.
Featured Articles, Posted 26 Jun 2012

Tutorial: Configuring ViewCast Osprey 820e for a Live-Switched Wirecast Webcast

This tutorial describes how to install and configure ViewCast's dual-channel Osprey 820e card ($1,795 MSRP; as low as $1,400 street) into a Windows system for driving two cameras within Telestream Wirecast, and discusses the board's highly functional set of utilities and SimulStream feature, which allows it to feed audio and video streams to more than one encoding application.
Featured Articles, Posted 18 Jun 2012

Broadcast Pix Unveils Multiscreen Support for 1 M/E Line at InfoComm 2012

The new multi-screen technology is ideal for driving three image magnification (I-MAG) screens, as each enjoys patented technology to maintain one frame of constant delay for continual lip sync throughout a presentation
Featured News, Posted 12 Jun 2012

Roland Announces Dedicated iPad Control App for M-480

Application designed to control parameters of the M-480 Digital Mixer, allowing the user to store scenes and edit the Channel Strip (EQ), GEQ, Sends on Fader, and more
Featured News, Posted 12 Jun 2012

Is the New MacBook Pro the Ultimate Ultra-Portable Live Stream Machine?

Due to its unprecedented screen resolution, speed, and next-gen connectivity, the new next-generation MacBook Pro, announced on Monday at Apple's World Wide Developers Conference, might just be the ticket for streaming media ultraportability, for a variety of reasons.
Featured Articles, Posted 12 Jun 2012

Tutorial: Configuring Blackmagic Intensity Pro for a Live-Switched Wirecast Webcast

This is the first of a three-part tutorial on using Wirecast to mix two streams of video and other disk-based content. In this first tutorial, I'll describe how to install and configure two Blackmagic Design Intensity Pro cards into an HP Z600 for switching with Wirecast.
Featured Articles, Posted 11 Jun 2012

OConnor Intros 60L Carbon Fiber Tripod for Large-Camera Producers

Ideally suited for the OConnor Ultimate 2065 and 2575D 150mm ball-based fluid heads, the 60L combines the benefits of new-age materials with precision engineering to provide a support system that is lighter weight with quick setup features, yet is solid enough to carry large film and digital camera configurations
Featured News, Posted 30 May 2012

Tutorial: Streamlining Video Encoding in Sony Vegas Pro

In this fifth tutorial in our six-part series on Sony Vegas Pro 11, we're going to talk about the Render dialog box. Every project you work on, whether it's delivered on the web, or even on DVD or Blu-ray Disc, has to go through a rendering stage, so you'll find yourself getting quite familiar with it as you do more project. In Vegas Pro 11, Sony has added some new features to the Render dialog, and they've totally revamped the way that it works.
Featured Articles, Posted 30 May 2012

The NAB Interviews with Shawn Lam: Adobe Premiere Pro CS6

In the final installment of the NAB Interviews with Shawn Lam, Shawn talks with Adobe's Al Mooney about key new features in Premiere Pro CS6 and Adobe Media Encoder.
Featured Articles, Posted 17 May 2012

The NAB Interviews With Shawn Lam: The Vinten Blue5 Tripod System

Shawn Lam interviews Boston-area DP Tom Guilmette on Vinten's new Blue5 DSLR and 12-28 lb. camcorder-ready fluid-head and tripod system.
Featured Articles, Posted 01 May 2012

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