Streaming Media

Streaming Media on Facebook Streaming Media on Twitter Streaming Media on LinkedIn
 

NAB Interview: Sony's Juan Martinez on the NEX-FS700R and Latest E-Mount Lenses

Almost Live with Streaming Media reports from NAB 2014 with the latest on the Sony NEX-FS700R and new developments in the E-Mount lens ecosystem.

Streaming Media Producer contributing editor Shawn Lam and Sony Senior Product Manager Juan Martinez convened at NAB 2014 to discuss the pending firmware upgrade for the Sony NEX-FS700R and NEX-FS700 and its implications for users of the popular Sony production cameras, as well as new developments in Sony's E-Mount lens family.

Martinez also highlights the new 28-135mm constant aperture f/4 lens with discrete iris, zoom, and focus rings introduced at NAB 2014 last week.

"Sony is developing very high-quality, professional E-Mount lenses," Martinez says. "SLR lenses are boxed in by the rules of the SLR camera, because they're meant to be driven and controlled in a particular way, and they're meant to step in discrete increments. In the case of the E-Mount, the iris can open continuously. We've designed the lenses from the very beginning to do automatic focus, and have very powerful motors. Sony is the only company that's producing linear motors. It's a very challenging technology to master, but once you master it, you have a lot of torque, and it's possible to move large pieces of glass within the lens, and achieve very high optical results."

Related Articles
Almost Live with Streaming Media reports from NAB 2014 with an up-close look and live-action demo of the Edelkrone SliderPLUS Pro, an innovative and newly enhanced slider that can cover twice its length when mounted on a tripod thanks to an ingenious retraction-rails design.
Almost Live with Streaming Media reports from NAB 2014 with an up-close look at the new Canon XF205 Pro Camcorder.
Almost Live with Streaming Media reports from NAB 2014 with a discussion of a recently introduced 200-400mm professional Canon lens designed with a built-in extender to serve the needs of sports photographers and videographers.
Shawn Lam compares key models in Sony's large-sensor camcorder line--the new shouldermount NEX-EA50, and the comparatively venerable handheld FS100 and FS700--with an eye to light sensitivity, image quality, and effectiveness with power zoom lenses, and reports on his epic, ongoing search for a viable parfocal 3x+ servo zoom lens.
The Sony NEX-FS700 has much to recommend it as a top-flight large-sensor, interchangeable-lens camcorder and as a worth-the-upgrade successor to the Sony FS100. And it's 4k support and 10x slo-mo are nothing to sneeze at. But what makes it the best camera in the market for webcast producers?
Part 2 of this series on webcast video production focuses on Sony's NEX-FS100 large-sensor camcorder and new capabilities added via a firmware upgrade that (among other things) makes it compatible with Sony's LA-EA2 lens adapter. While it's not as strong a webcast camera as the FS700 (review coming soon), it still has much to recommend it.
An in-depth interview on Sony's new 4K-capable large-sensor camcorder that generated tremendous buzz at NAB 2012 in Las Vegas this week.
Sony's NEX-FS100 presents challenges shooters never encounter with traditional camcorders, as well as different lens-mounting choices and caveats than DSLR shooters face. In this article we'll discuss the abilities and limitations of the FS100 for live event production work.
Shawn Lam and Doug Jensen discuss two new models in Sony's PMW camcorder line (that previously brought you the popular EX1 and EX3), the PMW-160 and its larger stablemate the PMW-200, and discuss the cameras' new 4:2:2 codec, recording media, and noise-handling features.