Streaming Media

Streaming Media on Facebook Streaming Media on Twitter Streaming Media on LinkedIn
 
Upcoming Industry Conferences
Streaming Media West [19-20 Nov 2019]
Esport & Sports Streaming Summit [19-20 Nov 2019]
OTT Leadership Summit [19-20 Nov 2019]
Video Engineering Summit [19-20 Nov 2019]
Live Streaming Summit [19 Nov 2019]
Streaming Media East [5-6 May 2020]
Past Conferences
Streaming Media East [7-8 May 2019]
Live Streaming Summit [7-8 May 2019]
OTT Leadership Summit [7-8 May 2019]
Video Engineering Summit [7-8 May 2019]
Content Delivery Summit [6 May 2019]
Streaming Forum [26 February 2019]

The NAB Interviews With Shawn Lam: The Sony NEX-FS700

An in-depth interview on Sony's new 4K-capable large-sensor camcorder that generated tremendous buzz at NAB 2012 in Las Vegas this week.

In this first installment of The NAB Interviews with Shawn Lam, Shawn meets with Juan Martinez of Sony to discuss the Sony NEX-FS700 in an in-depth interview format that goes deeper than the familiar "news of the show" format.  

Key topics include:

• Differences between the FS700 and the FS100 model released last year to

• Lens mounts and adapters (including the new LA-EA2)

• Continuous focus

• Super slo-mo

• The FS700's multifunction handle

• Iris control

• Enhancements to the Super 35mm-size sensor to enable 4K capability

• Low-light performance

• image sharpness and detail

• HD/SDI output

Watch for 4 more installments of this interview series over the coming weeks.

Go to page 2 to read a transcript of the interview.

Related Articles
Sony's NEX-FS100 presents challenges shooters never encounter with traditional camcorders, as well as different lens-mounting choices and caveats than DSLR shooters face. In this article we'll discuss the abilities and limitations of the FS100 for live event production work.
As Canon adds the $30k C500 to its Cinema EOS line and the $15k EOS-1D C to its DSLR offerings, and Sony unveils the $10k NEX-FS700—a 4k-capable stablemate to the FS100—4k edges into the realm of broadcast and indie film budgets and the reach of a wider range of commercial production pros
In Episode 2, Shawn discusses the MC100, the new SDI-to-HDMI mini converter from Matrox Video with Matrox product manager Charles Amyot.
Shawn Lam interviews Blackmagic Design president Dan May on UltraStudio Express, Blackmagic's new Thunderbolt-powered SDI/HDMI capture and playback solution.
Shawn Lam interviews Boston-area DP Tom Guilmette on Vinten's new Blue5 DSLR and 12-28 lb. camcorder-ready fluid-head and tripod system.
In the final installment of the NAB Interviews with Shawn Lam, Shawn talks with Adobe's Al Mooney about key new features in Premiere Pro CS6 and Adobe Media Encoder.
The Sony NEX-FS700 has much to recommend it as a top-flight large-sensor, interchangeable-lens camcorder and as a worth-the-upgrade successor to the Sony FS100. And it's 4k support and 10x slo-mo are nothing to sneeze at. But what makes it the best camera in the market for webcast producers?
Shawn Lam compares key models in Sony's large-sensor camcorder line--the new shouldermount NEX-EA50, and the comparatively venerable handheld FS100 and FS700--with an eye to light sensitivity, image quality, and effectiveness with power zoom lenses, and reports on his epic, ongoing search for a viable parfocal 3x+ servo zoom lens.
Almost Live with Streaming Media reports from NAB 2014 with the latest on the Sony NEX-FS700R and new developments in the E-Mount lens ecosystem.