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Tutorial: Matching Ambient Sound Between Clips in iZotope RX4 Advanced

How to use the Ambience Match natural sound-matching feature in iZotope RX4 Advanced to fix uneven ambient audio across multiple clips and scenes, using examples from Jason Prisk's new indie film, Crimes and Mister Meanors.
Featured Articles, Posted 10 Nov 2014

Review: Adorama Flashpoint CL-1300 LED Panel Light

Adorama's Flashpoint 1300 LED Panel light is powerful, flexible and well-featured as a standalone light and can be easily integrated into two- and four-light panels should the need arise.
Featured Articles, Posted 05 Nov 2014

How to Create a Dynamic Corporate Identity Video

Check out videoBIO President and CEO's new trailer for her Streaming Media Producer Live 2014 session, How to Create a Dynamic Corporate Identity Video!
Featured Articles, Posted 01 Nov 2014

How to Build an Amazing In-House Video Team

VideoBIO President and CEO Catharine Fennell presents a trailer for her Streaming Media Producer Live 2014 session, "S102: How to Build an Amazing In-House Video Team."
Featured Articles, Posted 01 Nov 2014

Choosing a Video Switcher at Streaming Media Producer Live 2014

Anthony Burokas provides a sneak preview of his Streaming Media Producer Live 2014 seminar, T203: Choosing a Video Switcher, which he'll present Wednesday, November 19 at 11:30 AM in Huntington Beach, California.
Featured Articles, Posted 01 Nov 2014

Tutorial: Creating a Moving Timelapse Effect in Adobe Premiere Pro CC

This tutorial will show you how to create jib/slider movement by using 2K footage in your 1080p Adobe Premiere Pro CC project.
Featured Articles, Posted 27 Oct 2014

Telestream Updates Closed Captioning Applications

Telestream's MacCaption and CaptionMaker (for Windows) are ready to meet the new FCC rules requiring the captioning of video clips that are posted online
Featured News, Posted 15 Oct 2014

Tutorial: Repairing Audio with iZotope RX4 Advanced

In this walkthrough of the latest version of iZotope's powerful audio repair tool, RX4 Advanced, we'll explore the RX4 interface and workflow, and use some of its key capabilities to clean up some persistent hum as it effects both dialogue and music.
Featured Articles, Posted 11 Oct 2014

First Look: NewTek TriCaster Mini

The ultra-portable TriCaster Mini joins the TriCaster 40 at the sub-$6k end of the TriCaster line, but weighs in 10 lbs. lighter and adds HDMI input ISO-recording, a new compact control surface, an internal monitor, and more.
Featured Articles, Posted 09 Oct 2014

Blackmagic Design Updates ATEM Switcher Software

ATEM Switcher Update 6.1 software, a free download for ATEM switcher users, includes new features for Camera Control such as copying of color settings across cameras, white balance display and synchronized fading of audio and video using Fade to Black
Featured News, Posted 08 Oct 2014

Tutorial: Creating a 3D Look with 4K Footage in Adobe After Effects CC

In this tutorial, we explore how to add depth and visual interest to your videos by applying 3D properties in Adobe After Effects and leveraging the additional pixel real estate in 4K footage used for 1080p HD projects.
Featured Articles, Posted 08 Oct 2014

How to Integrate Real-Time Social Media with Streaming Video

Viewers interacting with a second screen while consuming content is not something that we, as producers, have much control over, but by integrating real-time social media with streaming video we can try to maintain viewer engagement and encourage them to use their second screens to interact with the content producers and other viewers, instead of with their wider social media network.
Featured Articles, Posted 07 Oct 2014

Review: F&V R300 Ringlight

I'm revisiting ring lights because I found one that addressed the two things that wanted to be different when I reviewed the Rosco Ring Light http://buff.ly/1u7t08l last year. The F&V R300 is a different design, with LEDs facing the subject instead of into a white plastic. It also has a battery holder on the right of the light, and a built-in power/dimmer on the left. The exact two things I said I wanted in a ringlight. But how does it light?
Featured Articles, Posted 06 Oct 2014

Sneak Preview: Audio Mixing for Live Production at Streaming Media Producer Live 2014

Anthony Burokas previews his Streaming Media Producer Live 2014 session, "T205: Audio Mixing for Live Production."
Featured Articles, Posted 01 Oct 2014

Axiom Images Offers Aerial Stock Footage Via Online Store

Axiom's online library contains thousands of locations, including major cities such as Los Angeles, New York, Washington D.C., San Francisco, Seattle, Chicago, New Orleans, Philadelphia and Miami
Featured News, Posted 30 Sep 2014

Portable Field Transcoding with Small-Form-Factor Computers

What if you need to transcode files when you're in the field, in between production shoots or as a way to push digital dailies out to local clients? Recognizing the need for portability in such a scenario, we ran a number of tests to determine the ideal balance of size and speed, and we share those results here.
Featured Articles, Posted 30 Sep 2014

Sneak Preview: Marketing Strategies for Online Video at Streaming Media Producer Live

Stjepan Alaupovic of St. Jepan Media presents a trailer for his marketing and branding session at Streaming Media Producer Live, November 18-19 in Huntington Beach, California.
Featured Articles, Posted 26 Sep 2014

Anthony Artis to Present Workshop, Keynote at Streaming Media Producer Live 2014

Anthony Q. Artis, author of the Shut Up and Shoot Freelance Guide, will present an all-day workshop and a Tuesday morning keynote at Streaming Media Producer Live 2014 on November 17-18 in Huntington Beach, CA. Check out Anthony's video trailer for the workshop and keynote for a sneak preview of what he'll be presenting at the event.
Featured Articles, Posted 23 Sep 2014

Sony a7S Full-Frame Mirrorless Camera, Part 3: Video Camera Review

In the last two articles in this 3-part series on the Sony a7S, we covered a lot of ground discussing what to look for in video lenses and lens adapters for the Sony e-mount that is native to the Sony a7S. Now it is time to take a deeper look at the Sony a7S as a video camera, with comparisons to the Canon 5D MKIII and Panasonic DMC-GH4.
Featured Articles, Posted 23 Sep 2014

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