Zixi's Eric Bolten discusses the transition to remote and cloud-based production in this clip from Streaming Media Connect 2021.
Featured Articles,
Posted 24 Feb 2021
If you're looking for a way to elevate your livestreaming productions beyond what clients can do themselves, then you will want to take over more control in your productions, starting with the PxP and PiP looks, using external hardware and/or software. The benefit of this approach is that your recordings will generate a standard HD signal for later editing and on-demand viewing on different platforms.
Featured Articles,
Posted 24 Feb 2021
The shift from live-switching to live-switched streaming since the pandemic started has required me to adjust my workflow to meet my clients' current demands in the most cost-efficient manner possible. In this tutorial, I'll discuss the adjustments I've made, explaining how to adapt the gear you have—with one additional minor purchase—rather than having to invest in a whole new streaming switcher.
Featured Articles,
Posted 16 Feb 2021
We put the AG-CX10, Panasonic's entry-level pro 4K camcorder, through its paces, assessing the camera's key features and usability, as well as the quality of the footage it delivers.
Featured Articles,
Posted 10 Feb 2021
What's the best way to handle a multiday conference with one remote panel event after another, with about 5 minutes between them, maybe less? What if you add video playback, remote slide presentations, and the inevitable last-minute changes? On a recent project involving the challenges described above, my team and I chose a cloud-based workflow. In this article, I'll discuss what we used, what the cloud offers, and why we went this way.
Featured Articles,
Posted 02 Feb 2021
Laurel Canyon Live's John Ross discusses the vision, mission, and workflow of a new live streaming facility that will operate at the nexus of live performance and narrative-driven music video in this interview with Streaming Media Producer's Steve Nathans-Kelly.
Featured Articles,
Posted 27 Jan 2021
I bought the FEELWORLD LIVEPRO L1 mixer for my own use, and the current state of operation is pretty exciting, not only for live streaming but for recorded tutorials. The ability to mix multiple cameras in real-time with a single audio overlay will speed many upcoming tutorials for different courses that I'm creating.
Featured Articles,
Posted 19 Jan 2021
Lower-end options ranging from smartphones and DSLRs to PTZ cameras and camcorders may seem attractive for their low cost, but broadcast-class cameras can significantly improve the look of your streams--as well as IMAG when congregants return to the sanctuary--and are more affordable than you might think.
Featured Articles,
Posted 13 Jan 2021
Doug McKendrick, VP Production at Toronto's Massey Hall and Roy Thomson Hall discusses the pandemic-accelerated pivot to in-house production and streaming in Roy Thomson Hall, home to the Toronto Symphony Orchestra, and the role video is playing in the revitalization of the legendary Massey Hall.
Featured Articles,
Posted 12 Jan 2021
Streaming Media Producer Editor Steve Nathans-Kelly and New World Symphony Director of Video Production Clyde Scott discuss New World Symphony's recent adoption of a workflow centered on Panasonic 4K PTZ cameras and controllers and their pandemic-era pivot to livestreaming.
Featured Articles,
Posted 21 Dec 2020
Stream4us' Anthony Burokas offers best practices for making remote guests in multi-source live productions look and sound their best in this clip from Streaming Media West Connect.
Featured Articles,
Posted 15 Dec 2020
Stream4us' Anthony Burokas explains how to use "virtual audio cables" from vb-audio.com to connect multiple audio sources when using a laptop for live streaming production with multiple remote guests.
Featured Articles,
Posted 14 Dec 2020
Streaming Media Producer's Steve Nathans-Kelly interviews William Sabourin and Carlos Larrondo, Director and Tech Director of the world premiere live stream of Voices of Congo Square.
Featured Articles,
Posted 08 Dec 2020
Anthony Burokas discusses a recent Stream4.us project where they brought in up to 9 remote sources from around the world using StreamYard to produce the show in the cloud.
Featured Articles,
Posted 01 Dec 2020
So what do you get if you stretch another $300 and move up from the Blackmagic Design ATEM Mini Pro to the ATEM Mini Pro ISO? The previous $300 stretch (from the ATEM Mini) got you a multiviewer, streaming, and program recording. For $300 more you get the ability to record each of the 4 inputs as an ISO recording and streaming to the ATEM Streaming Bridge.
Featured Articles,
Posted 17 Nov 2020
Clear Online Video's Stjepan Alaupovic provides an overview of Vimeo Create, a new mobile and desktop video production tool that enables users to create high-impact short-form videos for for distribution on social media.
Featured Articles,
Posted 09 Nov 2020
A critical look at several key features of the Canon XF705, including 4K and HD image quality, battery life length, heft, built-in streaming features, and the usability and effectiveness of its supported 4K/60P H.265 codec.
Featured Articles,
Posted 01 Nov 2020
In an interview with Streaming Media Producer, KABB-TV Chief Meteorologist discusses his station's pivot to remote production, and how he's leveraged Blackmagic gear to deliver a live-switched show with broadcast production value.
Featured Articles,
Posted 01 Nov 2020
Dayglo Ventures VP Jonathan Healey discusses the Couch Tour and how FANS Live creates two-way experiences for crowdless concerts in their venues that allow fans and performers to vibe off each other in this clip from Streaming Media West Connect.
Featured Articles,
Posted 27 Oct 2020
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