Are you curious as to what the AWS EC2 server is all about and what it can do for you? Let's say that your current computer setup is subpar or perhaps you need a second unit for remote production using vMix. The EC2 is a viable answer.
Featured Articles,
Posted 21 Sep 2022
In this short tutorial I'll give you an overview on Vimeo's built-in Editor tool. This feature from Vimeo allows users to give past videos a touch-up with the ability to edit, trim, and reinvent your videos.
Featured Articles,
Posted 13 Sep 2022
Streaming Media West returns to Huntington Beach November 15-16, with Streaming Media University Workshops on November 14. Registration is open now.
Featured Articles,
Posted 07 Sep 2022
Jef Kethley of LiveSports talks about how his organization develops solid resiliency models in varying production environments through the use of multiple data centers and cost-effective cloud production.
Featured Articles,
Posted 07 Sep 2022
What drives decisions to move to cloud or hybrid production (as well as decisions to put off the move and stick with traditional on-prem)? LiveSports' Jef Kethley, Paramount's Corey Smith, and Warner Bros. Michael Koetter discuss their to-cloud-or-not-to-cloud decision process in this clip from Streaming Media Connect 2022.
Featured Articles,
Posted 31 Aug 2022
Part 107 FAA Certified Drone Pilot Stjepan Alaupovic discusses current regulations for drone operators and key practical considerations from licensing and certification to airspace classifications for aerial videographers doing drone video work today.
Featured Articles,
Posted 24 Aug 2022
Voting is open until September 26 in 22 categories. Cast your vote today!
Featured Articles,
Posted 24 Aug 2022
Streaming media producer Anthony Burokas demos ingenious keyboard-touchscreen all-in-one for use with streaming and live content creation tools like vMix.
Featured Articles,
Posted 17 Aug 2022
Virtual event platforms must ensure that virtual audiences don't encounter network and access issues, and one key solution for events with a large number of attendees is staggering entry times, along with adding early arrival incentives such as pre-show content
Featured Articles,
Posted 17 Aug 2022
Australia-based Audinate develops and licenses Dante (Digital Audio Network Through Ethernet)-enabled audio devices that are used for streaming at schools, conference centers, and houses of worship. Here is a look at what's available and how you can deploy it in networked classrooms and conference spaces.
Featured Articles,
Posted 08 Aug 2022
Robert Reinhardt of VideoRx outlines essential steps for evaluating prospective webcast clients, such as determining high-value RFPs, gaining clear client expectations, evaluating the stakeholders, and identifying technology solution providers
Featured Articles,
Posted 02 Aug 2022
At $5,399, the Canon N500 is a bargain compared to other 1" sensor PTZ video cameras. Featuring 4K/30P and NDI|HX2 support, it has a long 15x optical zoom lens and dual XLR audio inputs, and supports the low-power POE+ standard.
Featured Articles,
Posted 01 Aug 2022
Chris Knowlton of Panopto talks about the sophisticated ways that pioneering elearning customers have led by example to quickly improve automated lecture capture and streaming with Microsoft Teams and Stream
Featured Articles,
Posted 20 Jul 2022
"Traditional" webcasting services like Wowza and AWS Cloud, though powerful and reliable, often came with expensive usage costs and longterm commitments that made it difficult for newer webcasters still gaining a foothold in the industry. Newer services like Mux and Pushr offer more flexible pay-as-you-go arrangements with less expensive transcoding, DVR, and storage costs that make them more accessible to newer webcasters, as Robert Reinhardt explains in this clip from Streaming Media East 2022.
Featured Articles,
Posted 13 Jul 2022
The name of the game for designing a hybrid classroom or meeting space is balancing inclusivity of the remote and on-premise audiences that a colleague sometimes refers to as the "zoomers" and "roomers," respectively. Here's a look at some gear that can help you achieve that balance.
Featured Articles,
Posted 13 Jul 2022
Some streaming pros say cloud production has made 5-10 years of progress in the two years since the pandemic shook live production to its core, but when will cloud offer the sort of no-latency communication, preview, and replay producers expect and rely on in on-prem workflows? And will it require a paradigm shift in the way producers think about hardware purchases and usage? Live X's Corey Behnke, CNN's Ben Ratner, LiveU's Mike Savello, and Signiant's Jon Finegold discuss the challenges of cloud migration and the current state of cloud in this clip from Streaming Media East 2022.
Featured Articles,
Posted 06 Jul 2022
The newly released Wirecast Gear 3 combines a change from Intel to AMD CPUs and a rearchitected software engine that Telestream claims "uses up to 60% less computer resources than previous versions." In this review, I tested the new version of hardware and software to its limits and came away very impressed.
Featured Articles,
Posted 01 Jul 2022
As COVID transitions from pandemic to endemic, what does the "new normal" look like in higher education? For Ohio State Director of Instructional Media Scott Nelson, it's all about making sure that the advances universities made in remote, hybrid, and asynchronous learning remain available for the students that need them, and that colleges continue to leverage the flexibility they've discovered. In this clip from Streaming Media East 2022, Nelson discusses his current role, a mix of advocacy and making sure departments have the right tools to keep hybrid learning going.
Featured Articles,
Posted 29 Jun 2022
Clear Online Video's Stjepan Alaupovic explains how to use Adobe Premiere Pro's Auto-Ducking feature to streamline the process of balancing background music with dialogue in your edited videos.
Featured Articles,
Posted 27 Jun 2022
|