This video tutorial demonstrates how to use and leverage 3 key new features in Adobe Media Encoder CC: Lumetri Looks support, and image, text, and timecode overlay.
Featured Articles,
Posted 16 Jan 2014
IEBA Communications' Anthony Burokas offers a sneak preview of his two Streaming Media Producer Live sessions, "Choosing Lenses for Online Video Production" and "Choosing a Video Switcher."
Featured Articles,
Posted 15 Jan 2014
Shawn Lam of Vancouver video production company Shawn Lam Video discusses his full-day workshop at Streaming Media West, "Shoot, Switch, Stream: Live-Switched Webcast Production," November 18, 2013 in Huntington Beach, California. Article now updated with the complete video of Shawn's advanced session, "Producing Synchronized Webcasts from Multiple Locations."
Featured Articles,
Posted 15 Jan 2014
Video storyteller extraordinaire Glenn Zimmerman of Manhattan and Tampa-based Mad Bear Productions discusses how to move from online delivery to online engagement in his two Streaming Media Producer Live Strategic Track sessions--updated with complete session video from Streaming Media Producer Live!
Featured Articles,
Posted 15 Jan 2014
proDad's latest release is a standalone application called ReSpeedr, which the company touts as "the Ultimate Super Slow-Motion & Time-Lapse Video Producer"; here we check out ReSpeedr's usability and test its image quality compared to that available natively in an NLE on moderately and extremely slowed-down clips.
Featured Articles,
Posted 14 Jan 2014
In this article, we'll document a viable 4k encoding workflow assembled for in-house testing, and look at some of the inherent challenges, as well as current products and enabling technologies used to make it work.
Featured Articles,
Posted 14 Jan 2014
Is this HP's chance to polish off the Apple all-in-one competitor?
Featured Articles,
Posted 09 Jan 2014
In Part 2 of our in-depth look at the Canon XA20/25, I'll touch on a feature new to Canon's pro line of camcorders, and to see how the AVCHD image stacks up.
Featured Articles,
Posted 07 Jan 2014
This tutorial demonstrates how to apply an effect to a portion of a video image while leaving the rest of the clip untouched, and how to track that portion of the image throughout the duration of the clip, using the Track Matte effect in Adobe Premiere Pro CC.
Featured Articles,
Posted 26 Dec 2013
How the Canon XA25 and Livestream Broadcaster proved a straightforward and effective no muss, no fuss solution for live streaming of a series of trade conference with little ramp-up time or gear-up budget.
Featured Articles,
Posted 18 Dec 2013
An in-depth discussion on the features and usability, image quality, and capabilities of the Canon XA20/25, along with comparisons to the predecessor XA10 and next-higher models XF100 and XF300 featuring the author and Andrew Jones of Dallas's The Movie Institute.
Featured Articles,
Posted 18 Dec 2013
With Wirecast 5, Telestream has significantly improved usability with a redesigned interface, beneficially expanded the product's input capabilities, and upgraded the product's plumbing with features like x.264 encoding and HD-SDI output via Blackmagic Design Intensity or DeckLink cards. Learn more in this video tutorial that guides you through the new release.
Featured Articles,
Posted 17 Dec 2013
In this ongoing Streaming Media Producer series on webcast video production, Shawn Lam covers the video format converters he uses in his own HD webcast workflows, and one new converter that just might be the video converter, scaler, and distribution amplifier to rule them all.
Featured Articles,
Posted 11 Dec 2013
Recent upgrades to Adobe CC make it easy to apply graded looks in Adobe Premiere Pro CC and match shots with different color temperatures via seamless roundtripping between Premiere Pro CC and SpeedGrade CC.
Featured Articles,
Posted 11 Dec 2013
How KABCOM captured and streamed the entire 2013 competitive fencing season--including the International Challenge in Paris and the world championshops in Budapest--leveraging the Matrox VS4 quad capture and ISO recording card and Telestream Wirecast streaming software.
Featured Articles,
Posted 04 Dec 2013
All of the items Adorama's Flashpoint product line are priced in the $200-$400 range, but quality-wise they're very good. They're not the most refined and precision instruments available, but they get the job done, and this 7-inch, 1280x800-resolution LCD monitor, which lists for $400, is no exception.
Featured Articles,
Posted 01 Dec 2013
In this review we're going to look at the Adorama Flashpoint line of Cinema DSLR Gear. We're going to start off with a broadly compatible and modular system including the Mattebox, the Shoulder Rig, and the Follow Focus, and finish off (in a separate review) with Adorama's 7-inch LCD monitor.
Featured Articles,
Posted 25 Nov 2013
The dual-stream use case--one for streaming, one for archive or other production--is very common in live production, and Matrox Monarch HD, a $995 compact standalone streaming/recording unit, appears to be the lowest-cost solution--and a highly competent one at that.
Featured Articles,
Posted 16 Nov 2013
How does the all-in-one that's won over the workstation crowd stack up against laptop form-factor workstations for speed, power, and upgradability for streaming media producers?
Featured Articles,
Posted 13 Nov 2013
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